Mike Wilkinson is an award-winning video director with his company Wilkinson Visual, currently based out of Lexington, Kentucky. Mike has been working in production for over 10 years as a shooter, editor, and producer. His passion lies in outdoor adventures, documentary filmmaking, photography, and locally-sourced food and beer.
If you're anything like me, you've been yearning for the day when a DSLR comes equipped with an iPhone-like OS, complete with apps and fully functional wifi. This DIY doesn't take a DSLR quite to that level, but it's surely a step in the right direction. Using EyeFi cards or tethering is pretty cool, but can still be very limiting. It's awesome to see projects like this being created and shared that open up the possibilities.
Pelican cases have long been an industry standard for top-of-the-line protection of cameras, lenses, lights, hard drives, and all other forms of fragile video or photo gear. Their new “Air” line of cases bring that same protection, but at a lower weight. I got to try the Pelican 1535 Air out and see how it performed on a travel video job.
French outdoorsman Sebastien Montaz-Rosset likes to play in the mountains. He discovered a second passion while there, which was shooting photos and videos. Sebastien has made some amazing pieces, especially for not having any formal training. Check out the videos in the full post to see his unique approach to getting some creative shots for his adventure films.
I recently wrapped up a kickstarter project that was trying to raise $10,000 for the production of a documentary film. During its 30-day run, and weeks of planning that went into it beforehand, I got my own crash course in fundraising and marketing. I’ll share what I learned in this article.
The RagLite LED systems are a product seeking backing on Kickstarter to do a production run of what appear to be LED strips on fabric that can be rolled up, powered by battery, are waterproof, and claim a CRI of 95. With several rewards being offered, including various sizes of their light, they seek to raise about $25,000. Read on for their video and more information on these unique lights.
If you’re anything like me, you’ve got hard drives full of footage from personal or other non-commercial projects, that don’t serve much use once the project they were shot for is completed. I’ve considered trying to license it as stock footage, but never really taken the time to do it. After checking out the site Nimia and interviewing one of their staff however, I decided to give it a try.
With hopes of saving at-risk environments and capturing them before they are gone forever, a team of 15 timelapse artists have decided to join forces and create a feature film. Eric Hines, Michael Shainblum, Drew Geraci, and Joe Capra are just a few of the names on the "CodeX" roster. They are crowdfunding to try and make this project a reality, and I spoke with team member Ben Canales on why this project matters.
Stories like this make me shake my head. A public school in Detroit had a couple professional video studios built, about 10 years ago, outfitted with high-end cameras, switchers, lighting grids, and more. However, it seems that they forgot to build a curriculum to teach students how to use it. In this local news report, reporters and commnity members are again asking questions as to why no students have been allowed to use it, ever.
4K video camera systems are now quickly becoming prevalent in the market, and with even more on the horizon, it's a safe bet to assume that many filmmakers stepping up to 4K aquisition will be investing in peripherals and other accessories that are needed to capture and edit at that resolution. One of these expensive extras comes in the form of CFast 2.0 cards. Before shelling out for one though, check out a product that instead, lets you record to much less expensve SSD drives.
I’ve been a user of the original One Man Crew for many different videos. It’s ability to get elegant motion video clips have made it a go-to piece of gear for when I need my interviews to have an interesting look to them. When I heard that an updated version was being released, I was excited to see if a few issues were fixed. In this gear review, I'll break down what is fixed, and what left me wanting more.
No stranger to unique and challenging photography pursuits, Ben VonWong's latest adventure sent him across the Western United States in search of summer thunderstorms, with an entourage of assistants, filmmakers, and models helping along the way. VonWong shared this behind-the-scenes video, but also some insightful information as to the conversation he hopes to start– one about the seriousness of climate change.
Any resource that explores the art of film and video editing I find utterly fascinating, and this video is a fantastic example of just that. Director/Editor Joey Scoma of Rocketjump Film School created this video that explores many of the different ways that editors can go from one shot to the next.
Any seasoned filmmaker or photographer will tell you that it’s not the size of your camera, sensor, or lens that matters, but how you use it (or craft your supporting elements like lighting, composition, etc.). But what I’ve come to realize is that size does matter– because impressing a client on set is just as important as impressing them with the final product.
In this informative video from Jay P. Morgan of The Slanted Lens, Jay goes back to the basics to show off the principles of light, and how they affect a sphere. Whenever a light is added to a subject, five things happen, and this video explores what is created, and how to control it, which ultimately will help you to craft your final image in a photo or video.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.