Fstoppers Original Articles

Photographing in the jungle is difficult. Heavy moisture and low light are tough obstacles for a camera and photographer to overcome. But what makes the idea exciting? Meeting with, observing, and documenting a traditional - almost ancient - culture.

It's difficult to denounce nature photography, especially when the shots look this good. The hours that Konsta Punkka has put into his photography are not to be sniffed at, but is it unfair if the animals are fed in order to achieve the look?

Sometimes, we try hard to find a composition, but sometimes, we get distracted by too many, and it gets hard to choose the best one. At home then, we have often to accept that all our images are just average. How can we avoid situations like that and come home with a masterpiece instead?

Are dull, flat skies ruining your photographs? Learn how to capture real clouds and dramatic skies in camera, no sky replacement or Photoshop needed.

"What lens should I buy?" It is the question I have seen countless times over the years in so many forums. It's the question I get from friends — the never-ending question. There is only one problem: the lens you should buy really all depends on you! What lens do you love? How do you like to photograph? Where do you photograph? Do you have space to back up so you can use a long lens? What do you like?

Photographers can often be lumped into two distinct camps. The first is the "what" group which is represented by people who study their craft and follow tutorials as if they are a scripted set of instructions never caring about anything other than if the technique works or not. The second group is the "why" group who study their craft and follow tutorials while also striving to learn about why what they are learning actually works. The second group has a tremendous advantage over the first as their deeper understanding of technique gifts them with far more versatility than those who simply collect a library of preset recipes with little care as to why those recipes work.

As a photographer, becoming a digital nomad empowers you to see the world as a native, not as a tourist. It’s helped me take better photos, boosted my creativity, and given me more time to dedicate to photography outside my day job. You don’t need to wait till you hit the road: you can start becoming a digital nomad now before you ever sell your house.

Do you have images or films that are sitting on your file servers and nobody, except for your team and the client, knows you did them? Even if you don't, you will eventually have a few some day. How would you handle such requests to not publish images and can you take any advantage of that?

The question of whether or not to do free work is always pressing. The debate becomes a grey area of ambiguity with many people firmly on one side or the other, and the rest of us stuck somewhere in between questioning our self worth as artists. There are strong arguments on both sides of the arena. Over the course of my career I have wandered back and forth across the defining line only to lately land in the anti-free work position, and here is why.

It is winter in the northern hemisphere and the cold winds howl. Here are five tips to help you get better winter landscape photos.

An underrated tool in Lightroom's arsenal, the radial filter is a powerful editing feature that can be used to enhance sunsets, mimic reflectors, and draw focus to subjects. Take a look at how using the radial filter could transform your image editing workflow.

I've been shooting corporate jobs since about 2010. At first, it was a little rocky. I didn't really know what I was doing, I hadn't shot enough with other photographers to learn the ropes, and I was just a self-taught photographer trying to make ends meet. Fast forward to 2017, and I'm shooting high-profile executives at Fortune 500 companies, and am expected to do it quickly. I'm shooting luncheons where half of the attendees flew in from another hemisphere on their private jets, and am expected to do it quietly. And well. So, here are a few quick tips for people who are just starting out in the freelance corporate photography world.

January 1 is time for new beginnings, and the Blue Riband event for amateur photographers worldwide is the 365 Project. For the few of you who this doesn’t sound familiar, the name of the game is to try to post a picture a day without fail for a whole year. It has developed the skills and talents of many incredible photographers, but it’s not for everyone. Here are 10 things to consider before you decide to embark on your own 365 project.

Our friends at ViewBug teamed up with Trey Ratcliff to celebrate his 80 Stays Around the World tour where he'll be holding free Photo Walks across 10 great European cities! Unfortunately, not everyone can join us in Europe for one of these fun events, so we brought the party to you! Get involved by sharing your favorite vacation or travel photo.

Being creative or simply having the ability to create on demand is one of the biggest assets you can have in this era. The question is "how do we unlock or keep creativity flowing?" The main steps you need to keep in mind are simple.

Over the past few months, the Standing Rock Sioux Tribe in North Dakota have successfully managed to temporary halt construction of the $3.7 billion Dakota Access oil pipeline. The subject of much debate and media coverage, one incredibly powerful and emotive photo has emerged from the site, encompassing the ongoing battle.

"Looking for professional makeup artists to work on set for ASOS. This is unpaid, but will create opportunities for exposure and portfolio development" - it took no more than two minutes to locate a commercial casting call for an unpaid makeup artist online. Money will be made from product sales, so why isn’t the team also being financially compensated?

While it's important to get things right at the source, if you've made that age-old mistake of not changing your camera settings before taking the shot, is it possible to recover the photo? Or is it destined for the recycling bin?

Since Adobe released Photoshop CC 2015, retouchers and photographers have complained about the revamped healing brush. However, Adobe promised their users that CC 2015.1 would offer an alternative, making the tool as good if not better than the one found in CC 2014. Photoshop was updated a couple of days ago, and the said updated healing brush setting can be found in the form of a diffusion slider. However, is it as good as the previous healing brush?

What sets you and your work apart? Having a clear idea of this is critical if you want to develop your work but when was the last time you actually thought about it? Shane Hurlbut is a veteran Director of Photography and today shares his thoughts on his career and success. Whether you work with stills or motion, his approach sets him apart and we can all learn from him.

There hasn’t been a bad camera released in the last few years. But, still, some cameras are better than others. In this article, we will see what cameras are the best ones to pick up in 2022. Some are cheap, while others are expensive, some are made for fast shooting, and others capture stunning detail in the studio.

When I first attempted to retouch the photographs I took in 2006, I had no idea what I needed to do and how. Today there are thousands of video tutorials on the web on how to retouch, but nobody explains what it is that needs to be retouched to make a female face look more youthful, healthy and beautiful. It took me some time to figure out what the common problems that I needed to remove from my subjects' faces and bodies were, and what I had to alter to make them look more attractive.

When I started out in portrait and beauty photography, I tried to have a makeup artist for most of my photo shoots. Why? Because I had always been told it would help my retouching. This is true in most cases. As long as you work with talented makeup artists, you will shorten the time spent in front of your computer. However, this is not the only advantage. Since I learned to do the makeup myself, I have discovered how having makeup done can help your photography reach another level. Noticing these benefits, I do everything to upsell my clients to get makeup done at the studio rather than having them doing it themselves. Here is why.

Most people get into photography because it is fun and exciting. But when you do photography as a job or even if you are in school studying photography, it can at times lose its luster. Finding ways to bring joy and fun back to photography can be a challenge, but is a worthwhile pursuit.

Awhile ago, fellow writer Peter talked a little bit about barter, and how to use it when a client has no budget, as well as a few other tricks. We always think money makes the world go round, but if you're working with an individual, stand alone businesses, there's a lot more than money to work with. I've done quite a bit of bartering in the past year, and there's a few steps to make sure it's a win, win situation for both sides.

I will speak from a perspective of a non-American here. I find lots of U.S.-based photographers who are working on projects they hate, and they admit it. I tried to dig into the reasons for that, and here are my conclusions, and my advices.

If you are new to photography, you are probably realizing you can quickly sink a lot of money into this pursuit, often unnecessarily. Here are five things you should actually spend your money on.

Zahar is a high-end retoucher who has worked with Vogue, Elle, Bazaar, and other magazines. His commercial clients include some of the biggest names in the industry, such as Dior.

Great shots are often a combination of experience, planning, timing, effort, and of course, luck. A talented newspaper photographer got the shot of a lifetime while photographing an air show in Niagara Falls earlier this year.

I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.

Photographers today are the first generation of image makers who are entering an industry completely dominated by social media. Over the course of the last decade, social media has utterly surpassed virtually all other forms of marketing and has quickly become a dominating factor in lives of a huge part of the population, especially photographers. Social media use, however, suffers from some pretty severe implications that can have a limiting factor on the quality of work a photographer creates.

Recently, PRO EDU posted video reviews of the new iPhone 6s, which is getting major attention for its new video capabilities, namely its ability to record 4K video. In these two video reviews, PRO EDU takes a look at the dynamic range and stabilization ability of the new phone, as well as its overall video quality. PRO EDU, known for their video tutorials on photography topics, uses the iPhone on productions regularly, as I experienced firsthand, during the filming of the Dani Diamond Portrait Tutorial in my hometown of New Orleans.

A recent trip to Disneyland had me stressing about the photos I’d capture. The experience taught me that leaving my professional cameras at home is possibly the only way I can truly enjoy myself.

While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.

ACDSee recently asked to sponsor a video where I use their new Photo Studio Professional software. I thought it would be fun to do an entire portrait session from start to finish.

Having spent a long and exhausting, but fruitful and necessary, weekend going about the chore of reorganizing my overly cluttered garage, I found myself with time to think about a basic question. Why exactly did I become a professional photographer?

It’s been a long time coming for some of my gear. I hardly used it and it was worth more to someone else.

One of the biggest industries in photography is that of photography education. Photography is a very difficult craft to learn without help, and as a result, almost every aspiring photographer must invest in some sort of education source at some point. Fortunately, this demand has created a massive market of educational content that can sometimes feel overwhelming, especially to new entrants. In this article, we are going to go through the various educational options, including the pros and cons of each.

Want to start the new year with a free tutorial from Fstoppers? All you have to do is help us choose our Photographer of the Year!

There are simply no shortcuts to building a career as a freelance photographer. Making money out of something you love is really hard, but it absolutely can be done.

There's a huge variety of photography competitions, from your local camera club, to huge global awards and some big prizes if you win. So, how do you win a photography competition, and is there a special formula you can use to reap the rewards?

Ever since I got my drone, I basically keep it in my car at all times in case I happen upon some cool spot while driving. It turns out that all these random excursions have become something very useful to me: profitable stock photography.

Has your lack of followers affected you when trying to get a model for some project work? I have not experienced this situation. Maybe I was told another reason as to way they weren’t interested, but this hasn’t been one of the reasons I received. Recently, I was in a chat group with fellow photographers, and this topic was brought up. One of the photographers asked a model about doing a TF project, and the response was he didn’t have enough followers to work with. This isn’t the first instance where I have heard of. This had me thinking for a bit: why would this be the determining factor?

Life as a freelancer is different. People with "normal" jobs don't usually understand what we do, how we do it, when we do it, or why we do it. But, we do what we do, and it's not always easy. It's not consistent, it's not stable, but it's a great way to live your life if you do it right. Here are some small ways you can make it easier. They've helped me, and maybe they'll help you as well.

Wedding photography has evolved into a stunning genre of photography. Photographers across the globe are bringing a level of creativity to wedding photography that elevates the images into something more than just photo-documentation.

Editorial photography is still alive and well, despite what the cynics will tell you. It no longer has the budgets it used to, and there are not as many publications to go around, but you may still get called on from time to time to shoot a series of images for a magazine. Editorial assignments can be extremely varied, and a challenge to do successfully, but they're extremely rewarding and often lead to meeting interesting people along the way. But where do you start when you get the call?

To preface all of this, I shoot film 90% of the time (if not more). I firmly believe that my work is more meaningful because of it. I also believe that we all have our own thoughts/opinion and there is no universally observed benefit to shooting film.