Mike Wilkinson is an award-winning video director with his company Wilkinson Visual, currently based out of Lexington, Kentucky. Mike has been working in production for over 10 years as a shooter, editor, and producer. His passion lies in outdoor adventures, documentary filmmaking, photography, and locally-sourced food and beer.
Turning the work you do on a personal project into something that makes you money isn't a new idea (just ask stock shooters.) However, the forethought required to concept a personally fulfilling shoot or production that will also have the chance to generate some income can be tricky to figure out. This past weekend I had three shoots, and they were all because of one personal project I created a month ago. And I actually planned for this to happen.
As someone who has owned countless backpacks, both for photography and for trekking, I can tell you that fit and comfort are second to none when deciding what pack to purchase. My partner sometimes struggles when selecting a pack, as her options can sometimes be limited depending on the brand. F-Stop Gear has taken notice of this very thing, and is testing the market with a Kickstarter fundraiser to create a camera backpack that is built for the body type of women.
In the last few years, us earth-bound humans have been blessed with stunning still images and breathtaking timelapses that were taken in outerspace. Veteran astronaut-photographer Don Pettit was at the recent SXSW event, and spoke about the challenges of capturing images in space.
The ever popular Loka and Loka UL were favorites among many outdoor adventure photographers and filmmakers I know, including myself. With F-Stop Gear's recently updated line of Mountain Series packs, the Loka has been reborn and is now known as the Ajna. I've been using it for the last few weeks and discovered some surprising details about it.
I'm definitely NOT a studio photographer, but I respect and understand why for a urban running photoshoot like this one, it can make things a whole hell of a lot easier by doing it in the studio. Steve Brown shares some insight into his process in this behind the scenes video.
In this video, Daniel Norton of Adorama takes you into his studio, showing you how to set up for three different lighting scenarios, with the ability to change from one to another at the flip of a switch. This is great for if you have extremely limited time with models or actors and need alternate looks or options between them.
This short but awesome behind-the-scenes video from Adrien Veczan shows his setup and technique for capturing a product photo of a bottle of cranberry vodka. Check out the video and then read on to hear a little bit more about his approach and method, which utilizes different lights to paint different parts of the bottle for his final image.
Lofoten, Norway has been getting a lot of attention in the last few years, and rightfully so. Known for its incredible mountains, open waters, and unspoiled lands, it has quickly become a favorite for photographers looking to capture dramatic landscape images. Australian filmmaker Michael Fletcher took two trips here recently and came away with a fantastic aerial film, captured during the season of the midnight sun.
Anyone who has flown a drone for aerial video capture has likely done one of the few shots that are pretty much the standard of any aerial video. In these two videos from Mark Richardson, he is going to explain techniques for three different kinds of shots you may not have thought of before.
It takes skill and experience to create compelling documentary films, and just one facet of that process is capturing the footage. Traditional films are usually shot on the ground, perhaps on a tripod or some other mount, and there are plenty of challenges inherent to that process. But have you ever tried to capture footage while hanging from a rope and getting swarmed by Himalayan honey bees? And you thought your job was tough.
Whether you’re about to head out for a day of shooting some corporate videos, producing a multiday lifestyle photoshoot, or even traveling abroad for a project, as a filmmaker or photographer you’ll likely have to do a fair amount of prep, called preproduction. This article will summarize a number of things that you should think about and probably not forget to do before leaving for your next job.
This is a topic that many paid video and photo shooters tend to feel very strongly about, and I’ve tried to analyze my experiences for some rational thoughts on the matter. If you want your voice heard, leave your opinion in the comments, but first read about how one particular band actually offered pro and hobby photographers press access to shoot images of their performance. For a fee of $150.
DSLR Video pioneer Vincent Laforet partnered with Canon to create a 4 part instructional video series where he shares many great tips for getting started with shooting timelapse sequences. He takes viewers with him on a shoot in Bryce Canyon and explains his setup, and also goes in to detail on: finding a subject matter, lens selection, how to calculate properly to get enough frames, using intervalometers, and so much more. This is loaded with tons of great tips, a must watch if you do any timelapse work.
As creatives, sometimes we struggle to find that spark that ignites the fire of our motivation. Whether it's a feeling we've hit a plateau in our skills and abilities, or maybe when personal matters overwhelm us and life just gets to be too much and we lose focus of our goals... Every once in a while I find that a piece of art can be the primer for that fuel to focus my mind and energy. One such video that did that recently is Revelation, by Sebastien Montaz-Rosset.
This past November while on a trip to Colorado, I had the chance to meet up with Celin Serbo, an outdoor lifestyle photographer whose client list includes the likes of Nikon, Backpacker Magazine, Nat Geo Adventure, and First Ascent, among many others. We spoke about the challenges of capturing images in the field, the importance of being business-savvy, and the obstacles of incorporating filmmaking into the services he offers.
