The State Governor of Washington has outlined advice for professional photographers who are looking to re-open their studios and return to work. The guidelines come as the state begins its plan to return to life before COVID-19.

For many photographers, the Adobe software suite is the main suite they use for editing and to manage their content. Over the last few years, however, many creatives have become dissatisfied with the monthly subscription model that Adobe has now opted for. For this reason, many photographers have been looking for a viable alternative.

Have you ever wondered how to create a stronger portfolio and artistic voice? In this article, I will share my methodology for creating better photographs.

With drones being so accessible and easy to use, everybody is taking aerial shots these days. But there's nothing like crawling into a tiny Cessna and exploring the skies from a plane for yourself! Here’re 10 tips on how you can do just that.

We all have our favorite songs that we sing when are going through bad times or want to pump ourselves up. In this hilarious photo series, a photographer captures his friends singing their favorite songs and imagining that the camera is not there. See which song each person was singing!

Have you ever felt stuck as a creative? Have you experienced being out of ideas when you badly needed them?

As the COVID-19 continues to shut down a wide variety of industries, television networks are not immune to its effects, leaving them to get creative. CBS is taking a unique approach by filming an episode their show "All Rise" entirely via videoconferencing platforms.

Like it or not, video is the preferred means of communication for most content creators these days. A quick look at Fstoppers itself proves that. Even when it is a photographer who is providing information to other photographers, video is the medium of choice.

As a landscape photographer, what is my impact upon the very thing that I love to photograph and how can I reduce that impact? This was the overarching theme of the conversation when I recently sat down with Scott Bacon, Managing Director for a group called Nature First, the Alliance for Responsible Nature Photography, to ponder this question. Scott’s passion for the subject was immediately evident, and I found him to be an engaging and committed ambassador for what Nature First is all about.

For those who specialize in real estate photography, it is common to say this genre of photography is fraught with its own unique set of challenges, from dealing with challenging lighting conditions such as balancing interior and exterior light to time constraints to low budget and short turnover time. In the competitive world of real estate, it is almost non-negotiable for photographers to produce high-quality images to help properties look their best through the help of post-processing. While mastering these post-processing techniques has proven to significantly improve the outlook of the deliverables and also overcome the shortcomings of on-location shoots, they often take years to learn and master. Thankfully, the advancements in AI photo editing tools are making these hurdles easier to overcome and helping you gain a competitive edge in this tough market. In this article, we will explore the common challenges faced in real estate photography and how AI photo editors can help address them efficiently in editing real estate photography.

Today, I will definitively answer an age-old question. Or perhaps, more likely, pontificate on something that all people and all artists have been asking since the beginning of time.

National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I'd bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment.

In this article I will be giving some insight behind the creation of my latest video, “Green Heron: A Cinematic Portrait,” which includes dealing with gear limitations, working with music and sound effects, and forming wildlife footage into a story.