Not so long ago, I was sitting, browsing through the work I did in 2023. This year was marked by me going outside of my comfort zone. Having spent yet another year as a professional photographer, here are the takeaways I will bring into 2024.
In 2023, I traveled extensively, frequently visiting cities and discovering new countries and cultures. Despite all my travel being within the EU, I feel like I've learned a great deal. I will share all my travel insights in this article.
I am a big advocate for tethering. It helps me do a lot of things, from teamwork to backups and more. I’ve always tethered. However, when going on location, this can become a challenge. What do you take, and what do you leave out? Well, here is my on-location tethering setup for 2024.
Working in a photo studio can be very scary at first, as you need to set up a lot of different equipment. Indeed, when you have flashes, modifiers, camera settings, and then some on top, you can get lost very easily. I was lost during my first shoot for these reasons. That experience would’ve been so much easier had I known these tips, though.
I don’t usually like change. This is because I am disinterested in learning new tech every year, but also because I prioritize using the tools I already know how to use. After all, if it works fine, why change it? Well, for 2024, I am changing things up a little bit. Here is what’s staying and what’s changing.
Not long ago, I had the pleasure of participating in a creative photo weekend and showing a very green photographer some basics of lighting. While she was a darling and seemed to grasp every concept I explained, there were still quite a few misunderstandings that I had to clear up. In this article, I will explain the basic properties of light every photographer must know.
One of the most appealing genres for photographers is black and white. Although we are long past the age of black and white being the only "real" medium of photography, there is still artistic appeal behind such images. In this article, I will share some of my favorite tips for better black and white images.
I consider myself a very lucky photographer. After all, I have a studio to myself, plenty of various funky lights, and plenty of lighting knowledge to rely on when I want to create something. This was not the case a few years back. At some point, all I had was a light and an umbrella. If you are in this boat, this is the perfect article for you. There is a lot you can do with just a light and a modifier.
I know it, picking the right print for your album can be a difficult task. There is only so much research you can do and information you can give to your clients without presenting them with real physical prints to look at.
Just like most photographers, my off-camera flash journey began with the purchase of a speedlight and some inexpensive triggers. Many photographers will tell you that as soon as you get a speedlight, you need to acquire proper off-camera flash units. However, there are still many things you can do with a speedlight, and in this article, I will show you some of them.
In the past ten or so years, one of the most common features flash photographers started using is HSS. However, HSS can ruin your images when it comes to freezing ability, consistency, and light output. In this article, I will show just how HSS can be a detriment to your images and what you should do instead.
One of the most commonly asked questions I get is about AI and my opinion on it. Being an artist puts you at risk of AI taking your job, or so it would seem. In fact, I believe that AI is creating jobs. Here is why you should not worry about AI and what to focus on instead.
Photographing in low light is one of the most challenging tasks you can encounter. This is a scenario where your setup truly matters. Not only should you know what to do with your camera, but also keep in mind which camera to bring for low-light photography. In this article, I will go over the essential gear for such work.
There is a lot of various advice on the internet. A large chunk of it is bad or irrelevant. Editing images is an art. It is an art that takes a while to master. Because there is so much bad info online, I decided to share some of my favorite editing techniques I use to get my signature look.
Hasselblad is making a comeback with another edition of Hasselblad Masters, a competition aimed at showcasing the world's best photography across diverse genres. Read on for details!
Having been a Profoto user for most of my career, I have experienced pretty much everything they have to offer. I have bought a substantial amount of Profoto equipment myself and use it as my daily driver. Being a huge investment, I wondered if it was worth it. Well, here are my results.
Printing images is a service that is often in high demand with various clients. While wedding albums may still reign king, it’s never a bad idea to go back to good old fashion silver halide photo prints. These differ from Fine Art Prints, which use a different printing process. Often times “silver halid” is also referred to as “Photographic Prints”, and Zno’s prints in this area offer many options.
There is nothing quite as misleading in the photography internet as exposure guides, triangles, life hacks, and all that noise of information. There isn’t a topic that is as widely discussed as exposure. In this article, I will describe my method of exposing images, which has not yet failed me.
With the latest Capture One, you get an incredible level of control over your images. I’ve already been a fan of the layers and masks in Capture One for a while, but with the new update, the software can create those for you. This, and so much more, is why you should try out the new Capture One.
If you’ve followed my work for any time now, you might be familiar with my obsession with lighting. Lights are perhaps some of my favorite things to review. This time around, I decided to give budget lights a try, more notably Godox. It shocked me, somewhat. Read on to find out why.
