While sharing drinks with a friend, he started inquiring as to how I’m able to supplement my income with video editing projects. The more we talked, the more I realized that a lot of people have the ability and skill to do it, but they don’t understand the small things that can make or break being successful at it. In this post, I’ll share what I’ve learned about being a freelance editor.
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If you're anything like me, you've been yearning for the day when a DSLR comes equipped with an iPhone-like OS, complete with apps and fully functional wifi. This DIY doesn't take a DSLR quite to that level, but it's surely a step in the right direction. Using EyeFi cards or tethering is pretty cool, but can still be very limiting. It's awesome to see projects like this being created and shared that open up the possibilities.
If you’re one of the many folks who have started to incorporate video production into the services you offer as a photographer, you’ve probably had a few challenges dealing with it’s unique workflow. I started as a video editor, and transitioned into production about 10 years ago. I’ve created some simple forms to help keep my projects in line, and today I’m sharing them with you.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.
Pelican cases have long been an industry standard for top-of-the-line protection of cameras, lenses, lights, hard drives, and all other forms of fragile video or photo gear. Their new “Air” line of cases bring that same protection, but at a lower weight. I got to try the Pelican 1535 Air out and see how it performed on a travel video job.
Lighting Asylum has brought us this informative look behind the scenes of a sunset portrait shoot, and it gets pretty in depth with how the photographer handles over-exposed back lighting, poor color in the clouds, and flash positioning. The photographer gives some insight on his process for camera settings, and even shows how he gels a flash to get the sky to change colors.
If you ever feel like you're stuck in a creative rut, or having a hard time progressing in your field, know that you're not alone. Any professional photographer will tell you about all of the failures and challenges they had to overcome in order to reach new heights. This video shares a brief look at some of the struggles faced by seven leading photographers, as a trailer for a new season of podcasts from PRO EDU.
Sigma has been killing it lately with their Art series of lenses, and this entry doesn't stray far from the pack. With a great build, low distortion, and a very competitive price, it’s a contender for the best ultrawide lens available in its class. I had one for a few weeks and got to see if it lived up to the hype and high bar set by its fellow Sigma Art lenses.
As a freelancer, I find myself taking on different roles in both production and post. I can do some modest animations, but any major work, I outsource to an animator. With plugins like the Trapcode Suite though, even a simpleton like me can make some eye-catching graphics.
The National Park Service in the United States is one of the few organizations to have made clear policies regarding the use of drones, or small unmanned aircraft systems (SUAS) on their property. Yet some people continue to ignore these rules, and it’s only going to make things harder for the rest of us if this trend continues.
Being a master of keyboard shortcuts isn’t just a party trick to impress friends and clients, it’s a path to a faster and more efficient editing process which makes you more of an asset as a video editor. Whether you’re hoping to earn a Pro Certificate or just become faster in post, one way to get you there sooner is to invest in a dedicated keyboard.
In February, Sony announced their new "G-Master" lineup of full frame zoom lenses, with fast apertures and made specifically for their mirrorless camera options, like the popular the a7rII, or even the recently reviewed a6300. In this video review by Chelsea and Tony Northrup, they got to kick the tires of the new 24-70mm f/2.8 Sony G-Master lens, and were impressed by the results.