About a month ago I listed some of my favorite editing tricks and while experienced editors knew the deal, I got a lot of feedback saying that at least one or two of those techniques were helpful for people who have only started to edit videos in the last few years. So here are 5 more, some maybe a touch more advanced, editing tips for the video editors out there.
A group of filmmakers from Edmonton, Alberta have been working on a three-part science and nature documentary called The Great Human Odyssey. I recently spoke with some of the crew to learn more about how a production team approaches a project that involves planning and shooting in some of the most remote environments in the world. Check out their behind the scenes video, but read on for more videos and insight into their process.
Everyone's favorite point of view action camera is about to get even better. According to a post on the GoPro website, firmware updates are coming for the HERO4 camera lineup that will add features and capabilities users have been requesting for some time.
During a shoot with Tony Roslund and Gary Martin for PRO EDU this past December, I was lucky enough to operate a Movi M5 for lots of behind the scenes and "color" footage. The motion rendered from the Movi, even while running, was most impressive. Just recently though I learned of the Nebula4000 Lite, and at a fraction of the price, I think this might be the next big compact video camera accessory to have.
This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle. Corridor Digital may have a (small) budget for these, but what I enjoy about them is that the fun and creativity feels authentic, which you often only get when no agency or corporate sponsor is pushing creative decisions. In this video, you'll see the final clip, with the behind-the-scenes video inside the full post.
Readers have enjoyed my past blogs on editing from home, making a better demo reel, and other video-editing articles, so now I’m sharing with you my favorite editing tricks that I find make for better cuts and ultimately make videos easier to watch.
For a long time teleprompters were considered bulky, unweildy, and often required you to be tethered to a laptop or other control station. In the last few years, more affordable options that used wireless technology and compact mounts began to hit the market. Now, "The Parrot" might just be the most compact system I've ever seen, and it uses a device that the majority of us will already own: a smartphone.
Patrick Rochon is a world-reknowned light painting photographer who recently produced a project with Infiniti, where he used their cars as paintbrushes themselves, in a manner of speaking. This video shows off what is possible when a skilled artist is given the reigns to create compelling images of vehicles, and has the support of a technical and creative team. And to top it all off, the really cool part is that everything was done in camera– there was nothing digitally added.
As someone who has owned countless backpacks, both for photography and for trekking, I can tell you that fit and comfort are second to none when deciding what pack to purchase. My partner sometimes struggles when selecting a pack, as her options can sometimes be limited depending on the brand. F-Stop Gear has taken notice of this very thing, and is testing the market with a Kickstarter fundraiser to create a camera backpack that is built for the body type of women.
While sharing drinks with a friend, he started inquiring as to how I’m able to supplement my income with video editing projects. The more we talked, the more I realized that a lot of people have the ability and skill to do it, but they don’t understand the small things that can make or break being successful at it. In this post, I’ll share what I’ve learned about being a freelance editor.
Known for their well-built camera backpacks that cater to photographers and videographers who take their kit on outdoor adventures, F-Stop Gear is unveiling the "Shinn," a backpack that has an impressive 80 liter capacity. Made specifically for cinematographers with large camera kits, it's been field tested on expeditions around the world, and is now ready to be made available for everyone else.
As a writer for Fstoppers I hear about a lot of personal projects. This past weekend, my attention was grabbed when I read about how Denver-based photographer Dylan Burr undertook a project to create wet plate collodion photographs. It wasn't his image making process that stood out to me though- it was his subject matter. Read on to see the images Dylan created, but also hear how he is hoping to impact the community through his efforts.
What happens when you dream of a surreal image that beckons you to recreate it as a photograph? For Canon Explorer of Light, Tyler Stableford, it meant heading to Mexico in search of whale sharks, with an underwater model, ready to face the challenges that laid ahead of them them in an effort to create an image that was as compelling as it was personally rewarding.
If you've played a few shooter video games in the last two decades, chances are you've seen at least one with a point of view that is looking from the top-down. The team over at Corridor Digital wanted to recreate this style in a video short (which also meant doing it all in a single take!) so they partnered with DJI to make it happen. This video takes you behind the scenes on their shoot, but check the full post for the final video and a second BTS piece.
Sean Goebel might only do photography in his spare time while working on his PhD in Astronomy, but that hasn't stopped him from licensing work to the likes of Canon, the Discovery Channel, and others. A quick watch of his timelapse works, including Epochs and Mauna Kea Heavens and it is easy to see why. His latest timelapse project is included here, along with a brief look into its creation.
With hopes of saving at-risk environments and capturing them before they are gone forever, a team of 15 timelapse artists have decided to join forces and create a feature film. Eric Hines, Michael Shainblum, Drew Geraci, and Joe Capra are just a few of the names on the "CodeX" roster. They are crowdfunding to try and make this project a reality, and I spoke with team member Ben Canales on why this project matters.
Most people I work with manually dump thousands of files at the end of their shoot day (myself included.) A stack of cards, hard drives, and waiting for one card to finish before starting the next. All of this is followed by checking each dump to make sure nothing was missed. A new software app from Red Giant is looking to help this process, without bogging users down with extra steps.
Have you ever seen a photo of a unique place, but could never find exactly where it was located? For years, Justin Majeczky was aware of the existence of the Fly Geyser, but only after research and some smooth talking was he able to locate and document this unique phenomena.
In a recent article by Jaron Schneider about the Metabones Speedbooster on a Black Magic Pocket Cinema Camera, several readers had questions about the model designed for the GH4, whether this one would work with it or not, and other comments. I bought one of these a week ago and wrote this article to tell you what works, and what doesn’t.
Mountaineering photographer Robert Böesch stood at the ready, next to several cameras as he waited for the right conditions and timing, to capture an unbelievable exposure of the Matterhorn Peak, one of the most notable mountains in the Alps, if not the world. What made the image so special was the team of mountaineers already in place, each with red lights to illuminate the first route ascended on it 150 years ago. This video shows how it was done.
Can't decide which lens to take? Why not take them all! With Lowepro's new Pro Trekker 650 AW, you'll likely have to buy more lenses and accessories to fill this behemoth of a camera backpack. I got to test drive this bag for several video and timelapse shoots, so I got a pretty good idea about how it performs. In my full review I'll cover the build, features, and whether it was helpful to have or simply too bulky to deal with.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.
You might have heard of Stu Maschwitz before, possibly from his work on these Red Giant video projects, or perhaps the Plastic Bullet app he made a few years ago. His latest creation is a custom set of presets that integrate with Lightroom, and gives the user a set of vintage photo looks to choose from.
Turning the work you do on a personal project into something that makes you money isn't a new idea (just ask stock shooters.) However, the forethought required to concept a personally fulfilling shoot or production that will also have the chance to generate some income can be tricky to figure out. This past weekend I had three shoots, and they were all because of one personal project I created a month ago. And I actually planned for this to happen.
In this making of video, outdoor brand Mammut is shown working with Dani Arnold and Stephan Siegrist, two alpinists, to plan a climb up the north face of the Eiger. What makes this ascent unique though, is the inclusion of a 360-degree GoPro setup which is used to capture panoramic shots from the mountainside. The result of their efforts is a unique look into the views, terrain, and conditions that the climbers faced. Mammut recently unveiled an interactive web portal to give anyone who wants to ascend the Eiger, the chance to do so from the comfort of their office chair.
Aerial videos that have been shot by drones have been flooding YouTube for the last few years, especially as the cost and expertise needed to get into it has come down. A birds-eye point of view can add a lot of production value to a video project, but where does one start when looking to get into aerial video? I spoke with Brent Foster who told me about the doors that shooting aerial video can open, as well as the challenges they present.
While in Macedonia shooting video and stills for the company Petzl, photographer Keith Ladzinski was capturing aerial footage in the village of Prilep with a DJI Phantom II. The unexpected happened and the quadcopter got stuck on a church steeple in the middle of a shot. How they got the Phantom back was even more of a spectacle. Check out the first few minutes of this video to see footage of both the crash and the climb to get it back.
Lars Schneider, an adventure and landscape photographer from Germany, spent two months on the road with his family traveling across the Southwestern US. This video documents his trip, but I also interviewed Lars about the challenges and rewards of running a photography business on the road, while at the same time taking care of a family.
In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.
After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.
Announced less than a month ago, the new Nikon D810 has made video DSLR shooters foam at the mouth with its long list of cinema-centric features. The crew from Cinescapes Collective got their hands on an early release of the D810 and put together a short film for Nikon Professional Services. Watch the BTS video to hear their thoughts on the Nikon D810, then read on for the final film and stills from the production.
If you’re anything like me, you’ve got hard drives full of footage from personal or other non-commercial projects, that don’t serve much use once the project they were shot for is completed. I’ve considered trying to license it as stock footage, but never really taken the time to do it. After checking out the site Nimia and interviewing one of their staff however, I decided to give it a try.
All this week at the PRO EDU studio in St. Louis, Michael Woloszynowicz has been hard at work showing off his techniques for an upcoming tutorial series on creating fashion and editorial photography. Today at 11am CST, myself along with the rest of the video crew will be streaming his model test look demonstrations live from the studio.
A month ago I flew to North Carolina and was the Director of a 5 person crew for a week-long video shoot at a multi-million dollar corporate facility. Then just last week, I spent 4 days in Albuquerque as a Production Assistant, shooting behind the scenes images and getting lunch for the crew. My ego almost stopped me from taking that gig, but I’m glad it didn't. Here’s why.
The combination of two visually striking methods resulted in this surreal video by Vincent Brady. After checking the video, read on for some more information on the rig Vincent used to shoot with, and some insight on the programs he used to painstakingly stitch his images together for the final timelapse video.
Hiking season is in full swing and in the last few years I've incorporated a lot of video and photography while on week long trips in the backcountry. When every pound of weight counts, you have to choose your gear carefully. In this post I’ll share my tricks and tips for making a useful kit without weighing you down.
The LitePanels 1x1 has arguably been the industry standard for LED lighting in many news and documentary productions. At the recent CineGear show, LitePanels demoed their latest product, an update to the award winning 1x1. The new "Astra" light claims to have an output 4x greater than the original 1x1. Nate Weber from Newsshooter.com shares the first look in this video.
The RagLite LED systems are a product seeking backing on Kickstarter to do a production run of what appear to be LED strips on fabric that can be rolled up, powered by battery, are waterproof, and claim a CRI of 95. With several rewards being offered, including various sizes of their light, they seek to raise about $25,000. Read on for their video and more information on these unique lights.
Capturing a high action activity like ice climbing can be tricky enough, but photographer Ray Demski took it one step further– to include the aurora borealis, and to do it in a single image (no compositing). In this behind the scenes video, see the challenges Ray faced when having to deal with capturing a long exposure of the scene, while dangling on the side of an ice cliff himself.
Edelkrone raised a few interested eyebrows with their unique slider design a while back, but with their recent add-on items, the latest of which is the "Action Module," both filmmakers and manufacturers alike are taking a long look at these innovate products. The Action Module not only brings timelapse and repeatable moves, it does so in a simple, intuitive way.
Known for its top of the line outdoor adventure camera bags and backpacks, F-Stop Gear recently unveiled the Loka Ultralight, or "UL," a revision of the popular Loka backpack. In this review I’ll go over the differences between the UL relative to its older brother, and point out who this pack is and isn’t for.
