Michael Woloszynowicz Photography Tutorials

About Michael Woloszynowicz

Michael Woloszynowicz is a fashion, beauty and portrait photographer, retoucher and instructor from Toronto

Popular Articles from Michael Woloszynowicz

A Simple and Accurate Way to Match Skin Tones with Selective Color in Photoshop

So it goes without saying that there are a ton of different ways to match skin tones across your subject or between images in Photoshop so it's often just a matter of picking the option that is most convenient or intuitive. Despite the wide array of choices, I seldom see people use the selective color adjustment layer for this task. The beauty of selective color is that it allows us to go off the numbers rather than intuition and achieve an accurate result in little time.

A Simple Way to Even Out Rough Skin Texture and Pores

In beauty and portrait retouching, one of the most important goals is to retain skin texture and keep the image from looking soft. We often however face a situation where the existing texture is unflattering and harsh. While we could heal out each pore or patch manually, this often leads to sub-par results and takes a long time. In this video I'll show you a unique, precise and fast way to target a particular texture frequency and offset it in a largely automated way.

A Detailed Guide to Creating Stunning City Images

Whether you’re traveling around or venturing out beyond your own backyard, cities offer an endless supply of interesting locations and moments for photographers. To take advantage of their potential you’ll have to not only identify the best compositions but also execute them well. Here are some tips that will help to take your city and cityscape photography to the next level.

How to Naturally Whiten Eyes in Photoshop and Capture One

When we hear about eye whitening our thoughts immediately turn to disturbing cases of retouching gone bad where subjects look more like dolls than humans. While YouTube is littered with videos on the subject, a good chunk of them take a brute force approach to the problem. They either crank up the luminosity or reduce the saturation; both of which will produce unnatural and sometimes frightening results.

How to Recover Skin Texture from Over-Exposed Highlights

A common issue that we're often faced with when using hard light modifiers such as a beauty dish or open reflector, is that of over-exposed highlights on our subject's forehead, nose and under eye areas, which also results in lost skin texture in those regions. While raw processors offer up the ability to recover highlight detail, this rarely leads to satisfactory results. In this tutorial I'll show you how to recover the texture while leaving the overall luminosity in-tact to produce a well-balanced result.

Amazing 4K Timelapse Shows Off the Beauty of New Zealand

Martin Heck from Timestorm films kicked off a series of timelapse videos through New Zealand with the release of Awakening earlier this month. While Awakening took the viewer across New Zealand's grand landscapes, his latest film Amplitude explores its details. Taking you on a journey through its caves, waterfalls and lush greenery, the details and colors are sure to excite your senses and have you putting New Zealand on your bucket list.

How Many Studio Lights do you Really Need?

When it comes to the quantity of lights that one needs, opinions are often heavily polarized and a hotly contested debate often rages. There are those that are staunch supporters of one light while others claim that a handful of lights are needed before anything meaningful can be done. Ultimately neither group is right as there is no definable minimum or maximum number of lights that one should use.

How to Fix Common Skin and Hair Issues Using Texture Grafting

From a retouching standpoint, there are few things more unpleasant or challenging than dealing with chunks of hair on the face, missing patches of skin texture and large folds of skin. Generally the existing tools in photoshop such as the healing brush or patch tool fail in these situations and we often end up with unnatural or unpolished results. When all else fails I often turn to a technique called texture grafting to deal with a multitude of issues.

Retouching, You're Going About it All Wrong

Retouching problems start well before we sit down in front of the computer and begin pushing pixels around. I know this because as I reflect on my past work, I realize that I’m as guilty of making countless mistakes as much as anyone else. Rather than talk about techniques like dodging and burning, frequency separation, etc. let’s focus on more high level problems that might be leading you in the wrong direction.

Start to Finish Portrait Retouching with Capture One Pro

As you may already know, I spend a good deal of time polishing my photos in post production and have taught retouching in Photoshop for some time. A few months ago I made the move from Lightroom to Capture One and haven't looked back. To test out it's power, I decided to see just how close I could get to my portrait retouching style using only Capture One Pro 8 and forgoing Photoshop entirely.