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A few weeks ago we posted an article about the robotic cameras that were being placed at various venues for the 2012 London Olympics. With this video by Lefteris Pitarakis, you can take a closer look at these rigs and how they're operated, and hear from the Associated Press Photographers who are installing and operating these Canon 1DX rigs.
Shown at Sundance this year, the project called Bear 71 is unique spin on a documentary concept. Using an interactive graphical interface, the user can explore Canada's Bow Valley, and click on points of interest like wolves and bears. It's also a linear story being told through a warm, inviting voiceover, while video clips that move the story forward narrative are interspersed. The user fills in the gaps by exploring the valley and viewing images which give a glimpse into the hidden world of the wild.
There are a few behind the scenes videos out there that show photographers working with ice climbers, but often the climbs are right next to the road, making it convenient to bring tons of gear, power, and spend all day getting coverage. So what does it take to create those images when you're miles deep into the woods, and can only take what you can carry on your back? In this behind the scenes video, I'll show you the challenges of such a shoot.
My passion is shooting outdoor lifestyle and documentary projects, and those shoots often require me to be on the go and in remote areas. Historically, getting an expensive jib or crane in those locations was not possible. With the Aviator Carbon Fiber Travel Jib, taking a jib into the field is not only possible, but easy for everyone.
"It is not about getting as close as possible, but to capture the feeling of being there. I don't want to just look into their world, I want to be a part of it." Asgeir Helgestad is a photographer from Norway whose wildlife imagery seems to step inside the world of the animal. In this short video, Asegir explains why he chose this pursuit, and what he hopes to convey with his work. Worth the watch in HD and fullscreen.
Aerial videos that have been shot by drones have been flooding YouTube for the last few years, especially as the cost and expertise needed to get into it has come down. A birds-eye point of view can add a lot of production value to a video project, but where does one start when looking to get into aerial video? I spoke with Brent Foster who told me about the doors that shooting aerial video can open, as well as the challenges they present.
As a writer for Fstoppers I hear about a lot of personal projects. This past weekend, my attention was grabbed when I read about how Denver-based photographer Dylan Burr undertook a project to create wet plate collodion photographs. It wasn't his image making process that stood out to me though- it was his subject matter. Read on to see the images Dylan created, but also hear how he is hoping to impact the community through his efforts.
No stranger to putting cameras in dangerous places, filmmaker and explorer Sam Cossman recently published a video that reveals a heart-pounding perspective into a firey abyss– the active volcano of Vanuatu. Not all gear survived the conditions, but the footage proves that it was worth it.
In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.
With impressive looking example videos and a relatively inexpensive price tag when compared to a MoVi or Ronin, the Kickstarter for the SteadXP has already blown past its fundraising goal. I wasn't sure what all the hype was about until I watched their video with before and after examples.
Dave Sandford is a professional sports photographer from Ontario, whose roots in photography keep him coming back to bodies of water, capturing images that move him personally. What he found close to home in the shallow water of Lake Erie turned out to be some of the most dramatic waves he’d ever seen, and Dave came away with an incredible series of images to share.
The smaller size, lighter weight, and ability to get a high angle shot has made the monopod a useful tool for many photographers and videographers, especially for subjects like sports, wildlife, and run and gun situations. I got to review the new 3Pod Orbit Monopod to test its features on a couple of different projects to see how it holds up to real world shooting scenarios.