Mike Wilkinson is an award-winning video director with his company Wilkinson Visual, currently based out of Lexington, Kentucky. Mike has been working in production for over 10 years as a shooter, editor, and producer. His passion lies in outdoor adventures, documentary filmmaking, photography, and locally-sourced food and beer.
I've read plenty of articles online about the sharing of user information, privacy settings on facebook, and the creepy things that someone could do with malicious intentions. In this video, Sam Pepper uses Instagram location tagging to find girls in the area, and makes them believe they know each other by sharing information they posted online.
This powerful timelapse video called "Wyoming Wildscapes II" was put together by photographer Nicolaus Wegner. Taking 14 months, this video covers the cycle of the seasons, the shifting of the landscape, and the ever-changing weather. To find out more about this project, I interviewed Nicolaus and asked about his gear, workflow, and experiences.
"It is not about getting as close as possible, but to capture the feeling of being there. I don't want to just look into their world, I want to be a part of it." Asgeir Helgestad is a photographer from Norway whose wildlife imagery seems to step inside the world of the animal. In this short video, Asegir explains why he chose this pursuit, and what he hopes to convey with his work. Worth the watch in HD and fullscreen.
Aerial videos that have been shot by drones have been flooding YouTube for the last few years, especially as the cost and expertise needed to get into it has come down. A birds-eye point of view can add a lot of production value to a video project, but where does one start when looking to get into aerial video? I spoke with Brent Foster who told me about the doors that shooting aerial video can open, as well as the challenges they present.
On Fstoppers, we’ve long been fans of quality behind-the-scenes video counterparts to an interesting photo or video project. They are great marketing tools for us as creatives searching for more work, but they also help promote the primary business or product. This means we can justify pitching these videos as an add-on service to our clients.
For those of you who get into situations where you have limited time to set up, manually light and fine tune it to how you would like, well-known photographer Joe McNally shows how quick and easy using TTL can be when pairing an Air Remote with a Profoto B1 strobe unit. This would be great for event shooters, and setting up for quick portraits. Read on for two other videos on high speed sync and lighting ratios.
With a concept of traveling back through your childhood and experiencing that care-free, fantasy world of "pure imagination," Permagrin Films has put together an incredible time-lapse music video. In the article below, there's a full behind-the-scenes video and the producers of the film answer a few of my questions in a brief interview.
It’s safe to say that this camera doesn’t suck, and in the hands of someone like Tim Kemple, who’s at the top of their game, the results are pretty incredible. I got the chance to chat with Tim about his thoughts on using the new Phase One XF 100MP camera, including what happened when he flew it on a drone over a waterfall.
Lots of skilled videos editors have started to see the value in being hired for contract work. It’s a great supplement to other income, you can be picky about projects, and most of us enjoy the work. But what about negotiating rates, estimating time, and dealing with files after the job? Here are some tips for the business-side of being a freelance video editor.
The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.
Just eight days ago we posted an article about the end of Casey Neistat's daily vlog run, where he had amassed billions of views and a huge audience of followers. Now today, news is spreading about his next project: to create a new media brand that creates digital content for millenial audiences for CNN.
The National Park Service in the United States is one of the few organizations to have made clear policies regarding the use of drones, or small unmanned aircraft systems (SUAS) on their property. Yet some people continue to ignore these rules, and it’s only going to make things harder for the rest of us if this trend continues.
Everybody's favorite rocket engineer and slow-motion video enthusiast, Destin Sandlin, is back with a pair of videos that you'll find interesting if you've ever noticed the effects of a rolling shutter while filming video. Like many of us, Sandlin noticed the weird effect that happens when trying to film engine propellers with his iPhone. He decided to use a high-speed camera and science to figure out exactly what was happening. Then for fun, he worked with a friend and figured out a way to use After Effects to create a simulation of the rolling shutter effect.
Who's a good boy?! For around 45 years, William Wegman has been working with canine companions and exploring all of the peculiar possibilities that come to his mind. With a studio, lots of props, and a playful disposition, Wegman has crafted a career the revolves around man's best friend.
If you have been to any sort of performance in the last few years, I think you'll recognize some of the people in this commercial. Crowds who take pictures with their smart phones, holding them up to reveal a sea of illuminated rectangles, often distracting an artist or blocking the views of others. This commercial takes this issue to an unreal level, but it's actually not that far off.