There are many reasons for a professional photographer or video editor to shell out thousands of dollars for Apple's new Pro Display XDR monitor. But only Apple would be arrogant enough to think anyone — professional or otherwise — should shell out $1,000 for a stand to go with it.
So you say that you’re a landscape photographer and the appeal of new gear affects you like every other photographer? I’ve got just the suggestion for you.
In today's digital age, there are numerous apps available that can significantly enhance your landscape photography experience. In this article, I want to take a look at the six apps that have proven invaluable for my own landscape photography.
Ever since the Canon 5D Mark II, it seems as though Canon has been dragging their feet when it comes to innovating. Their new announcements and releases tend to be met with quite a strong negative response, and although this may not be an overall consensus, it's prominent enough.
Viltrox has been manufacturing thirrd party lenses for some time now and has been hitting the mark with build and quality at a very reasonable price range. Their latest release, the 13mm f/1.4 is aimed at photographers and vloggers.
Canon’s tepid 4000D isn’t released in this country yet, but the fact that it even exists is a sad commentary on where camera manufacturers are today.
With sensor prices dropping and given that mirrorless finally has some competition at the top end, it’s time for Nikon and Canon to treat its customers to something classic: a pocket-sized camera featuring a full frame sensor and a fast, fixed prime lens.
Photoshop and I go way back. I had the first version in 1990, and it has served me well as a photo editor for both my landscape and deep sky work. Over the last couple of years, though, every time I use Photoshop or Lightroom in their Creative Cloud versions I can't help thinking something is wrong.
The Nikon Z 6 and Nikon Z 7 have been generally well received, with the Z 50 filling out the current lineup at the lower end. There is still room to grow in both directions, however, and it seems that will soon be the case, with at least two new cameras expected from the company in the next year or so.
You shoot perfect pictures. But are they the photographic equivalent of fast food? Maybe it’s time to consider changing the way you shoot and reject sausage machine images.
I've always been a Windows desktop user, but until this point I've never built my own desktop from scratch. I finally decided to teach myself how to build the ultimate PC for video and photo editing and I'm bringing you along for the ride.
We just spent a week shooting the new Pentax 645z, the new, somewhat-affordable medium format system. We wanted to take a real world approach to how we would test the camera, so like most reviews on Fstoppers, this will be less technical and more about how it performed on the job. It was put through its paces at full wedding, a weeks worth of portrait sessions and a night shoot.
Yes, it’s true. A medium format point and shoot camera actually exists. I wasn’t really into it at first, but have completely fallen in love with it after a few outings. It may well be the only camera I never sell.
When Canon confirmed the EOS R3 recently, it highlighted specs that went toe to toe with Sony's flagship a1: 30 fps continuous burst rate, eye-controlled autofocus, a vertically integrated grip, ultra-weather-resistant body, and a sensor with much faster readout times. As such, it might seem like the EOS R3 is meant to be Canon's flagship, but that's not the case, as something even better is coming.
According to his bio, Jesse Chen is a software engineer at Facebook and recent graduate of UC Berkeley. Jesse has a personal blog which we recently stumbled across that includes a blog post from 2012 that detailed how to go about stealing copyrighted images and removing watermarks.
Finally, an adapter for manual lenses that adds autofocus.
I call it the 3-in-1 Headshot Method. As a professional photographer it is imperative that you are able to adapt to your surrounds and the needs of your clients. I run into a situation quite a bit where my client doesn't know exactly what they want out of their headshot session so it’s my job to give them multiple options. In many cases my clients are very busy and they may only have a few minutes to get the shots they need so that doesn't give me the time to tear down my set and build a whole new one just for one look. Anytime I find myself in a situation like that I try to use my 3-in-1 headshot method which allows me to shoot three very different looks with just two lights and one grey background. Check out this video where I go through my process step by step.
There are fads that come into fashion that then become passé and others that become overused clichés. Some things we do are just unethical. Here's what should be abandoned this year, and drone owners won’t be pleased.
You read that right: shouldn't. Wedding photography is a field that many photographers work within at least once or twice in their budding careers. Is it for you, though? Do you have what it takes? Even some of the most seasoned professional wedding photographers have thrown in the towel and moved on to other forms of work. Why is this, you inquire? I asked several of my colleagues – wedding photographers and other professional shutterbugs alike – their thoughts on why they think shooting weddings for a living sucks. These are the top five responses I received.
I have been doing photography for about 10 years. In that time I have moved from hobbiest film shooter to professional commercial photographer. This is what helped me make the leap.
About 15 years ago, the first DSLR was introduced. The Nikon D1 showed consumers that digital was the future, and was quickly superseded by the Canon 1D. Sporting just 2.7 megapixels (and 4.15 megapixels for the Canon D1), the technology wasn't quite there to make the DSLR groundbreaking. 15 years later, the DSLR has become the staple for photographers everywhere. So where will we be in say, another 15 years?
As photographers we're in a fortunate era where we have more tools at our disposal than ever before. That said, there's one well known one I have used consistently for years, that many photographers neglect.
Imagine a world where words can create images. Now imagine what that would do for the art world and photography. Well, it's here and it's not going to go away.
To paraphrase the great Mark Twain, reports of the death of the DSLR have been greatly exaggerated. With Nikon announcing the release of the new D780, in the midst of the mirrorless wave, some people might think this move crazy, but from a business standpoint, it might just be genius.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
The number one questions I receive when talking about Instagram is "How do I build a huge following like you?" and I usually laugh and reply "I honestly have no idea." Though this is true in some sense, there must something attracting these people to follow me by the masses. Whether that be by liking, commenting or even reaching out to collaborate it's still a bit of a mystery to me. Beginning today I am going to break down the various ways to use Instagram for business but first I want to give you all 3 comprehensive steps to building a huge following.
I asked in a Dutch photography community how they feel about black and white photography for landscapes. It seems it's not generally accepted, and many strange reasons are given why black and white shouldn’t be used. I’d like to share a few of those reasons that caught me by surprise.
Imagine heading to a photo shoot and noticing afterward that most images you took are partially out of focus. You are sure you set the focus right, and the depth of field in the photos is also sufficient. The problem might be a decentered lens.
Half of the lenses I bought in the past 15 years were decentered. At first, I didn't know of that problem. The first wide angle lens I got from Canon required focus-stacking all the time. Since I mostly shot landscapes, it wasn't clear to me that this was due to a problem with the lens and not because of the topography of the...
With Instagram gradually rolling out the removal of the number of likes an image gets being visible, a lot of reactions have surfaced: confusion, animosity, and for some — like me — excitement.
This is a post for all the dude photographers out there. I really don't want to be writing this, because I don't think it should have to be said, but apparently it does. This post is simply a call and reminder to treat your models with the respect that they deserve. I want to talk about respecting your subject's boundaries in general, but I also want to address the psychological part within men's minds that makes them want to see women naked.
