Articles from Ryan Cooper

I began my journey as a portrait photographer quite obsessed with the premise of blasting large studio strobes through giant modifiers. It was my workflow for years. In studio, I'd usually be washing my model with giant waves of light and on location I'd lug big, powerful strobes along with huge lengths of extension cords so that I could plug in and not bother with heavy battery packs. About a year and a half ago I stopped using my big strobes completely and eventually ended up selling them in favor of completely switching to small flash.

As a photographer who happens to live in Canada, shooting in the winter for me often means braving the snow. The problem with snow is that it means facing the cold. As the photographer you are more that free to bundle up in order to stay warm. However, the model often is much more limited by wardrobe which is an excellent recipe for hypothermia. Goose bumps are an utter pain to retouch so my best advice for you is to come prepared to keep your model reasonably warm.

As photographers, many of us are obsessive gear heads always on the hunt for the holy grail of glass. No lens is good enough, we have this mysterious idea of a perfect lens in our imagination that no company could possibly ever actually create. There are, however, a ton of fantastic lenses out there that many photographer would never give a second thought that are more than capable of bringing magic to your next shoot. In this post I'm going to cover three of my favorites.

Portrait photography comes with a tremendous sense of anxious pressure that most other forms of photography do not. The nature of working with a living, breathing human that brings with them strength, weaknesses, and expectations can be enough to trouble many new portrait photographer. A shoot filled with anxiety almost never works out. In fact, the anxiety itself is far more harmful than anything that a photographer could possibly be anxious about.

The dreaded 2016 has come to an end and from the ashes has risen a brand new year filled with creative opportunity. Everyone wants to be better this year than they were last year, no matter what year it is and 2017 will be no different. Improvement, however, doesn't just happen, it begins with a plan. If you don't have one, you need one. Antoine De Saint-Exupéry once wrote: "A goal without a plan is a wish." He was right, stop waiting for a road to being a better photographer to reveal itself and instead start paving one for yourself.

If I had a nickel for every time I encounter a photographer who is preparing to sell all their gear and jump ship to another camera brand I would actually be able to do so myself. Except I wouldn't. Swapping out camera brands based on some ill-conceived belief that it is the brand of gear you use that is holding you back will do nothing more than lighten your wallet and force you to spend a chunk of time relearning a new interface.

The magnificence of 2016 is about to come to and end and with it comes a throng of New Years resolutions, most of which will be broken by mid next week. Many New Years resolutions, however, are quite useful and beckon for positive change, while others can be more damaging than beneficial. Today we are going to take a peek at some of the most common, and also most useless new years resolutions that seem to come about each year.

This week, ON1 Software released their new Photo RAW 2017 processor. It functions as both a raw processor and a simple editing workflow that can be used as a standalone application or as a plugin within various other editing applications such as Lightroom. In this article, we will take a quick look at Photo RAW 2017 in order to provide some first impressions on what ON1 is touting as one of their most powerful tools to date.

Christmas is two weeks away and you are probably starting to panic about your lack of gift buying progress. Have no fear, Fstoppers is here! The stocking is a perfect opportunity to make your resident portrait photographer's Christmas magnificently jolly as there are so many wonderful little toys that fit into an oversized sock. In this post you will find an assortment of fantastic small pieces of gear that will stuff any photographer's heart full of joy this holiday season.

Every photographer worth their salt has had that moment when they get a message from an excited friend who just bought their first camera. That friend is absolutely thrilled with their purchase and has become starry-eyed with the prospect of all the amazing photos they will soon create. There is only one problem: they know nothing about photography. That is where you come in. You have the opportunity to mentor them and create a shooting buddy for the indefinite future, so get it right!

Creative Cloud has become a staple of nearly any photographer's workflow. The version of Creative Cloud designed specifically for photographers is a sensational deal in itself, offering access to both Lightroom and Photoshop for only $9.99 per month. Today you have an opportunity to drop a quarter off that price bringing it down to an impressive $7.50 per month. B&H Photo is offering a 25% discount on an Adobe Creative Cloud for Photographers one year subscription. Act immediately to take advantage of a great offer that expires at 11pm PST on December 1st, 2016. 

One of the biggest industries in photography is that of photography education. Photography is a very difficult craft to learn without help, and as a result, almost every aspiring photographer must invest in some sort of education source at some point. Fortunately, this demand has created a massive market of educational content that can sometimes feel overwhelming, especially to new entrants. In this article, we are going to go through the various educational options, including the pros and cons of each.

Recently the group behind Papercut Magazine announced that their photo critique website Reveu.me has been transformed and re-launched as a subscription based photography education platform. Backed by a host of highly respected educators Creatr promises to add new voice to an already tightly packed space. On the surface Creatr looks quite promising but the big question will be if the quality of their content is worth considering over the other subscription education services on the internet.

Take a peak into any photographer's bag and you will find a tightly crammed mass of odds and ends designed to help during virtually any shoot. Most of these extra pieces of gear are directly photography related, but sometimes we encounter a few non-photography gems that are certainly worth making space for.

In preparation for my most recent flight, the airline sent me an update on their new baggage regulations in regards to batteries. Going forward, some airlines will be imposing new rules when it comes to flying with batteries. These new regulations are especially annoying to photographers as we not only tend to often fly with batteries, but we also like to bring along several sets of backup batteries as well.

Photographers love gear, so we tend to get somewhat upset when gear goes missing. Not only is gear quite expensive, but it often worms its way into our hearts. Our gear often becomes a pride and joy. As a result we want to avoid losing gear as much as humanly possible. Here are some of my favorite strategies for making sure that all my gear comes home with me after every shoot.

Have you ever bemoaned the lack of great subjects to shoot with in your area? Ever cried in exasperation while struggling to come up with concepts? Those complaints all go out the window in mid-October when virtually every city in the world that celebrates Halloween explodes with wonderful photo opportunities.

The cult of chasing the most interesting, characterful bokeh is as strong as ever. A trend has begun to take shape that involves feverishly hunting for older, unique lenses to be brought revived with the help of modern optical quality, as an alternative to many mainstream lenses which tend to prioritize optical perfection over distinct character when designing lenses. A month ago Meyer Optik added a new competitor to a quickly growing market by launching a Kickstarter for a 58mm f/1.9 lovingly named the "Wonder Bokeh."

Joe McNally once said: "the easiest way to take better photos is to point your camera in the direction of more interesting subjects." One of the most common challenges photographers face is finding incredible people to work with. There is a misconceived belief out in the world that convincing amazing talent to step in front of your camera is actually really terrifying and hard. Fantastic talent is always looking for the opportunity to create new images to toss onto social media, and thus is always looking for great new photographers to work with. 

This week a new social network has really started promoting itself and seems to have amassed a fairly active user base, very quickly. Candid is an elegantly designed micro-blogging tool designed to focus discussion around specific topics rather than users, with the end goal of keeping everyone anonymous. The big question is, will it last or is it another wannabe network to be ignored? And most importantly, as photographers, is this a network that should be on our radar?

I recently had the opportunity to try out Lexar's modular workflow line of products which is an array of modular components that fit into a multi-bay, hot-swappable hub that connects to your computer via Thunderbolt or USB 3. After spending a few weeks with this interesting product, here is what you need to know. In this review I will be covering the hub itself, along with the SSD, SD Card Reader, and USB Hub modules.

There was a time when file limits were considered near impossible to reach ceilings. Each was designed many years ago for photos made by cameras with single-digit resolution. Times have changed, and unfortunately the formats have not. We now are faced with file size limits that are becoming more and more restrictive as cameras collect bigger and bigger chunks of data with every photo.

I'm a portrait photographer. I think that is pretty obvious by my portfolio being completely full of people photos. The nature of the portraits I shoot varies from time to time, but ultimately I make images of humans almost exclusively. Being specialized is great, and even critical, according to many, in regards to creating a photography career. There really isn't any doubt it in that. However, don't let that specialization bar you from ever trying out other types of photography. 

DSLR makers have developed a rather interesting propensity to focus their R&D budgets on creating the fanciest, most marketable sensors possible. A camera, however, isn't just limited to the scope of its sensor. There are so many other upgrades that could be made that have nothing to do with megapixel numbers. Below are a few straight out of my dream list that likely would be pretty difficult to make work.

It doesn't take a rocket scientist to know how much random, toxic, hate is spewing around the internet. Many sites have even started getting rid of comment sections because trying to moderate so many putrid posts gets exhausting after a while. Photographers are often the target of completely uncalled for, targeted, hateful notes from some of the web's most vile cretin. Learning how to effectively handle these sorts of attacks is critical to maintaining your sanity and resolve.

Beyond the most obvious upgrades such as more pixels, bigger ISO numbers, and auto focus, has anyone noticed that the general feature set of DSLRs really doesn't change very often? I certainly have! There have been, in my opinion, obvious things missing from DSLRs for years that would make me a very happy camper if added. DSLR makers pull out your notepads!

Search Engine Optimization is hard. It may be relatively simple, but it is still really hard. Don't let anyone tell you otherwise. There are always going to be far more people clamoring for the top search rank than there are useful top search ranks to earn. Thus, you must be smarter than your competition. Don't fall prey to some of the most common mistakes. Instead, let your competitors make it so that you can rise and succeed. Here are three mistakes to avoid.

A photoshoot is a high stress situation that can often push emotions to their limits, and lead to conflict that can tear a great shoot to pieces. Part of your job, as the photographer, is to captain the shoot in a way to avoid this sort of thing. Everyone has a responsibility to be professional throughout the shoot but it is you who must ensure that they adhere to this.

I can see it in your eyes! Excitement is brewing for some sort of fancy new lens or the latest camera body that breaks all the megapixel records. I know because I do the same thing! Surprisingly, though, in my experience it isn't the latest, fancy, glass that truly improves my photography, rather, I've found that making the right small upgrades tend to have a much more profound impact as they make the act of doing photography so much less of a hassle. Which, in turn, frees more of my focus to attend to the images I'm creating rather than fighting with gear which is refusing to perform.

Photographers can often be lumped into two distinct camps. The first is the "what" group which is represented by people who study their craft and follow tutorials as if they are a scripted set of instructions never caring about anything other than if the technique works or not. The second group is the "why" group who study their craft and follow tutorials while also striving to learn about why what they are learning actually works. The second group has a tremendous advantage over the first as their deeper understanding of technique gifts them with far more versatility than those who simply collect a library of preset recipes with little care as to why those recipes work. 

It goes without saying that creating a comfortable, safe environment while shooting beauty photography can go a long way towards building a strong working relationship with your model. Comfortable, however, is what I'd define as the "barrier to entry." What you really want to do is go beyond that by giving your model a slight boost in confidence. By building up the model's self-esteem you get her thinking positively, and that state of mind leads to fantastic moments which create a genuine spark of expression. 

Nearly every day I am hearing about some pseudo-horror story from a model or client about a shoot that went missing because of some technical problem after the photos had been created. Nothing is more frustrating than working hard to create the images that your client wanted only to be unable to deliver on time (or at all) because of some unforeseen technological problem that derails your entire process. As a professional you need to be prepared for these sorts of surprises before they happen so that you can always be ready to pivot and still deliver on your promise.

Recently, Ted Forbes over at The Art of Photography posted a rather interesting video that challenges the pervasive axiom of the artistic world that the action of making art will inevitably translate to an audience valuing and appreciating your work. Forbes asserts that our society is so saturated with creative content makers that it is nearly impossible to create photography that people care about unless you are pushing beyond the normal limits and expectations of what is already present in the world. I agree with this on the surface; however, I also feel that it doesn't tell the entire story.

The Neewer Flat Panel Reflector is a great tool designed for those looking for the benefit of something such as a V-flat or large reflector frame without the bulk of having to haul them around. The Neewer Flat Panel Reflector is basically a 3 foot by 6 foot wind sail that you can use as reflector or flag during virtually any shoot. At $69.99 the Flat Panel Reflector offers fantastic value for an innovative new light modifier to add to your arsenal.

As a group, we photographers tend to like to do everything ourselves. I think it is something about depending on someone else that pushes against our most basic instincts. However, great portrait photography is always a team activity. This team can range from just you and your model all the way up to a full production, but one thing remains consistent: without a team, there is no photo.