Leica has just announced its newest camera, the Leica Q2. More than just a standard upgrade to its predecessor, the Q2 takes what was already a decent compact camera and makes it a strong competitor in the compact fixed lens market.
I recently found all my father's old analog lenses in the attic, including this 1960s 400mm f/6.3 telephoto. So I wanted to see how good it was for bird photography.
One of the great benefits of using modern digital cameras is the high degree of customization options available. Menus, button configuration, touchscreens, and more can be customized for specific scenarios. In addition to programmable buttons and menus, all modern cameras include a feature called Custom Shooting Modes, which allow the user to save and recall personalized user profiles. In this article and video, I explain CSMs and how using them can greatly improve your photography and user experience.
The Sony a7S III was just announced and it's so close to being my "perfect" camera.
What is the best way to power all your devices on the go? Here’s a quick look at just a handful of the devices that keep my gear energized when I’m on the road.
The Canon EOS R8. Is this the lightest, smallest, most diverse, and most affordable full frame Canon mirrorless camera yet? Let's see how it performs.
For many photographers who are primarily outdoor shooters and don’t have their own studio, finding an indoor space to shoot on a budget can be difficult. With the winter months fast approaching, shooting outdoors is going to become an even greater challenge. Here are six places you can find indoor space to hone your studio photography skills, for free or cheap, while you wait out the winter.
I find so many photographs today to be technical masterpieces, yet they lack any sense of life. They don't draw the viewer into the photograph or encourage the viewer to spend several moments viewing the photograph.
For any photographer with ambitions of working in the fashion industry, or for those with a focus on portraiture, there will come a time when you work with a subject that is unfamiliar with being in front of the camera. This can range from a newly signed model at an agency, to a client interested in a corporate headshot. While a photographer’s eye can be their greatest asset, communication skills are just as important. Below we will take a look at some of my top tips for making the most of your next session.
One of the most cliché phrases about gear in photography is that it doesn’t matter. I think that’s a very big misunderstanding that needs to be cleared up. Sure, there are times gear doesn’t matter, but sometimes, it does matter and does have a direct impact on what you can produce.
Wedding photographers would like to hold their clients — or would-be clients, for that matter — to certain standards. As a collective, we’d love to see them shop for the best vendors, spend good money on photography, and have unplugged weddings with nary an Uncle Bob in sight. The list goes on. It would stand to reason that most of us in “the business” would probably find the idea of a bride acting as her own photographer to be pretty abhorrent. We’d chalk it up to selfie culture run amuck or DIY gone wrong, wouldn’t we? Would you? I probably would have, if I’m being honest. However, we might be wrong.
A while ago, someone commented on an article that composition is meaningless and people drawing wiggly lines on a photo were pulling the wool over people’s eyes. Initially, I dismissed that as being a naïve comment. Then, I did a little research and found something surprising.
Documenting a wedding in itself is very demanding. It often requires 12 or more hours of coverage during which you must be creative almost every second. But wedding photography doesn’t stop when the big day ends. Then come the culling and editing. It’s probably the part where event photographers spend most of their time and also the task they like the least. Fortunately enough, retouching companies exist and can lighten if not remove that part of the job entirely. I made the switch for my wedding business, and I share my experience with you here as well as why you should give it a try as well.
Before getting into the thick of this article, there is an important distinction that needs to be addressed when discussing the coloring of images (and video, for that matter), and that’s between color correction and color grading.
DALL·E 2 is a new artificial intelligence system that can create realistic images and art from a written description. No more elaborate styling and lighting setups: you can now just pop in a description of what you want, and DALL-E-2 delivers the image. Too good to be true? Too threatening to the forever-taking-hits photography industry? See for yourself with my prerelease test run.
As a kid, photographer Ilya Nodia absolutely loved the Russian TV show “Titans Wrestling.” It was a local TV channel that bought records of American wrestling and translated it. He fell in love while watching characters such as Hulk Hogan, Bill Goldberg, Sting, Kevin Nash, Diamond Dallas Paige and made his parents crazy while he collected merchandise and themed wrestling toys.
Lots of skilled videos editors have started to see the value in being hired for contract work. It’s a great supplement to other income, you can be picky about projects, and most of us enjoy the work. But what about negotiating rates, estimating time, and dealing with files after the job? Here are some tips for the business-side of being a freelance video editor.
I make a habit of spilling as much ink as possible in this column towards extolling the virtues of making your gear purchases based on business needs rather than emotion. In today’s article, I will do the opposite.
Almost every hobbyist photographer has considered making the transition to full-time professional. Similarly, almost every professional photographer has made that transition from hobbyist to professional. There are myriad factors why that career move isn't always possible and a great deal of them stem from the central notion of money, or lack thereof. Whether you want to organically build your photography from hobby to side-hustle and then to a career or you merely want to improve you earnings in any of those categories, developing a niche can make a crucial difference.
There may not be any firm answers. But, there are a few things to consider when considering a career in photography.
Boudoir photography is not a modern concept nor is the evolution of its ever changing look. Throughout history there has been a desire to paint or photograph the human form. As the genre moves forward from early Renaissance painters, the works of Aurther Allen in the 1920s, to today with the modern day version of bodyscaping, there has been and will always be a fine line of the differences of how people view the boudoir art form.
You have your gear, you have your shot list, so you're ready to go out and shoot the perfect eight-hour wedding, right? Wrong! Being prepared for a wedding day is about more than just having your camera ready to go. Before leaving for your wedding shoot, you need to be prepared to perform at your best. A big part of that is developing a routine, similar to an athlete, that places you in peak performance and the best position to succeed. When I walk out the door for a wedding I have two main things on my mind other than the images that my client needs. One is that I am now a living breathing ambassador for my brand and the other is that the content for this shoot, and every shoot, is future marketing material.
All of us have spent hours editing a shoot or if you’re like me, procrastinating editing that shoot. Spending less time editing and more time shooting is what most of us ultimately want. If only there was a way to automate editing at a low price and high standard. If this sounds like you, this may be the solution.
The L-bracket is a pretty simple idea: have a way of mounting your camera vertically or horizontally to the tripod. Between that simple idea and the actual product, however, is a big difference in execution. I recently tried out Smallrig’s L-bracket for the Nikon Z6 and Z7 series, and I was really impressed by how it elevates that fundamental concept to accessory perfection.
Skylum has been touting their upcoming release of Luminar Neo, an image editor that builds on Luminar AI with some new features that are sure to please fans of the current product and may arouse interest from other photo editors.
As a photographer, you are probably a participant in a number of online groups or forums that discuss photography. But have you considered joining your local photography club? Let’s look at the value of joining one!
I’ve been pondering on how to answer a challenging question. I was first asked the question by an Fstoppers reader a few weeks ago. Since then, I’ve been asked the same question by two different potential clients. In this article, I’m going to attempt to answer, "what is my approach to architectural photography?"
I bet that you think that you are pretty good at composing your photos. You’ve been shooting for years, won some awards, nice client list. You got that part figured out. Guess what? Not only are you not “all that” but you really need to work on it. How am I so sure? Check this out.
I've been doing serious astrophotography for around 20 years. I started in Seattle (large mistake), but now, I'm in Arizona, where we get a lot of "severe clear" nights.
One thing, which is always absolutely essential to nail in photography, is the focus. There are several approaches to focusing in landscape photography and in this article, I will pros and cons of MF, AF, and BBF.
I got the idea of shooting a total moon eclipse with a long lens. I was thinking about the Canon EF 500mm, but all I could get was a massive Canon EF 800mm lens. The lens turned out to be too long for the eclipse photo I had in mind, but I got a great opportunity to shoot for a while with this long and heavy white beast.
I've noticed a peculiar phenomenon lately that I don't quite understand. I'll be browsing someone's website or Instagram, and the piece of information they lead with is the gear they're shooting with. Why do photographers do this?
Two weeks ago, I wrote about using the Fujifilm GFX 50S as a travel camera. As part of that article, I touched briefly on using it for portraiture. I also touched briefly on using the GF 110mm f/2 lens and a few autofocus issues that I had. Today, I would like to dive a little deeper into using this camera for portraiture and my experience with it. We’ll take a look at focusing, sharpness, skin tones, working with flash, and handholding the camera. Finally, I’ll wrap up by giving you my personal feelings about the camera and whether or not it could be an effective portrait camera.
We all have a different bag setup. Some prefer to travel light and mobile while others go for a more heavy duty option. Some people want a stylish option that shows off some personal flair while others just want something practical. We each like a different layout and store our gear and accessories in a different way or in a different pocket. In spite of our different preferences when it comes to our camera bags, there is one universal truth. One item that, regardless of your specialty, you positively need to have somewhere in your bag. You must keep a few up to date business cards in your bag at all times.
Don't have thousands to spend on lighting gear? One of the most valuable lighting methods you could find out there also happens to be the cheapest: a window. The best part about it, is that it is free!
It is said that Instagram killed the personal photography portfolio websites, but having an online portfolio still matters. Even if your Instagram account or your Facebook page draws their attention first, serious art buyers or potential clients usually head to your website afterwards, and at that point, having an online presence with a decent portfolio makes a great difference.
We always want more time, but where do we find it? Many of us could start by analyzing and adjusting our editing workflows. By doing so, we will see the time we are looking for. Here are five tips I’ve used to gain more time and allow me to shoot more.
Lately I've cottoned to the film beat quite a bit here. I've written about Super 8 and about film stock options for analog photography, about the revival of Ektachrome, and about instant photography. I love it all, but I'm also aware of the fact that we very much live in the twenty-first century. We live on computers and we live online, and if photos don't exist in these spaces, they may as well not exist at all. So what can be done about getting photos taken on film, old or new, into a form fit for such a universe? Let's talk about film scanning.
Procrastination is often the name of the game when it comes to aspects of maintaining our photography. Finding time and motivation to do fun shoots should be pretty easy throughout the year, but maintenance tends to be pushed to the back burner. The holidays season can be a great time to revisit some activities that can be a huge benefit to your photography but are often things left forgotten for far too long.
When shooting the night sky, we are looking at points of light that don’t always resolve well with the lenses we have in our bag. Whether the lens is a top-of-the-line “L” from Canon or a third-party lens that cost 1/10th the price, they may both have issues with coma and astigmatism. Here's what you can do to fix these issues and not be stuck with an underperforming piece of glass.
The iPhone 13 Pro is here, and it certainly has the best cameras of any iPhone, but how much better? And is it really worth the upgrade?
While it would be too early to say that we are in full-fledged film photography revolution, it is clear that the market for film is growing in a great way.
Whether you're looking to hire a photographer yourself, are looking to work with another photographer, or are being given advice or criticism from another photographer, what are some red flags that put you on high alert?
Hands up, who is doing a year-long photo project in 2017? I see. That's quite a few of you. Commendable. It's a big thing, to commit yourself to do something creative for a whole year. Heck, it's a big thing to commit yourself to doing most anything for a whole year. Imagine committing to eating chia seeds every day for a year, or biking to work, or giving up smoking, or giving up biking or chia seeds. I shudder to think. But you don't have to. It's fine not to. No, that doesn't mean you should slack off and do nothing. Here's the case for smaller, shorter, more concentrated projects. They're just as fulfilling, I promise.
Software and firmware updates are a fact of life for photographers. They don't come all that often and usually offer bug fixes or new or improved features. As a longtime Canon user, I found firmware updates easy and unintrusive. Having recently moved to a Sony a7 III, I'm rather shocked at the complexity of what should have be a simple operation.
I'm not sure if you've noticed, but the photography community is an opinionated bunch, and to make matters worse, there are a lot of people outside of the community who are opinionated about it too! So, let's take the edge off by sharing the worst photography opinions and why they should be condemned to history.
One of the most rewarding things you can do as a photographer is to see your images printed. Prints can be made either at home or at specialist labs, such as WhiteWall. Having dominated the fine art printing industry for years, WhiteWall keeps on evolving. Their latest innovation is related to monochrome photography.
There comes a time where you need to cut ties with other artists who are not blending well with your company. Makeup artists are very hard to come by in my small town and when one failed to show for more than one appointment it was time to say our goodbyes. But what happens to the session that was a no show? While your client is waiting in that chair, with her excitement starting to wane, it is time to take action. If you are prepared this will be a breeze.
Have you ever wondered what makes a successful photographer? History can teach us a direction we should consider taking, and it may mean upsetting some along the way. But perhaps they deserve it.
Our video camera of choice is currently the Panasonic GH5 but we also occasionally shoot with our Nikon D850, and our iPhones. We happen to have gimbals for each of these cameras and so today, we compared them.
