Recently, Hasselblad released a 20-megapixel, 1-inch sensor on DJI's new Mavic 2 Pro, but in the grand scheme of things, Hasselblad may have a few bigger plans for the future when it comes to cameras that can fly. Having the ability to throw an A6D on a Matrice 600 Pro to capture 100-megapixel raw images has never been so easy.
Articles written by Ty Poland
Building an obsession with tiny drones over the past few months, it makes me so happy to see other people getting creative and modifying them to fly "better" cameras. Droneworks went to New York to put together another video with Casey Neistat, only this time with a much smaller drone than they had been using in the past.
A few years back I had heard about the Sigma Art lenses from my buddy Tom Harmon and when he started speaking really highly of the lens he had just got, I began to have some faith in them. After that, a lot of my photography buddy's and other sources started raving about the Sigma Art lenses and now here they are for the Sony E mount.
I was never really into photo series but over the summer that kind of changed with my island series. Today, I find myself shooting similar things over and over again. In the end, I think that photo series can be a really cool way to showcase your work and interests over time.
Growing up in Syracuse, New York, Tom Drone was only exposed to the beauty of this city at ground level. As time went on and technology advanced, drones became a popular tool for filming things from a new perspective. After years of work in the drone business, Tom returned to his hometown to film it from the sky.
For the past few years, I have been getting more and more into video work. When I first started, I had an idea of what frame rate was and I knew how to use it to get the looks I wanted but by no means was I doing anything correctly until probably late last year. In this video, Matt goes over frame rates and a few reasons why you should shoot in different ones.