Rumor has it landscape photography on bright sunny days with blue skies is not a good idea. I would disagree. Here are a few ideas for editing photos shot in the midday sun that might just inspire you to go out and shoot more in bright conditions.
I love prime lenses—they’re always my preference—but I had to travel across Spain recently to make a documentary film and was traveling light. I had to pick my lenses carefully, so I chose the 24-70mm as my main lens. I quickly discovered it was the perfect travel lens.
I've been seeing spotlights used in shoots everywhere, so I wanted to jump on the trend and put my own twist on a spotlight shoot. Here’s how my creative partner, David, and I created a theatrical portrait session using a spotlight.
I see a growing number of new lenses hitting the market that rely on lens correction. These lenses have some benefits, but are lens manufacturers taking shortcuts with these lens designs? Will we be seeing more and more lenses with this reliance on lens correction in the near future?
To fully understand how white balance affects our perception, we must first explore how color shapes our emotional response in photography. Since the dawn of time, we humans have become accustomed to associating certain colors with specific contexts. The ability of humans to read visual cues for signs of danger is likely an instinct as a survival mechanism. For example, brightly colored insects scream danger without having to look into the species.
Coming from a photography background, venturing into the video realm can feel overwhelming. While I'm confident in most aspects of photography, the learning curve for filmmaking is steep and often more complicated than expected.
When it comes to lenses, photographers who hear "ultra-wide" and "fast apertures" are usually bracing for an equally impressive price tag. The Viltrox 16mm f/1.8, however, seeks to deliver excellent optical quality and unique lens features at a reasonable price—in this review, I’ll see if Viltrox can execute a truly great ultra-wide prime.
The latest M4 MacBook Pro marks another substantial upgrade in Apple’s pro laptop lineup, bringing a blend of powerful performance and practical new features. I've used it over the past week, and here are my thoughts.
Remember the smell of film rolls and the feel of manual focus?
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2024, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
Every couple of years, our network access storage (NAS) gets nearly full of old photoshoots and video projects. Today, I am installing our biggest system yet, and it can hold a whopping 160 TB of data. Oh, and it's also 10 GbE, which allows us to edit video projects directly off the network.
So many of us photographers seem to have an insatiable appetite for camera gear. For some, it’s G.A.S. (gear acquisition syndrome), while others are honing their photographic experiences into a seemingly futile and almost never-ending quest to trade up to the perfect camera. For a rare few, they have found their gear and are sticking to it.
Picture controls, picture styles, and picture profiles are a few of the names they go by, depending on your camera brand. But what are they, and how can they help you create images and make editing easier?
Someone on social media stated “A pro would never use a Z50!” If you’re not familiar with Nikon, this is their crop sensor entry-level camera, costing $860. I’ve heard similar statements dozens of times—matter-of-fact assertions about what pros do, usually made by photographers who aren’t actually professionals.
It is never easy to let go, whether it’s your favorite camera, light, or shoes that are just beyond repair. I’m the worst at letting go and don’t recall the last time I sold a light, if ever. The process seemed tedious and simply unnecessary. However, letting go can be much easier. Here’s the best way to let go of old equipment.
One of the most difficult things to accomplish is achieving a great composition. There are many rules and guidelines—enough to make your head spin. Perhaps there’s a better way to create an attractive composition, and that’s by ignoring the rules at first and concentrating on what you want to show.
A few months ago, I explored a new photography challenge and invested in an infrared filter for landscape photography. I could've bought an already converted used camera, but after looking at what was available on the used market and specialist conversion services, investing in a filter seemed to be at a more appealing price point and the best of both worlds. After several trials and tribulations, I became hooked on this newly discovered world of infrared photography.
I woke up with my morning coffee to these thoughts: “Overprocessing images can sometimes compromise the integrity of the image and do more harm than necessary. Here are several reasons why one should refrain from over-editing their images.” I thought to myself, “I need to caffeinate further before finishing this article” and took a big gulp of my coffee.
Let’s walk through the top seven mistakes (because, let’s be honest, ten is too many, and five just feels lazy). Here’s the thing: your website is your storefront. It’s how people find you, decide if they like your work, and, ideally, hire you. But if it’s buried in search results, slow to load, or difficult to navigate, you might as well be taking those gorgeous photos and tossing them into the digital void. Whether you’re wondering why your site isn’t showing up on Google or why potential clients aren’t booking after visiting, this list will help you turn things around.
Being a professional photographer is about more than just the exposure triangle.
When editing landscape photographs, there are many ways to get from point A to point B. In this tutorial, we'll cover using Adobe Camera Raw to get the most out of your raw files.
As the season of goodwill, giving, and receiving rapidly approaches, what do you buy an established photographer if you want to spend more? Here are some big presents for those photographers nearest to us, or ideas your loved ones might consider for you.
Modern lenses are perfectly sharp and crisp. But perfection is overrated and can be rather boring. I have a solution to add some character back into my photography and videos.
Is there a difference between a photograph and a picture? In my mind, yes! A picture is a snapshot documenting a person, place, thing, or moment without intention. A photograph is created with intention, process, and technique.
It’s that time again when my brain starts to ponder the endless question: What would be my idea of a perfect camera?
Have you ever struggled to get your image from the foreground to the background in focus? As photographers, especially in the genre of landscapes, the ultimate goal is to achieve sharp focus from the foreground to infinity. Have you struggled with this in the past? You can use hyperfocal distance, double the distance method, and focus stacking techniques to achieve sharp focus from foreground to infinity. While a few of these methods can be challenging, with a little knowledge, they are more accessible than one might think.
Natural light is one of the most important elements in landscape photography. It shapes the landscape, creates mood, and brings depth to a scene. However, natural light is also highly unpredictable and can either enhance or ruin your shot. For landscape photographers, understanding and ultimately mastering light is crucial, but it comes with several challenges. In this article, I want to explore the complexities of working with natural light and how you can overcome these challenges to improve your landscape photography.
The king of kit lenses is dead. Long live the Fujinon XF 18-55mm f/2.8-4 R LM OIS!
You’ve poured your blood, sweat, and tears into your art. Now, it’s time to make sure it is preserved.
Access to photography has never been greater, yet now the risk of the family archive dying out has never been more of an issue. This article explains why the digital age has put the family archive in danger, and what we, as photographers, can do about this.
Recently, I was flown out for the first time as a photographer, and this is everything I learned from the experience, as well as what I would change for next time.
A little over a year ago I had the opportunity to do my very first celebrity photo shoot with Grammy Award-winner Fatman Scoop at my studio in New Jersey. He had posted on Instagram that he was looking for photographers and videographers to collaborate with. Thinking I had nothing to lose I submitted a brief email expressing my interest and directing him to my website to review my work and to reply back if he liked my work. To my surprise, I received a response a couple of days later asking to schedule a date to shoot!
The inverse square law is one of the most important yet misunderstood concepts in photography. On the surface, it basically says that the intensity of a light source will decrease as you move the light away from your subject, but how does that apply to the highlights and shadows in a portrait? In this small excerpt from the "Illuminating the Face" tutorial, Peter Hurley breaks down both the math and the practical application of the inverse square law.
We at Fstoppers have always been big fans of the incredible photographers and retouchers who form Retouching Academy. The talent and educational knowledge of Julia Kuzmenko McKim has been shown in our 2015 Fstoppers workshop, through many posts on Fstoppers and Retouching Academy, and is condensed in her Studio Beauty photography tutorial. Now, another instructor at Retouching Academy is stepping up to bring more invaluable information to the community. Michael Woloszynowicz presents the newest tutorials from RA with an in depth look at the process of Dodge and Burn as well as Color Grading.
In this simple lighting tutorial, I discuss three different ways to create softly lit and dramatic images with a single reflective umbrella.
Are you a photographer or videographer who loves to write? It's that time again! Fstoppers is looking to hire several creative professionals to write for us. If you enjoy reading Fstoppers and think you may have something to offer, we want to hear from you!
If you are a shooter or video producer, you know that there are many things that go into creating great video. Sure, using the right gear is key. Composition and lighting are key. But after the video is shot, shot selection, pacing, and color correction have to be considered for the edit. Then there are graphics. Titles, lower thirds, transitions, and the like have to be designed and animated. There are tons of parts that go into making one complete, great-looking video. And it’s hard to master every aspect of video production – not to mention the fact that time and budget constraints make things even harder.
Fstoppers is starting a new bi-weekly contest in our Community! Every two weeks, we will announce a new contest within a specific group. The newest contest can be found in the Wedding Photography Group.
For many photographers, the holy grail of “making it,” as a photographer is a sponsorship. The truth is that it’s really not as difficult as it sounds, but to make it easier, I’ll give you three tips to landing your first sponsorship.
In October, my friend Corey Berse and I somehow convinced our wives to let us go to Iceland for a week without them (neither of us are professional photographers, so a week-long vacation that did not include them was not the easiest sell). Our plan was to drive the entire Ring Road in six days and shoot as much as possible. Here are the highlights, some pictures, and a video of our trip.
For the majority of my life, I was a soldier in the United States Army. As a part of military life, I learned how valuable it was to be prepared for all the things that could go wrong. Many soldiers will build a bug-out bag, also known as a go-bag. A bug-out bag is essentially a bag full of items one might need when in a pinch. Now as a photographer, my bug-out bag is full of all the little items I often am asked if I have or things that can make any shoot go easier. These things have often meant the difference between success and failure on a shoot. Here is the list of stuff I put in my bag.
At the time I was a 31-year-old N.J. and N.Y.C. luxury wedding photographer that had been married for 5 years and had over 6 years of stable business ownership. You’d think getting pregnant would’ve been no big deal — but it was for me.
"It's a vulnerable thing being photographed," says the photographer sitting across from me, "It's not abnormal for me to sit and chat with people for 20 minutes before I photograph them. I'm timing myself; I am watching for a look in their eye... Once I see it, I know we are ready to start photographing." Sitting down in Michael Schacht's studio, nestled in the heart of Chicago's meatpacking district, I have come to realize he is all about human connection.
In this simple lighting tutorial, I discuss how to create a soft and dramatic image by placing my light overhead.
The time of year in which many of us pause, reflect, and consider the changes we wish to make for the year ahead has arrived. Resolution inquiries may excite you or fill you with dread as friends or family members begin asking you what you have planned for 2017. Myself, I am not a fan of resolutions set at New Year and forgotten a few weeks later. Some of us have likely abandoned several already. Research continues to show us that one thing is very clear, to be successful, you must have clear goals, but you must also become very intentional in your process toward that target. So here is a list of things you can change in your live today, that will benefit you greatly if you make them a part of your routine.
We have to deal with annoying Internet trolls on a daily basis. They usually try to start an argument by posting a ridiculous comment on Fstoppers, Facebook, or YouTube. They used to really bother me, but at this point, I've become pretty impervious to negative comments, but sometimes, these trolls take things too far, especially when they think they are anonymous.
The thing you should know before you ever attend a photography workshop, spend money on one tutorial, or invest in even one single conference is this: You are going to be your own greatest roadblock to success.
I'm not the type of person that likes switching brands. I've been with Nikon from day one, but my needs are changing, and Panasonic seems to have made my dream camera. I know this may sound crazy, but I may soon be selling the majority of my Nikon gear and buying six Panasonic GH5 cameras.
Recently, I've gotten into surfing. I'm quite possibly the worst surfer in the world, but through surfing, I met some great, artistic friends. I acted as the DP on a super fun all-women's surf film this summer. I had no idea how to shoot surfers, so it was a huge learning experience. Now that I know a little bit more about it (and I stress the "little bit more"), I thought I would try and shoot a personal project just for fun to test out an artsy-fartsy idea.
Morten Rustad’s a rarity, managing to make time-lapse photography his fulltime gig – and today he’s teamed up with New Zealand based company Syrp to share his expertise and host their latest Filmmaking Guide: “How to Setup a Long-Distance Cable Cam Motion Time-lapse”.
