Fstoppers Original Articles

I absolutely love post production as a photographer. For me, a job is 50% photography and 50% retouching. One compliments the other. I get just as excited photographing my images as I get to retouch them. And when I captured a lightning storm in Cape Town a few weeks back, it was no different.

I really believe that the URSA Mini Pro is the best camera that Blackmagic Design have ever released. That doesn’t mean that it’s the perfect camera for everybody, but it’s reaching out to a much wider audience than its predecessors.

We all know that one of the necessary parts of starting as a photographer is working for free in order to gain exposure. Working for free is a great starting point to build your portfolio, develop your technique, and build a name for yourself as a photographer without the pressure or expectations of a client. The hard part is knowing when to accept free jobs and when to start charging for your services.

Spring has arrived, which means the time for gorgeous golden hour shoots in wonderful weather is nearly upon us. Sunset (and sunrise) are indisputably the most consistent crafters of amazing natural light for portraiture. The warm soft glow of the sun as it falls towards the horizon not only creates fantastic atmosphere but also some of the most flattering light that can be found. For portrait photographers the golden hour as the sun rises or sets is the perfect time to shoot.

Playing with shadows is not a new concept however in the boudoir community is has become a beautiful new trend. A recent group competition brought many boudoir photographers into the sight of this staff writer. One photographer in particular stopped the show with some moody light that won us over.

There are a lot of frustrating moments we all experience as photographers. Things we all know like missing that perfect shot by mere seconds, equipment failing just as the sun drops below the horizon, flashes not firing, memory cards corrupting, not booking that big job we quoted… the list goes on and on. I shoot weddings, so when things go wrong they can feel amplified ten-fold. For a long time I was like a sponge for negativity. It soaked into me, and it got under my skin and rattled me. Murphy’s Law used to kick my ass, and I never felt like I could stop it. Then my son was born, and everything changed.

In this simple lighting tutorial, I discuss three different ways to fashion and portrait images with a single beauty dish.

Commercials are generally supposed to be innocuous. They're inconsequential, and by that very property, trying to use them to tackle something deeper is touchy territory, and as Pepsi just demonstrated, can be an incredible failure.

Yesterday four Panasonic GH5s finally arrived at the Fstoppers studio and I spent all day playing with the cameras. As you may have heard, we have decided to finally switch from shooting videos on Nikon DSLRs and the GH5 is quite an upgrade. There seems to be one major issue though... The auto focus while recording isn't reliable.

When I first heard about Chase Guttman’s book on drone photography, I was intrigued. Not so much at the subject, or the photos, but in the person behind them. As a person who loves to travel and photograph while doing it, I’m always curious as to how people get their foot in the door in this very competitive industry, especially at a young age. The answer is: he didn’t do it alone, as none of us do.

It’s been posted nearly everywhere by now. The official White House portrait of the first lady, Melania Trump is being criticized all over the web for its 1980’s-esque vibe and overall lack of quality. The image has photographers everywhere claiming that they could have produced better, however, given that it’s highly unlikely that you’ll receive an opportunity to photograph the First Lady in a studio environment, I’m interested in how the community thinks the portrait should look.

Let's face it. We’re all gear-junkies and tech-geeks whether we choose to admit it or not. Chances are that many of us have made hundreds of purchases related to photography over the years, but I’d venture to say that not all of those purchases have been as impactful as others. Here are five purchases that I certainly don’t regret.

In any service industry, frustrations can run high. Clients sometimes run late, don't always read contracts, show up with spray tans, don't pick the most beautiful venues for their weddings, fail to understand the cost involved in producing quality images, price shop, compare prices, question your prices, don't love their face in that photo, show up with a whole Pinterest board full of ideas, and expect you to just "fix it in Photoshop."

I am always on the hunt for new stock images to incorporate into my photography and find that stock enhances my photography business in several ways. Stock provides me with the ability to incorporate different locations and textures into my images that I am not able to easily shoot. As a result, I have not only seen improvements in my own work, I have also gained an eye for spotting opportunities to take extra images to sell.

In this video, I’ve provided a solution for photographers who want the ability to walk around their set, wirelessly trigger their Sony a7R II and still retain the capability to shoot tethered (with a USB cable) to Capture One or Lightroom.

Last week I shared a video that used a couple of alternative techniques for aerial video, and coincidentally I was contacted shortly after to check out another video that had some unique drone video shots. In this kite surfing video, you'll see some interesting macro-style clips, speed ramps, zooms, and more. The fact is, all of this was done in post.

Mannequin poses in fashion e-commerce photography is now a thing of the past. Fact. Fashion website brands are now dominated by a hybrid style of photography that mixes editorial influences whilst satisfying the desire of the customer to view garments before purchase. We go behind-the-scenes with British fashion photographer Luke Ayling as he shoots 40 looks for The Sports Edit in one day.

When planning a dog photography session, one of the most important details to consider is the place where the photos will be taken. There are a number of factors that come into play when choosing a setting, and the optimal location can differ from one dog to the next. Here are a few tips on choosing the perfect location for your next dog photography session.

I have a question for you, which of these pictures do you prefer? One of them has had the smallest adjustment that you might not even spot yet unconsciously it will have affected your decision.

Adding color to an otherwise boring grey background in Adobe Photoshop isn't terribly complicated. In this short video tutorial, I'll show you how to accomplish that in just a few short steps.

Removing ambient noise, like air conditioning, computer fans, or even modeling lights in Adobe Premiere is a breeze if you have access to Adobe Audition. It only takes mere seconds.

Being a working photographer today absolutely requires finding ways to get more mileage from your photographs. They're called assets for a reason, and we typically have way more content than we make use of, and just because images are old doesn't necessarily mean they're obsolete. Adding value to images you’ve already created is a fantastic way to work smarter and create new growth opportunities. Below are some workflow tips and specific concepts to help guide you in that process.

There is nothing sacred anymore. The one file format agreed upon and standardized across the industry for its minimally processed data directly from the camera sensor has apparently been the target of a recent investigation headed up by Film Lovers Association of North America. There is evidence that while the raw file format advertises and guarantees lossless capturing, about six years ago it started using compression from time to time. This became a habit, and before Raw knew it, it was staying up until sunrise with known compressors like JPG and GIF. PNG recently released a statement condemning the fellow format's recent actions saying "it is like I don't even know who Raw is anymore."

Once again in a series of articles for my frequently visited cities, I have compiled a list of locations for first time photographers to Madrid. The list is open to interpretation and I encourage you to go off the beaten path. It is a rough guide to get lost with a purpose. In my last two articles on Tokyo and Barcelona I focused on street portraits, architecture and night shots of the city. While in Madrid last April of 2016 I walked the city streets with my customers as seen in the Google map below.

I call it the 3-in-1 Headshot Method. As a professional photographer it is imperative that you are able to adapt to your surrounds and the needs of your clients. I run into a situation quite a bit where my client doesn't know exactly what they want out of their headshot session so it’s my job to give them multiple options. In many cases my clients are very busy and they may only have a few minutes to get the shots they need so that doesn't give me the time to tear down my set and build a whole new one just for one look. Anytime I find myself in a situation like that I try to use my 3-in-1 headshot method which allows me to shoot three very different looks with just two lights and one grey background. Check out this video where I go through my process step by step.

If you're a professional or semi-professional photographer chances are you've probably needed to get a lens calibrated or sensor cleaning from time to time. That's exactly what I needed last week when I noticed my Canon 24-70 f2.8 V2 was noticeably softer.

Over the last several months, the Fstoppers team was able to link up with Clay Cook, an acclaimed editorial and portrait fashion photographer, to produce a comprehensive tutorial teaching his photography techniques. If you want to learn more about the full tutorial and what it offers, check out the store page. One of the key elements of Clay's work is the variety of gear he has used throughout his career. Included in the tutorial, and now available here on Fstoppers, is a peek into the equipment he uses to craft his stunning images.

There's something that isn't really talked about among the freelance photographers that I know, or at least not something that I hear about often. It's a small truth that nags at us all the time until we really, really get to where we want to be in our career, and sometimes even after that. And sometimes it involves bread.

Presets are awesome. They've sped up my workflow by an order of magnitude since I first started using them back when I switched to Lightroom years ago. They save time and, therefore, money! But, to quote every action movie ever made: "Is that all you got?"

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

This month's winner is Mario Olvera! His work is notable for its strikingly imaginative concepts and top-notch lighting. Be sure to check out...

If you’ve been following the recent news about Panasonic, it’s possible to believe that the sky is falling over at the camera division, only to find out directly from the company it’s not, but then – reading between the lines – realizing it probably is a bad situation either way. A large, 4/3-sized chunk of the photo community is probably asking how it got so bad – didn’t the company just come out with the killer Lumix GH5?

Luminosity masks are well known amongst landscape and nightscape photographers but often underrated by many other creatives. They are an incredibly powerful tool and can help you apply adjustments only to certain areas of an image according to their luminosity. In past articles I wrote, I’ve shown different ways to create these masks. However, with time, I’ve come to the conclusion that there is one way that seems to always be the most effective and yield the most natural-looking results.

As photographers, part of our job often involves making a relatively unexciting location into something exciting. Everything from subject to exposure to framing plays a part in this transformation but one often overlooked tool at a photographer's disposal is color. By adding color to a scene with the use of gels a photographer can bring an uninteresting scene up a notch by creating ambiance and drama.

Meeting face-to-face with a potential client is the best way to introduce them to your work. Here are just a few helpful tips to help you turn that handshake into a profitable relationship.

I’m not a trend-setter. I’m 31, pudgy, married, and writing this from my modest ranch hidden among 5000 other modest ranches in a suburb about 90 minutes outside of New York City. I shop at Big Y, buy my clothes at Khol’s, and look forward to Sunday Night Football every Fall. I’m also not really a trend-follower. Ultimately, I spend my time under-the-radar, paying my taxes, and mulching my lawn. Which makes my switch from Nikon to Fuji pretty remarkable.

Detail shots are one of the most neglected shots I see missing from boudoir photographers portfolios. Not only do they compliment another image when placed in an album, they can help to create larger sales in the end. Keeping a mental note of which detail shots to not forget can help you in your flow during the session as well as helping you see another angle you might not have thought about before.

It’s common knowledge that to master a craft you have to practice it every day. As Twyla Tharp says in her classic book The Creative Habit, “I’ve learned that being creative is a full-time job with its own daily patterns… The routine is as much a part of the creative process as the lightning bolt of inspiration, maybe more.” But what does that mean for filmmakers whose craft is so macroscopic? A film takes years. It includes writing, casting, financing, producing, editing. So how, exactly, do you practice filmmaking?

I am not good at Instagram and neither are you. I know this because if you were good at it, you would not be reading this. The photographers who gain a following and crush it with likes and comments have put in a lot of work to get where they are. We have not, but we want more results anyway. Case in point, we suck.

You can't work in the photography industry for any length of time without developing a few pet peeves; it's only natural. Surround yourself with anything for 8-12 hours per day, and a few things are bound to get on your nerves. So, what is it that drives photographers up the wall? A lot, it seems. A few brave photographers and other industry professionals shared what makes them crazy. Is your personal pet peeve on this list?

Everyone has their baby. You know, that one camera that speaks to them in a way that all other cameras fall short. Of course, saying something like, "best portrait camera ever" is pretty loaded, but I calls it how I sees it! The Mamiya RZ67 is, for a variety of reasons, one of the best cameras ever made. In this article and accompanying video I'll give a birds eye view of the camera and its features, show a little work produced by it, and give you some insight into why this camera is at the top of the heap for me.

I'm a symmetry snob. If you are going for the down the center shot, get in the middle. It may seem obvious but at the end of the day a few inches can make a huge difference and actually make or break your photo. So as much as you want to start filling that memory card, slow down and make the fine tune adjustments.

Photography isn't something you decide as a career path. You rather find photography and then setup your life to do it as a job. It has that effect and it's why it's such a beautiful art form. You'll never be a successful photographer if you are not passionate about it, which is different to deciding a financial adviser or insurance broker. I might be stereotyping, but I am sure there are many who love their job, but also many who do not, but at least get a good paying salary at the end of every month, so they keep at it.

Earlier today, we posted about Target forgoing the use of Photoshop in their latest ad campaign, when one of our eagle-eyed readers pointed out that it may not be true that Target went Photoshop-free, which would not be the first time the company was caught in such a fiasco.

I love visiting the countryside. It's a great way to unwind, relax, and forget about the daily office hustle, the traffic, and whatever else is synonymous with a suburban lifestyle. As a photographer, the first thing I pack is my camera bag in the hopes that I'll get a chance to capture some landscape shots. What I did not expect is to get more than I bargained for. Especially this last weekend.

When shooting images outdoors, particularly in bright sunlight and towards the sun, the appearance of lens flare is often an unintended consequence. It can reduce contrast in your image and create nasty artifacts that can ruin your shot. Conversely, creating a flare in post can produce vibrant results that I find many clients asking for in their images. Here are three easy to use methods for adding a flare in your images tastefully and non-destructively, each providing a unique look and feel.

Going through retouching related Facebook groups, it seems like the frequency separation trend is fading away. Some people even call the images edited with split frequency "filtered" as if it was as bad as using some kind of filter. Instead, many are learning to grow some appreciation for the art of dodging and burning. It’s said that with the latter, you won’t lose skin texture and it’s not destructive. But if it really is this great, how can some people still manage to have a plastic-like effect on their model’s skin? Let’s have a look at the most common mistake that may keep your images from that sought after natural look.

Editorial assignments can be both boring and quite interesting. Most of the time that depends on the photographer's attitude, not the budget. Let me show you how I approached a project where I had to make portraits of a motivational speaker and influencer.

Do you like this photo? Would you believe it if I told you that it wasn’t a photo taken in real life – it’s from a video game, Dishonored 2, by Flickr user Videogame Photography. So, then, does the question change? Is it even a photo anymore? No, it’s not.

It doesn't always have to be complicated. I remember that when I first started buying lenses to expand beyond a standard zoom, I was completely flummoxed by choice. While choice is a good thing in theory, it can overwhelm in practice. So here's a no-brainer of a choice for your first prime lens after you've kitted yourself out with a DSLR and the typical standard zoom and tele zoom set: pick the best, fast 35mm lens you can buy.

One of my favorite things to do, when I'm able to, is to do pro bono work for local charities that need the help. There's something special, in a way, about not being paid: the "client" is usually a lot more flexible in their expectations and they allow you more leeway in your creative process. So when I got a chance to do some marketing material for a half-marathon that benefited local emergency services, I took it.