There are two types of motions in video that look similar, but are accomplished in different ways, each having a unique effect on the audience. One of them incorporates moving the camera on a track. The other uses the optical zoom of the lens. In this video tutorial you will learn what's the difference between those techniques and when to use them.
Shooting a beauty video is not quite the same as shooting beauty portraits. While in still photography there is a single frame, in video you can use the power of the moving image to tell a superior story. Here are three cool techniques that help to create this beauty video clip all in camera.
Have you experienced watching 30-second clips that felt long and boring, while some 10-minute videos seemed engaging and interesting? It's not always about the length of the footage. It's about how you tell the story.
Do you remember Adobe's Creative Suite or CS? Yes, it was that family of Adobe applications that served creatives well for quite a long time. We used to buy perpetual licenses for applications from the Creative Suite, which felt like you really owned something. You paid and it was yours. Well, Adobe says you can't do that anymore.
I've heard stories of clients who said that. They feel the service of a certain photographer is way too expensive, as to them, it's merely clicking of a button. I tend to agree with many who say that.
Tripods, jibs and sliders; they all require an attachment mechanism for our cameras and different brands provide different mounting plate standards. A small company, edelkrone, based in Czech Republic claims to provide one universal piece of gear that allows to attach your camera to any mounting plate.
Visual and special effects have a long history; they've been around since the dawn of filmmaking. Here are some great examples from silent films where the techniques used behind the scenes are still relevant today.
Someone once said that "Your first 10,000 photographs are your worst." This means you have to take lots of pictures to get better in the craft. I don't agree with that. Improving your photography as well as videography skills is often compared to an athlete training. The athlete regularly repeats a number of exercises for certain muscles. Musicians are the same. They train their abilities to play musical instruments by repeating sound sequences and so do singers. All these disciplines repeat and repeat what they do. It has to be the same with photography, right?
The story in a film is, and shall always be, king. But without good visuals the story may seem incomplete. We must admit that sometimes a film is worth watching only because of the imagery. Despite the mixed opinions on how good each of the Star Wars films is, there's some great cinematography that's pleasing to the eye.
Cinema glass has always been way more expensive than still camera lenses. Combined with the cinema camera sensors these high end lenses provide an image that's far superior to DSLRs capable of recording video. But yet, there are decent films created with DSLRs with still camera lenses. I'm not going to compare the glass quality here. I'm about to talk only about this peculiar T-stop measure on the cinema lenses while still camera lenses have an f-stop. Why should they differ?
The megapixel war is almost over for still digital cameras. But we see another battle started, the same one for digital video cameras. All camera manufacturers are now marketing their 4K, 6K, and 8K devices, including phones. 2K starts to look quite old school, but is it?
Right before the new MacBook Pro 2016 release, FStoppers published an article about the laptop's performance when working with 5K ProRes video footage. It wasn't clear what exact model was used, nor was it said what kind of tests were performed. Now, in the post-release era, we've had a chance to see how the new laptop performs against the older 2015 model in a display-by-display battle to help better evaluate whether or not it's actually worth buying.
It's different in cold weather. Your clothes are different, your car tires are different, working with subjects is different. You should also handle your gear differently.
Yet another challenge for you, gear fans. There is a nice short film shot with an iPhone 7 Plus and a RED Weapon. You watch one of the versions. Can you tell if it's shot with a $50,000 camera or with a sub-$1,000 one?
'The Concert,' a painting by the famous artist Johannes Vermeer, is one of the masterpieces of the Dutch painter. Unfortunately it was stolen in 1990. All his paintings are so skillfully created with quite remarkable understanding of light as intensity, shape, direction, size, and color. It's exciting to see what would happen if a photography master is asked to recreate this painting using Photoshop, images from a stock library, and his extensive knowledge of light and color.
Although you read it on a website related to photography and videography, the information in this article can be applied to many other businesses. What I'm going to share is based on my own experience, not based on marketing books. I will not teach you new psychology tricks on how to sell mediocre products or services, nor will I give you X steps to follow blindly in order to have a successful business. I will try to give you advice to help you correctly estimate your business value and set a price accordingly.
Being a celebrity photographer means you have access to interesting subjects, and you may have the new and cool gear. However, this is not the key to make iconic portraits. A great photographer can get the job done with almost any gear that works properly. What would you say when you see someone shooting with natural light when they have Profoto equipment at hand?
Being a long time Lightroom user has helped me have a well polished workflow for my photography projects. So why should I bother trying Capture One Pro?
Thin, new MacBook Pro. Elegant design. Pure jewel. Lack of legacy ports? Well, OWC comes into play to help those in need offering a Thunderbolt 3 Dock. However, sometimes this could be too much for what we actually need.
The new MacBook Pro's release has stirred the Internet with a mix of positive and negative reactions. We've seen praising and hating. We've seen reviews claiming faulty ports, cables, and adaptors. We've seen the fancy videos. However, there are still few real-life experience reviews from working pros. Here's one of them. It's quite intriguing.
It's not your average audio editor. Adobe is working on a piece of audio manipulation software that has a peculiar artificial intelligence built in. It's so smart that it allows you to fix verbal mistakes in a way never seen before. This functionality can be so helpful and, at the same time, massively abused.
The logo. That simple stylized image that is supposed to help people to recognize you. It's one of the first marketing moves you do when you see yourself as a not-just-a-camera-owner-anymore. But why do you do it?
If you are like me, a filmmaker who tries to do film magic on a budget, you probably keep an eye on certain professional video cameras waiting for that price-drop moment. But what if there's another professional camera at an already lower price with similar quality? Do you wait or buy the cheaper one?
There's nothing wrong with saying your opinion when it has sound arguments. It is normal to have different preferences when it comes to photography style, lighting, gear, and post processing. However, many times people don't put themselves in the shoes of the author and don't know if there was a pebble during the photoshoot.
From a personal experience I've found that the more mature the person is, the more honest the portraits are being captured. These people have seen it all, especially celebrities. They are not camera shy. It's a privilege to work with such subjects. You can't have a bad photograph of them, yet you need to make history by capturing an iconic photo of that person. In this behind-the-scenes video, Celebrity Photographer Mark Seliger captures portraits of legendary singer Tony Bennett on his 90th birthday.
If you have photographed a subject with and without a grid modifier, you have probably noticed your power output is much lower with the grid on. This causes a less-exposed subject, forcing you to increase your light power to compensate.
Remember that first time you've looked at those dream portfolios? How did they happen? You've probably compared your portfolio against those and thought, "How would clients put their trust in me for something as big as that?" The hard truth is, those dream-portfolio photographers had a great website issued by the hospital they were given birth at. Face it, if you don't have your portfolio website printed on your birth certificate, you won't ever have one. Of course that's not true.
Even though she doesn't have a professional portfolio website, her name is widely known. Annie Leibovitz has done yet another nice shoot. This time it is for a Lincoln Continental campaign. Her style is very distinctive — both working with the subjects, lighting, and post processing. Although her lighting is simple, many photographers find it hard to achieve such a look. There are details that are not obvious if we look only from the technical side of her work.
