Fstoppers Original Articles

Most of the times, wedding photography is looked at as this big ball of happiness, glam, and glitz where two hearts come together to exchange eternal vows and so many people come together to celebrate it in a grand way. Now that’s the fun part. From a wedding photographer’s eyes, there’s a lot more to it. From client communication to shooting to editing to delivery, there are so many things that a wedding photographer juggles around before signing a project off happily. One of the most important parts of it is the legal contract.

What do you do if that one location you want to photograph on your trip just happens to be one that hundreds if not thousands of other people also want to photograph? It can be a tricky situation to navigate. Sometimes it can be straight up frustrating. After too many instances where I found myself just being irritated, I found a few different ways to approach my shots of popular destinations that allowed me to capture what I wanted without having to feel like I was fighting crowds just for my shot.

Is there anything finer than a monochrome silver gelatin print shot on film? Should we even attempt getting close to that with digital? Black and white are either misused or underused in many genres, and it’s time for a change.

If you had your time again, would you change anything about your photography career? Here are 10 regrets I have accumulated while practicing as a professional photographer for the last decade.

No, it's not by adding black bars or shooting in slow motion. There's much more to the skill of making your videos look like the movies.

Photography can be expensive, it can be cheap, and it's usually somewhere in-between. So, which genres are the hardest to shoot if you don't have much money for equipment?

Should you think more about having a coherent and distinctive style to your photography? If you want to raise your game, then finding your own look is imperative. There's one surefire way of developing that. However, some big obstacles will try to trip you up along the way.

There are moments when it's difficult to go out photographing. Perhaps the weather is too bad, or it becomes dark too soon during wintertime. I have a couple of suggestions to spend these periods with less inspiration in a useful way.

For many photographers, taking portraits of celebrities, athletes, and government officials seems like the pinnacle of a successful business. Sometimes, however, those jobs require an insane amount of work, risk, and safety precautions to pull off the shot. In today's Story Time With Monte Isom, we look at how Gregory Heisler captured Time's Man of the Year cover with NYC mayor Rudy Giuliani.

There are a lot of great tools available for editing, and my favorite techniques tend to have large impacts for little effort. Lightroom's masking tool does this better than anything else I've ever used. This guide will teach you everything you could possibly want to know about Lightroom masking regardless of your skill level.

A common piece of advice for photography beginners is to use your phone to take images, as it's a powerful camera in the right hands. I used to give this advice too, but after a lot of thought, I realized I was wrong.

Over my years as a fashion photographer and retoucher I’ve made contact and had conversations with countless other photographers. I’ve watched some of them flourish and some of them flounder. Those that rise above the competition and make their mark in the industry seem to embody a certain set of traits or characteristics that help in their success.

Most of us gravitate toward a few key features in cameras: things like ISO range, continuous burst rate, etc. Here are five camera features I think do not get enough credit.

Shooting someone's portrait can be a very personal experience. Even in a controlled environment such as a studio, the success of an image often depends on a photographer's ability to establish a rapport with their subject. That is difficult enough at the best of times, but what about those occasions when you don’t control the environment, such as photographing total strangers in the street?

Time-lapses are an easy way to add spice to your video productions, but sometimes parts of your scene look awful when displayed over long periods of time. In this tutorial, I'll show you how you can use real-time video to improve objects with oscillating movements.

Becoming a professional photographer is easy — all you have to do is charge money. With cheaper alternatives for gear and education, here is how the industry has been affected by the lower barrier of entry.

We at Fstoppers do our best to keep the photography community informed of noteworthy holiday deals. Since Black Friday week is here, we wanted to let you know about some deals we've heard of from various photography and video companies. Some of these deals are only available for a very limited timeframe, so if there's something that piques your interest, make sure to act on it now!

I've bemoaned the state of current Android camera apps and so, in the first of this two-parter, I interviewed Martin Johnson, the programmer behind the well respected Snap Camera HDR. As a follow-on, this article interviews Mark Harman, developer of Open Camera.

This week a new social network has really started promoting itself and seems to have amassed a fairly active user base, very quickly. Candid is an elegantly designed micro-blogging tool designed to focus discussion around specific topics rather than users, with the end goal of keeping everyone anonymous. The big question is, will it last or is it another wannabe network to be ignored? And most importantly, as photographers, is this a network that should be on our radar?

AI is the perfect hype commodity for tech companies and social media shills. If you thought NFTs and crypto cults were full of hot wind, then strap yourself in for the AI movement, because it’s bigger, gassier, and truly inescapable.

When a new camera is released, many photographers will upgrade almost at once. A new camera often promises more resolution, a larger dynamic range, less noise, and perhaps new functions. But it won’t promise a better photo. Or does it? Let’s take a look at a reason to upgrade or the lack of reason.

Today, a brief thought on when, sometimes, the solution isn’t X or Y, but X and Y.

Some of my most favorite photos are those which I had little or nothing do to with. I love my work, but when I look at a photo that I took, it's often difficult to get past the fact that I know too much about it. I know the edits, I know the tones, I know that it could have been better had I just moved a foot to the left or the right, and I know how many times I ditched the file and started over from scratch. In short, as an artist, sometimes knowing what’s behind the curtain makes it difficult to enjoy the overall work.

Ever had an overexposed photo that was destined for the trash? Well, hold up! You may be able to save that thing and turn it into a masterpiece. So before you hit delete, read on for a detailed look at how to save overexposed photographs in Lightroom.

Recently, a rather scathing article went up on Resource Mag’s website discussing the toxic behavior of a certain photographer. You can feel free to read the article. I, however, won’t mention him here other than to say that he is the sort of person who claims to be a teacher, but instead uses his fame to attack and belittle other, less experienced, photographers. He has made a hobby of robbing others of their love and passion for his own selfish delight.

Our friends at ViewBug are proud to present the Earth First contest series. These contests awards top-end gear that was lovingly used by another creative individual. Providing high-quality, pre-owned prizes puts less strain on the planet, and allows ViewBug to offer even bigger prizes. Classic win-win!

In a recent article, I talked about upgrading your skillset and knowledge as a photographer. Continuing with that topic, I want to address some of the things that photographers seem to care about, but really shouldn’t.

The industry has been putting out some really hard-to-resist gear these last few years. Ever since Sony released the a7 mirrorless line, it’s been a tsunami of gear upgrade options that seem too good to pass by. Whether it’s the new tack-sharp, image-stabilized Canon RF lenses, the 61-megapixel Sony a7R IV, or the new "creator-ready" Nikon Z 30, it’s not just a case of “Shiny Object Syndrome”: these developments in technology really do reflect in the quality of the work creatives can produce. That’s where MPB comes in.

As creatives, we have to stay inspired, focused, and always be moving forward. Aside from focusing on creating beautiful, desirable work, if you want to survive doing what you love, you have to have a good business sense. For some of us, this comes naturally, for others it is a learning process. No matter what your experience with business is, you can always learn more. Between books, classes, and mentors, the options for learning are endless but between our personal lives, creating artwork, and what our budgets allow, the option aren't always as broad. Podcasts are an awesome, free way to learn about the business side of your craft. They can be informative, inspiring, and allow you to learn while you work. While there are tons of podcasts out there here are my top three favorite when it comes to the business side of photography.

Earlier this week, Fstoppers creators Patrick Hall and Lee Morris posted a tongue-in-cheek video that mocked photographers’ very real lust for the perfect bag. I hope you all got a great laugh out of that just like I did. We’ve all been in Hall's position, watching a seemingly endless pile of gear come out of someone else’s bag. Today, I thought I’d go through the five bags I use on a regular basis for both my work in Seoul and my travel work.

If like me, you’re tired of those overprocessed portraits shot during golden hour or at sunset that crowd your online portfolios or your Instagram feed, then perhaps you should consider rising early for your portrait session.

Before Sony announced their new a9 mirrorless camera in April, rumors were flooding the headlines about its possible existence. Now that we know what the a9 really is, did the reports hold up?

With seven new lenses hitting the market, Canon is updating their CN cinema glass to RF mount. They’re almost identical to the original EF mount lenses that debuted in 2011.

While it’s always fun to window-shop $14,000 lenses, the best value for the dollar can be had from some simple $30 or less accessories. Over the last year, I’ve found 4 pieces of gear that have earned a permanent place in my bag — here are my favorite cheap and functional accessories that can all fulfill a variety of roles.

In this article, we'll explore the ingredients for a great photo and find out which are the most important.

The first thing you think of when it comes down to shooting landscapes is a horizontal orientation. Perhaps that is why it’s called landscape orientation. That sounds obvious, doesn't it? But I believe it’s not always the better choice.

Knowing what shutter speed does is vital for controlling your images. That’s not just how it affects exposure, but changing the shutter speed has a knock-on effect that can dramatically alter the look of a photo. Here’s an explanation and some exercises for you to try.

One of the biggest complaints I've heard about Fuji's new medium format camera, the GFX 50S, is that there are no leaf shutter lenses. Leaf shutters have long been a staple in some medium format systems, enabling flash sync at faster shutter speeds than we are used to with focal plane shutters. But, here's the thing: It doesn't make sense for the GFX 50S to support them. Here's my reasoning why.

Most people reading this article, going to workshops, and watching YouTube content want to improve their landscape photography. It is the question I get asked the most, and there are many answers and solutions to this. But without doubt, the most important part, but often the hardest, is actually being in the right place at the right time.

Have you ever dreamed of using photography to recreate your favorite superhero scenes?

A few years ago I was talking with a fellow photographer about the color correction of portraits. While on the topic of using white balance cards and color charts in order to get a perfect skin color, he interrupted me and said, “You can't have perfect skin color with these.” I immediately thought to myself, “Oh, yeah?” Oh, yeah. That was the truth, and I will explain why below.

When we create a photograph, there are things we can do to change it from being mundane to interesting. Here are some of the most important aspects of composition and the one unteachable factor that is exclusively yours to discover.

Video is something I have begun to play with over the last few weeks in the form of a vlog on YouTube, but as you might know it's difficult to gain that organic reach you're used to on social platforms. That doesn't mean its impossible, but by using various other channels to advertise and push them to that new content is key in today's world. That is where vertical video comes in on Instagram! Yes, it might be annoying as hell to see yet another vertical video, but hold tight as I walk you through why this is a brilliant place to use it and also how you can do it yourself.

White balance is very important in many areas of photography, but what about landscapes? In this week's article and video, I dive into why you shouldn't worry about white balance out in the field, but I also go over best practices in deciding how to edit your images.

Godox has been disrupting the lighting industry for several years now with their budget-friendly options for studio strobes and on location lighting. The Godox system is growing even larger with the addition of their newest on-location light, but does this new light make sense to those budget-conscious photographers that have adopted the system?

The Huawei Mate 10 Pro has two f/1.6 cameras, so it’s no slouch in dark scenes. How far can it’s stellar AI chip push the image though?

The music business is a brutal, cutthroat, dog-eat-dog world and I lived it for nearly 10 years. Since the age of 16, I struggled as a touring musician, surviving off nothing but cold Spaghettios and sleeping in a decade-old 8-passenger van. I was fortunate enough to explore the nation and see things that most will never see, but by the time I left the business I was completely burnt out.

It feels like an increasing occurrence to meet creatives — particularly photographers — who feel no obligation to have their own website. Here's why it's still imperative to have an online portfolio that is readily available for your clients to access.