Articles written by Chris Knight

Last week, we featured an interview with the awesomely talented retoucher and photographer Marina Dean-Francis. This week, she's shared a video with Fstoppers showing her retouching on a hair and beauty image. Although the video has been sped up tremendously, it's not hard to see that there aren't many quick tricks in play here. It's no secret that maybe the greatest skill in retouching is patience.

Pay close enough attention, and there are some very useful tips in this video - my personal favorite comes in around the 2:30 mark and is a great way to add highlights on...

After spending a fair amount of time looking through the best images that the Fstoppers community has to offer, it's pretty easy to see what sets them apart. Not only are the shots themselves exceptional, but the post processing is world class (Julia Kuzmenko McKim and Michael Woloszynowicz, Photoshop extraordinaires, hold a few of our top spots). Photographers often take on their own post work either because of budget or wanting to maintain their full creative vision. Sometimes, even great photographers call on the retouching gods to lace their images with a bit of perfection. Marina Dean-Francis is one such retoucher (and photographer) with that incredible power.

Last month, Ryan McGinley gave the commencement speech at Parsons in New York. Ryan McGinley (NSFW), if you're not familiar, is one of the youngest photographers to ever be exhibited at the Whitney Museum, was named Photographer of the Year in 2003 by American Photo Magazine, is the former photo editor of Vice Magazine and has been featured in public collections at the Guggenheim Museum.

Have you ever wanted to take photographs like Richard Avedon, Diane Arbus or Martin Schoeller? Don't have time to put in all that pesky hard work to learn masterful control of lighting and post-processing? Soon, you may be able to have images just like theirs! Well, sort of. Researchers at MIT, in conjunction with Adobe, have developed an algorithm that mimics styles of iconic photographers transforming flat, lifeless photos into masterful imitations of art. No word yet on if there will be "taste" sliders or "restraint" clipping warnings.

What does nostalgia for broken things say about us? Over the last year or so, we’ve undoubtedly seen an exponential increase of the intentional “glitch” used in visual arts. The glitch – defined as a short-term fault in a system – has gained tremendous popularity as a visual style. My theory is that a person’s predilection toward a preference for random events can be explained as both a desire for nostalgia and perhaps even a loss of control – and that very act of self-awareness can aid in becoming a better thinker and artist.

About a month ago, I traveled to Southeast Asia to put THE ULTIMATE, PORTABLE TRAVEL PACK (shortened name, rights still reserved) to the test. Several people asked for a follow-up. How did this tiny, travel kit work out? …Did I even get any pictures I liked? …And most importantly, did I lose everything gambling on a high-stakes Muay Thai tournament, only escaping with my life and seven fingers? Read on to find out.

At 60,000 years old, the Australian Aboriginal culture is the oldest, longest-running culture on Earth. Amy Toensing photographed them for National Geographic, lending her intimately deep sense of storytelling to the sad and tragic history of their culture and the bond they share with their land.

One week from today I’ll be on the other side of the world, shooting a personal project that’s been years in the making. On the one hand, I have to be prepared for all kinds of situations. On the other, I can’t bring a suitcase. What do I bring… what do I leave behind… and can I get away with only one shirt?

Alison Wright is a tremendous inspiration as a photographer and a human being. In this always fantastic episode of National Geographic Live! we are shown just some of her adventures and a glimpse of her unrelenting fearlessness. After almost being killed in a bus crash in Laos in 2000, she persevered though a recovery process where she was told she would have trouble with mobility and never work as a photographer again. Two years later, she climbed Mt. Kilimanjaro.