Zeiss has announced a new line of autofocus lenses designed for Sony full-frame E-mount cameras. Shipping this summer, the Zeiss Batis line will initially include two lenses, the 2/25 and the 1.8/85. Always innovating, each of these lenses feature something you don’t see everyday: an OLED display screen which shows focal distance and depth of field.
Articles written by Ryan Mense
If you’re a fan of both the “Game of Thrones” series and filmmaking, then today’s your lucky day as HBO has uploaded to the Internet behind-the-scenes footage from the Season 4 finale, “The Children.” This featurette from the Blu-ray boxset shows how the visual effects team came up with the wight’s design for the ambush scene and how they implemented a blend of CGI and live-action to get everything looking right for showtime.
As mentioned in my previous article reviewing “Street Photography: The Art of Capturing the Candid Moment” by Gordon Lewis, the digital photography book publisher Rocky Nook has recently released some new titles that I was eager to check out. In this article, I take a look at “The Art, Science, and Craft of Great Landscape Photography” by Glenn Randall which offers an interesting take on the classic genre. In addition to the review, we are giving away two copies of this book to two lucky Fstoppers readers.
Photography book publisher Rocky Nook recently released several new titles which join their now expansive library of topics. I checked out two of these new books, and in this article I review “Street Photography: The Art of Capturing the Candid Moment” by Gordon Lewis. In addition to the review, we are giving away two free copies of “Street Photography” to two lucky readers.
In September 2014, Zeiss announced their new Loxia line of manual-focus lenses for Sony’s full-frame E-mount cameras. Ever since covering the announcement, I’ve wanted to try out these stylish lenses, namely the Zeiss Loxia 2/35 because of its extended usefulness in landscape photography. I was very much interested in seeing how a modern Zeiss manual-focus lens designed for a technologically-advanced mirrorless camera would fare, and in the end I was left blown away by the results.
Phase One today released an update to their popular raw conversion and image editing software in the form of Capture One Pro 8.2. Version 8.2 seeks to improve the color grading experience for users of all skill levels with the new 3-way color balance tool. The update also adds support for more cameras and lenses, higher resolution image previews, and workflow improvements via “dynamic locations.”
The Oscar-nominated documentary “The Salt of the Earth” focuses on photographer Sebastião Salgado’s remarkable life as an artist. Described by director Wim Wenders as a “social photographer and a witness of the human condition,” Salgado’s life's work is truly larger than himself.
One year after the announcement of the original Sony Alpha a7, the new Sony a7II takes calculated steps towards improving function and ergonomics in their full-frame compact system camera series. With its revised exterior design now fashioning a pronounced grip with a DSLR-like forward-angled shutter button as well as the internal introduction of five-axis sensor-shift image stabilization, Sony turns their base model a7 into a not-so-basic specialist of its own. In this Fstoppers review, I examine the good and bad of how the Sony a7II performs with real-world use.
Four new full-frame E-mount lenses have been announced by Sony which include a 35mm f/1.4, 90mm f/2.8 Macro, 24–240mm f/3.5–6.3, and 28mm f/2. In addition to these lenses, two lens converters were also unveiled for the newly announced FE 28mm, turning it into either a 21mm f/2.8 ultra-wide or a 16mm f/3.5 fisheye. Along with the announcement comes software updates for many of the current FE lenses on the market which will shorten start-up time on E-mount cameras.
Nature photographer Steve Perry has released a new 14-minute video educating his audience all about lens diffraction. Beginning with a somewhat technical explanation of how diffraction occurs with your lenses, the video quickly moves into giving practical answers and examples for questions that you may have wondered when it comes to choosing f-stops and how to get the sharpest possible image.
Last summer, photographer and director Dixie Dixon was called upon by Nikon to shoot a campaign for their new touch screen DSLR, the D5500. This incredible opportunity had one interesting challenge in store for Dixon, however; All of the material would be photographed and filmed — kit lens, auto settings, and Photoshop-free — using the consumer-level D5500 itself.
The Venus 60mm f/2.8 2:1 Macro lens has many wondering if the relatively small price tag ($379), coupled with the intriguing 2x magnification and 14 blade aperture, is as good of a deal as it seems. Macro photographer Thomas Shahan was sent one of these lenses to try out, and his results look promising.
London-based product photographer Sean Tucker is releasing a three-part video series on photographing large objects, such as chairs and sofas, in a studio setting. Here in part one, Tucker demonstrates how to set up your lighting and camera in order to achieve a great, clean image that will be easy to cut out in post-production for online product catalogs.
Branching off from their web-based portfolio service, Format has launched a free iPad app named Kredo. The app allows users to add and organize their images into portfolios, exhibit portfolios to clients in a sleek-looking presentation, publish their work to the Kredo Discover network, or share their portfolios with anyone else on any device with optional password protection. While up against the trusty tactile printed portfolio and other digital portfolio services, the unique features and dark, minimalist layout may be something worth testing out.
Expert night sky photographer Ian Norman has created an easy-to-follow video guide on how to photograph and process images of the beautiful constellation Orion. Starting tonight using any camera and a standard prime lens, you too can get amazing results by following this tutorial.
When legendary photographer Jay Maisel speaks, people listen. For half a century now, Maisel has been creating breathtakingly extraordinary images, and so it is no wonder why PDNOnline recently filmed some wise words coming from the man himself. In these two bite-sized videos, listen as he offers satisfying advice on becoming a better photographer and how the use of gesture in your photographs can make all the difference.
Filmed and edited by Nejc Miljak, “Before You Wake Up” is a short production that casts a strong motivating monologue aimed at landscape photographers around the world. Alongside its message, the video portrays an awe-inspiring adventure into nature as photographer Janez Tolar captures images sunrise to sunset. The combination of these makes this semi-ethereal video too good to pass up sharing.
If you are no stranger to photography or other visual arts, then it is likely that you are no stranger to the “rules” of composition. There have been some excellent writings familiarizing one to the different forms of good composition, such as “The Ultimate Guide to Composition” by Chris Knight, but it’s much harder to find anything about its in-the-moment application. We all strive to find strong compositions that can drive the narratives in our photography. The next time you’re looking for the hidden story of your surroundings, recall the following simple tips.
Setting off CES 2015, Fujifilm has officially announced the new Fujinon XF16–55mm f/2.8 R LM WR lens. This 16–55mm (24–84mm equivalent) standard zoom lens is proudly described by Fujifilm as the perfect companion for photojournalists who favor a weather and dust-resistant design, a highly practical wide-angle to standard-telephoto zoom, and a wide f/2.8 aperture throughout.