Mike Wilkinson is an award-winning video director with his company Wilkinson Visual, currently based out of Lexington, Kentucky. Mike has been working in production for over 10 years as a shooter, editor, and producer. His passion lies in outdoor adventures, documentary filmmaking, photography, and locally-sourced food and beer.
Just a few days ago we got information on the new Canon C200, a 4K video camera with a number of interesting features including internal raw recording. While people were scoping the new Canon camera and talking about how it fit into the market with BlackMagic and Sony products, there was no mention of Panasonic for good reason – they didn't offer a feature-rich 4K capable camera, with interchangeable lenses, around the $7,500 mark. But coming this fall, that's going to change with the AU-EVA1.
For video editors and filmmakers alike, understanding the power of the cut is important for telling the most compelling, informative, and/or emotional story. In this video excerpt from MZed, professional editor Adam Epstein (known for SNL and Killing Gunther among other things) provides some thoughtful insight on six rules for cinematic editing, as referenced from award-winning film editor Walter Murch.
Camp 4 Collective is an adventure film production group with clients like RedBull, The North Face, and National Geographic, so they are often found at the edge of the world, camera equipment in tow. Recently, some of the Camp 4 team traveled to Alaska to shoot some aerial footage. In this video, Anson Fogel explains the Cineflex helicopter camera system, and in the full post he and Tim Kemple answer my questions about its controls, production costs, and what it's like to play in helicopters.
Denver photographer Michael Sasser got some attention when this behind the scenes video showed how a simple setup could produce some great portraits. He dropped a new video, so I reconnected with him to see what he has been working on. Turns out he has a new slow-motion video camera, and is now offering video production to clients. This video will give you a taste of one of his shoots, and in the interview Michael shares some insight on his methods, gear, and experiences.
Photographer and Author Tony Northrup has put together a video tutorial on how to use your DSLR's histogram and exposure compensation to get proper exposure when working with backgrounds that are too dark or too bright. He also talks about spot metering vs. evaluative metering, and discusses when and why he chooses the different modes. There are a number of good tips in this video, and if you're out taking photos in the snowy North, you might find them helpful.
Gavin Hoey with AdoramaTV put together this simple yet informative video that includes beginner tips on techniques for bracketing your aperture, finding different materials for textures, and finally bringing it all together in Photoshop. Gavin shows how he works in Photoshop to transform images to make them fit your composites in a more pleasing way, and also uses blending modes and layers masks to make the textured vignettes fit his images.
The Kickstarter Project called Run Free 2013 is a fake marathon that Ridiculo.us is putting on to see if they can use user-submitted photos of an event that isn't actually happening, to make it seem like it did. While certainly a fun idea, a bigger question begs to be asked– if all it takes are photos and tweets to make something seem like it actually happened, how in the future can we account for the difference between the real and a hoax? Embedded video inside.
Lighting Asylum has brought us this informative look behind the scenes of a sunset portrait shoot, and it gets pretty in depth with how the photographer handles over-exposed back lighting, poor color in the clouds, and flash positioning. The photographer gives some insight on his process for camera settings, and even shows how he gels a flash to get the sky to change colors.
UK Company Triggertrap have been making camera triggers for some time now, and recently released an iOS app that offers remote control of many DSLRs, in addition to control the iOS camera itself. Unlike other remote apps available though, the Triggertrap Mobile can be triggered by things like sound, vibration, and facial recognition. Other notable features include eased timelapses that create a ramped-up speed effect over time, distance-lapses, and doing HDR captures.
Architectural Photographer Chris Luker creates thoughtful images of buildings and locations, and really digs deep to communicate the details and context of the place. In a very thoughtful and informative video, Chris describes his thoughts and process for trying to translate the “language of architecture.” There’s some really deep thoughts here, Jack Handey would be proud.
The new Nikon D4 has some amazing capabilities on paper, and by now most people have seen the amazing video by Corey Rich. The video below demonstrates many of the D4's new video features, including using an iPhone or iPad to control the camera, clean HDMI out onto an external recorder, and selecting the crop modes. Nikon really did this one right, but it looks to me as though that the focus tracking makes the aperture breathe, which would make it unusable during recording. See if you can spot where he knocks the camera over by mistake!
Update: Also, check out the full post for a demo of the D4 working with the new WT-5 wireless transmitter and the iPad.
This year's most notable ski film, "Into The Mind" wasn't just your average sports reel. Camp 4 Collective and Sherpas Cinema put together a visually striking feature, along with a narrative that is filled with symbolism. In this behind the scenes video, the filmmakers discuss how certain shots came about, and how the story elements came together serendipitously.
Known for its top of the line outdoor adventure camera bags and backpacks, F-Stop Gear recently unveiled the Loka Ultralight, or "UL," a revision of the popular Loka backpack. In this review I’ll go over the differences between the UL relative to its older brother, and point out who this pack is and isn’t for.
What happens when you dream of a surreal image that beckons you to recreate it as a photograph? For Canon Explorer of Light, Tyler Stableford, it meant heading to Mexico in search of whale sharks, with an underwater model, ready to face the challenges that laid ahead of them them in an effort to create an image that was as compelling as it was personally rewarding.
I’ve been shooting stills and video alongside the rest of the crew with Clear & Cold Cinema, while working on the Michigan Ice Film. Before I departed sunny Colorado, I was lucky enough to get my hands on a Mountainsmith Descent Pack, and I don’t know what I would have done without it.
![[Gear] New iPhone App Is DSLR Remote Unlike Any Other](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/05/triggertrap.jpg)
![[Video] Translating Architecture Through Photography](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/02/chris-luker-excerpt.jpg)
![[Video] Nikon D4 Video Features Demonstration (Updated)](https://cdn.fstoppers.com/styles/med-16-9/s3/default_images/default-image.jpg)
