Changing clothing color in Photoshop sounds simple until you realize the color you're targeting also exists in your subject's skin. That overlap is where most attempts fall apart, and fixing it the right way requires a few specific steps that aren't obvious if you're just dragging hue sliders.
Coming to you from PHLEARN, this practical video from Aaron Nace walks through a clean, non-destructive method for isolating and changing the color of clothing in Photoshop using a Hue/Saturation adjustment layer. The process starts by targeting the specific color range in the image, but the real problem shows up fast: skin tones share the same red channel as the clothing, so adjusting the hue affects both at once. Nace handles this by using Photoshop's Object Selection tool, which includes a "Select People" option that lets you isolate specific body parts without selecting the clothing. From there, the selection gets loaded into the adjustment layer's mask and filled with black, which hides the hue shift in those areas and leaves the clothing fully affected.
Once the mask is in place, you can move the hue slider freely and the clothing changes color in real time while the subject's skin stays untouched. Nace also shows how to fine-tune saturation and lightness independently, and how to reset any slider with a double-click. The result is a fully editable setup where nothing is permanently altered, so you can revisit and adjust whenever you need to.
Where the video gets genuinely interesting is the gradient section. Nace groups the adjustment layer, adds a second layer mask to the group itself, then applies a black-to-white gradient to that group mask. The effect creates a color gradient across the clothing, where the hue fades from one end to the other. Because the Hue/Saturation layer is still live inside the group, you can still shift the hue at any point and the gradient updates with it. He also demonstrates switching between a linear gradient and a radial gradient, where the color is concentrated in the center and fades outward. The layered mask structure is what makes this work without locking anything in, and it's a flexible approach worth understanding if you do any kind of compositing or retouching work. Check out the video above for the full walkthrough from Nace.
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