The current trend for color grading videos is the orange and teal look. It’s not rocket science to understand why it works so well and why everyone uses it. Complementary colors are an easy choice when it comes to color grading and using orange for brighter tones allows keeping the skin tones look quite natural. In this nine-minute-long tutorial, Theo from MiesnerMedia shows us how we can achieve that trendy look using DaVinci Resolve 14.
If you record audio separately from your video, which most likely you do, then part of your postproduction process will include synchronizing. This process doesn’t have to take a lot of time or require plugins or software. Premiere Pro has built-in tools that allow you to quickly and easily get your video and audio in sync. Let’s have a closer look at how to accomplish this.
Have you ever color graded your videos in Photoshop? Although Adobe’s video editing software or Final Cut X is mostly preferred by video editors, some good results can still be achieved by using Photoshop’s video editing feature. Aaron Nace of Phlearn explains these techniques in this 14-minute video.
Coming this fall you’ll be able to create and collaborate faster than ever with Adobe’s latest version of Premiere Pro CC. New updates to the program will allow you to open multiple projects at the same time, collaborate with multiple editors on the same project, and work with new graphics tools in the Essential Graphics panel. Let's have a closer look.
Since I discovered movies made by Edgar Wright and movies such as Alfred Hitchcock's "Rope," Alejandro Iñárritu's "Birdman" and "The Watchtower of Turkey" by Leonardo Dalessandri, I've always been fascinated by the way the footage just seems to flow into one another, and no usual cuts are visible. It has a way of keeping the viewer's full attention and keeps them intrigued as to what might happen next. It's a great way of keeping a good pace in your production, whether it be a full feature film or a music video.
Many photographers I know have started making videos as well. It's a skill many clients and brands are looking for. Social networks have been developing the easiest way to watch a video on their platforms and if you look at the amount of time you spend browsing online, video takes a large percentage of that media you consume. If you want to start with video and don't want to make mistakes that can waste time or have you look like someone starting out, here is a video that lists the mistakes and how to prevent them so you are off to a good start.
When shooting fast-paced action or a scene with tons of movements, it can be interesting to add more drama by using speed ramping. The technique consists in having a scene that’s played at different speeds depending on what’s happening. It may not make sense for now, but if you want to make your videos more attractive or just add a new tool to your belt, be sure to watch this tutorial.
Working as a video editor can be a hectic and tedious experience. Spending some time to think about organizational tools and methods can help you out significantly when working with a lot of files, or in a large group of colleagues. Renaming files, creating proper folder structure, logging metadata, backing up files, and developing a workflow can make your life much, much easier. While some of the advice listed below is geared for Premiere Pro users, any video editor can take advantage of these tips.
For video editors and filmmakers alike, understanding the power of the cut is important for telling the most compelling, informative, and/or emotional story. In this video excerpt from MZed, professional editor Adam Epstein (known for SNL and Killing Gunther among other things) provides some thoughtful insight on six rules for cinematic editing, as referenced from award-winning film editor Walter Murch.
If you shoot photos on a professional level, there’s a chance you also shoot video. If you shoot video, there’s a chance you edit. And if you edit, there’s a good chance you have to work with audio at some point. But, it may not be something you know a lot about, especially if you are just getting started with editing video.
Dynamic range tends to be an important feature for any camera and something many photographers either boast or complain about. Canon cameras aren't really known for their dynamic range performance, but in this "two-minute video," Peter McKinnon explains how you can use the built in Canon picture profiles, to improve performance for video.
Recording in 4K is the rage these days. However, most of us and most of our clients will not be using a TV or monitor capable of displaying 4K resolution, so why bother? Peter McKinnon explains how you can use the large video size creatively and gives some tips, like how 4K footage down-sampled to 1080p looks much better that shooting 1080p.
It’s always good to know several different editing techniques to add visual effects to your project, as you will never know when you'll need them. Adding visual effects to your videos can make your amateurish video look more professional, just as long as you don’t go overboard with them. One effect you may have seen before is the glitch effect, in which you purposely cause your frames to mess up to give the look of a technical issue in the film.
Once you start doing a lot of video editing, watching your favorite movie or TV show is never quite the same. The way dialogue scenes are cut together, the framing of characters in a shot, and of course scene transitions. In this supercut from the popular TV Show "Stranger Things," see how the editor used a variety of cuts to create compelling transitions.
The premise for the Cutting Edge Tour headed up by Adam Epstein, five year veteran video editor and post production guru for Saturday Night Live, was a tricky one. I know because I spent a few days bouncing ideas around with him and looking at how to structure the thing. This review will set out specifically what you will (and won’t) find in the workshop.
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