BlackRapid has been making unique, useful camera straps for a while, but recently released an updated product line. For this review, I took one of their more popular straps out into the field for a rock climbing photoshoot, as well as used it on a location scout.
Blackmagic sent me one of their 4.6K URSA Mini Cameras to play with, and after just a few short days of messing around with it, the URSA Mini certainly made an impression. A RAW, 16-bit, 4608 pixel-wide impression to be specific. In short, this camera system is a beast, and comes at a price point that is very attractive.
If you're anything like me, you've been yearning for the day when a DSLR comes equipped with an iPhone-like OS, complete with apps and fully functional wifi. This DIY doesn't take a DSLR quite to that level, but it's surely a step in the right direction. Using EyeFi cards or tethering is pretty cool, but can still be very limiting. It's awesome to see projects like this being created and shared that open up the possibilities.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.
Sigma has been killing it lately with their Art series of lenses, and this entry doesn't stray far from the pack. With a great build, low distortion, and a very competitive price, it’s a contender for the best ultrawide lens available in its class. I had one for a few weeks and got to see if it lived up to the hype and high bar set by its fellow Sigma Art lenses.
Last month I posted an article about your gear being possibly ruined if you were to take it to a Color Run event. After reading that along with comments on the Lensrentals blog where rented lenses were being returned in disrepair, one of the event’s official photographers spoke up, wanting to share his practices for keeping your kit safe.
Using a unique blend of black lights, LEDs, and course sharks with frickin lasers, the crew from Burn put together a fantastic short video that shows snowboarders sliding on some rails and even doing flips in the dark. The rails light up as they slide across them! Check out the video and tell us what you think of this style.
Bugs, rain, rough terrain and carrying gear– forget about all of that. Shift your focus and get creative all of a sudden. Think: how can you approach taking an image that you'll have just one chance to get, but also capture it in a unique way? One take is all Tim Kemple had, and using a Phase One camera, he scored this shot of kayaker Tyler Bradt going over a waterfall in the jungles of Mexico.
Dave Sandford is a professional sports photographer from Ontario, whose roots in photography keep him coming back to bodies of water, capturing images that move him personally. What he found close to home in the shallow water of Lake Erie turned out to be some of the most dramatic waves he’d ever seen, and Dave came away with an incredible series of images to share.
The documentary "MILE... MILE & A HALF" has been featured before, with it's dazzling visuals and informative insight into creating art while on a long backpacking trip. This film took 2 years to produce, and it's finally complete! The creators have shared a clip just for the Fstoppers audience, and they have also answered some questions on the production of their film.
So I just landed in Colorado, and while working from my laptop on a TV tray worked in a pinch, getting a home office set up quickly and cheaply has been a top priority of mine. I’ve come up with some tips that have helped me now and in the past when it comes to making a functional workspace at home.
In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.
After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.
ReutersTV put together this video of interviews with their photographers as they describe what happened to them during and after the destruction left by Hurricane Sandy, and how they worked to capture compelling images. The interviews are balanced by the powerful imagery that these shooters captured of the hardships people faced, many of them left with destroyed homes.
A couple months ago, we posted images from a series of portraits shot by Tadao Cern that were described as "blow job portraits". Kai and crew over at Digital Rev TV put together a fun video trying to re-create this effect using some interesting tools on a handful of models, while "keeping stimulated" by trying a new technique. Can you keep a straight face while watching this?
A few weeks ago I shared some insight on using shotgun microphones for documentary style interview productions. This week, I’ve got a companion video that explores techniques for using lavalier mics, the standard go-to mic for most interview scenarios.
