At an event this morning in San Francisco, GoPro unveiled its latest flagship product, the GoPro HERO6 Black. The HERO6 boasts an impressive new set of features that marks it as a distinct update to the GoPro HERO lineup. In addition to the HERO6 Black, GoPro also revealed the Fusion, a revolutionary new action camera designed to capture spherical video.
If I had a nickel for every time I witnessed a photographer missing out on a great photographic opportunity in the name of fear, I'd be a rich man. Fear is one of the most powerful forces that holds us back in our lives. Fear of failure, fear of rejection, fear of embarrassment, or fear of injury all play a huge role in our decision making by clouding our rational judgment. By letting fear control us we let it define the limits of what is possible. Never let fear play a key role in the creation of your art.
The vast majority of photographers often flounder in a state of perpetual mediocrity wondering why their photos aren't getting better. They invest thousands of dollars in gear along with hundreds of hours of practice only to see what amounts to the most minimal of improvements. One of the most often overlooked characteristics of great shooters is that they never complacently accept that "good enough" is an acceptable metric in relation to their photography. Being picky enables great photography.
Most photographers use their cameras on a daily basis with little or no thought to how it functions under the hood. For the most part, this makes sense, mastering a tool doesn't require understanding exactly how it functions on the most intimate technical level. There are, however, aspects of camera operation that a cursory knowledge of can aid in being better equipped to address unexpected technical or mechanical issues. Given that autofocus can be finicky, it quickly becomes one of the critical aspects of your camera that you should take the time to learn about.
So, you want to chase a career in professional photography and have managed to build yourself a respectable portfolio that you can begin to use to market your talent. The next step in building your credibility as a professional in the space comes in the form of crafting a web presence that reflects the brand of a seasoned pro. You need customers to see you as someone that really knows what they are doing and is serious about every aspect of your brand. A big part of this aspect of your brand is your own personal website. Social media is fantastic for expanding your influence but it lacks the intimacy to fully represent you. You need a website and that website had better make you look good!
Here we are, another year has gone by and we have just enjoyed the release of yet another camera that is "certainly" the most amazing thing since sliced bread. This new camera comes with promises of wondrous grandeur that are only cemented by the inevitable implication from its maker that it is the camera that will help you create truly better images than you did before. This is, of course, nothing more than marketing hype designed to get you to spend your money.
When first getting started, photographers often become mesmerized but also overwhelmed by the sheer scope of learning they must do to figure out all the various new gadgets and doohickeys that they have recently acquired. Usually, this focus tends to be towards more expensive photo-related tools, while some of the seemingly trivial tools end up being cast aside with the thought that they simply aren't worth the effort and can't possibly be all that important. When I was first getting started I wish someone had given me a good shake and simply told me to spend a few dollars and pick up the following tools as they would be invaluable for the indefinite future.
Darkness is one of the most difficult situations to work with. Cameras have come a long way towards improved performance in low light but no light is an entirely different can of worms. Unless your goal is to create more ISO snow than Christmas in Alaska you need to introduce light. Flash is great at pouring some much-needed illumination into the frame but it isn't so great at making sure that your camera is in focus when you do so. Even the best autofocus system in the world continue to struggle in the darkness so, as photographers, it is our job to stack the deck in our favor by leveraging strategy to give our focusing systems a leg up.
As photographers, we often pour endless hours into every possible method of learning to become better through the study of our craft, practice, and an ever increasing collection of supposedly quality redefining gear. In this dogged pursuit of photographic excellence, we often forget about the far more simple aspects of our lives that can have a tremendously profound impact on the quality of our work. By forcing ourselves to take a step back and focus on the foundational aspects of our selves that allow us to maximize our performance, regardless of the task, we are able to expand the potential of our work to new levels.
Color grading is a critical tool involved in the production of a truly impressive image. Through the use of grading a photographer can completely shift the impression a given photograph leaves on its audience. Learning color grading, however, is quite difficult as it is one of the most ethereal aspects of a post-processing workflow that can vary radically from photographer to photographer. The best method, in my opinion, for learning to master grading is by learning as much theory and as many techniques as possible so that you can leverage that knowledge to create the workflow that works for you.
Contrary to delusional beliefs, not everyone is hooked up to a high-speed connection capable of streaming 8k video at magnificent buttery smoothness. Extremely fast connectivity is an amazing thing that is still out of reach for the vast majority of users. You can't assume that the viewers of your website are going to be piloting a computer hard-lined into the latest fiber optic goodness. Instead, we have to optimize for the most common user in order to give them the best experience possible without sacrificing image quality.
Recently, Adobe sent out a survey to users inquiring about their most common performance gripes in relation to Lightroom's notoriously sluggish behavior, even on high spec computers. Today, Adobe has released a new update to Lightroom that is meant to address some of these performance concerns. We quickly installed it to see if any of Adobe's claims are true.
I'm probably going to get a smidgen of heat for this one but I also feel it is one that many photographers need to seriously reflect on. At its core, photography is not a good business model. For the vast majority of photographers, the pursuit of photography of a career is a calling driven by passion. We can't imagine spending our lives doing anything else so we chase an industry that is vastly oversaturated with supply. If that is you, great, but if working on your photo career feels more like clocking into an exhausting day job then you are only settings yourself up to destroy your hobby by trying to transform it into a career.
Photographers often treat color grading as a trivialized aspect of their workflow. Something that they only worry about once the image is complete and with no greater attention than flipping through a series of filter presets in whichever their flavor of the month plugin happens to be at any given time. Instead, obsessive time and attention is paid to aspects such as cloning, dodging, burning, sharpening, liquefying, etc. Colorists in the film industry have known for years powerful color grading is critical to great filmmaking. Directors know this as well, which is why colorists often enjoy a massive, expensive, personal theater filled with an impressive array of tools to grade the latest mega blockbuster.
Lensbaby has revealed the next lens in their new "Velvet" lineup. Following on the heels of the Velvet 56, the Velvet 85 is set to offer a similar optical effect to its 56mm cousin re-purposed into the classic 85mm focal length. Like the Velvet 56, the 85 continues Lensbaby's timid new steps into more traditional lens designs featuring standard aperture and focus rings.
In February, Sigma announced a cadre of new lenses including a 24-70mm f/2.8 DG OS HSM ART and 14mm f/1.8 DG ASM ART. Sigma now has revealed prices along with the opportunity to pre-order. At reasonably competitive prices for both of these new additions to the ART line it suggests they will mimic the quality photographers have come to expect from ART lenses over the past few years.
In an era when working on 30 megapixel and higher images has become the norm, a Photoshop document with dozens of layers can quickly become a burden to work with often slowing to a painful delay after each stroke of a brush. The simplest solution is to constantly be crushing those layers down into a single flat layer but this method is the antithesis of non-destructive editing which can make future client feedback rather difficult to implement. Instead, lets focus on few easy tricks you can do to keep your computer running smoothly during the most complex of composites.
Climbing is a sport that has existed for centuries, however, over the past few years it has started to skyrocket in popularity, rapidly becoming a mainstream activity. So much so that even the folks at the Olympics have noticed and added it to the docket as a new medal event in 2020. With an increase in professional climbers competing at the highest level also comes a need for photographers who are able to capture this impressive sport. Christopher Beauchamp is one of the sport’s leading shooters and was kind enough to chat with Fstoppers about his career.
Photographers tend to bemoan that everyone's seeming belief that they are a photo critic. Event though the vast majority of people aren't really experienced enough or aware enough of what makes a good photo to be taken seriously. This position is often weakened by the fact that even top photographers generally can't agree on what makes a great photo. I'd propose the argument that the average viewer actually is quite aware of what makes a great photo while the nit picks of us pros more often than not have little to do with photographic greatness and more to do with photographic elitism.
ON1's relatively new to market Photo (RAW) 2017 has pushed their first major update into beta which Fstoppers managed to get our hands on for an early review. In December, we took a look at the original launch of Photo (RAW) 2017 and were impressed by many of the features but ultimately felt that it did not offer enough benefit to recommend switching to over existing raw editors. With this latest iteration ON1 has promised a series of impressive new features that it feels will launch it into contention as a top tier raw editing tool.
There is no shortage of educational material on the market for getting started in virtually any industry of photography. Moreover, fashion is one of the most crowded spaces in regards to this sort of education which can mean the volume of repetition offered from one educational video to another can become rather tiresome. In contrast, when an aspect of fashion photography sheds new light on an often ignored aspect of the industry, the viewer can enjoy a refreshing new look into well-covered ground.
Have you ever watched a Marvel Avengers movie wishing you had your own personal AI just like Tony Stark? At Google I/O 2017, Google CEO Sundar Pichai revealed a new technology lovingly branded "Google Lens" which aims to bring mankind a breath nearer to each person having their own personal Jarvis. Google Lens is a new technology designed for Android devices that allows a user to point their camera phone at any object in order for contextual information to be gathered about that object and to convey it back to the user.
StudioBinder is a web-based tool designed to help manage any creative production. Whether you are a photographer planning a shoot with a small creative team or a world-class producer looking to manage your next billion dollar box office hit, StudioBinder promises to help make your production run smoother with its suite of handy tools. Lets find out if StudioBinder meets the bar set by its lofty claim of being the world's leading production management software.
Recently I found myself setting up lighting for a headshot session only to find out my flash was stuck on full power. The "on" switch for the flash worked just fine and it fired as normal but all its buttons simply didn't work, presumably because they were worn out. I had several backup flashes back in my truck but I wasn't looking to make the client wait while I walked back to where I parked, so I figured it was a good time to flex those problem solving muscles and make the shoot work with an un-adjustable flash.
Photographers today are the first generation of image makers who are entering an industry completely dominated by social media. Over the course of the last decade, social media has utterly surpassed virtually all other forms of marketing and has quickly become a dominating factor in lives of a huge part of the population, especially photographers. Social media use, however, suffers from some pretty severe implications that can have a limiting factor on the quality of work a photographer creates.
Shooting fashion can be a whirlwind of activity as you try to corral a team of creatives into constructing an amazing array of images. More than with any other type of shoot, I find that things have tendency to go wrong during the course of the fashion shoot. As the photographer, it is your job to not only be prepared for these things to happen, but also to be fully equipped to solve the problems as they come up. Below you will find a series of things I like to keep in my camera bag that are often saviors during a shoot that seems to be going belly-up.
Another day, another new camera has been announced. Most of the time the latest and greatest doesn't actually solve any real world problems or improve the shooting experience for the average photographer in any way. That said, camera makers have become rather adept at writing specs sheets designed to make you think that the latest and greatest in camera tech will revolutionize your shooting experience and thus, in turn, your work. I call hogwash, especially in terms of some of their favorite specs that they use to hide the fact that you really don't need a new camera.
Spring has arrived, which means the time for gorgeous golden hour shoots in wonderful weather is nearly upon us. Sunset (and sunrise) are indisputably the most consistent crafters of amazing natural light for portraiture. The warm soft glow of the sun as it falls towards the horizon not only creates fantastic atmosphere but also some of the most flattering light that can be found. For portrait photographers the golden hour as the sun rises or sets is the perfect time to shoot.
As photographers, part of our job often involves making a relatively unexciting location into something exciting. Everything from subject to exposure to framing plays a part in this transformation but one often overlooked tool at a photographer's disposal is color. By adding color to a scene with the use of gels a photographer can bring an uninteresting scene up a notch by creating ambiance and drama.
Being able to preserve the ability to alter any of the edits you have already made while working on a photo is critical to ensuring that you are able to maximize the influence of your creative vision on a photo. There are few greater frustrations than realizing that an adjustment you have made was not quite right but it is so far back in the history that it cannot be altered without starting over. In order to avoid such situations it becomes quite critical to build an editing workflow designed to let you make alterations at any time to any aspect of the photo without the need to start over to undo work.
Model Mayhem was the website that more than any other helped me find models to work with when I was just getting started with portraiture. Starting this month, Model Mayhem has updated its subscription service going far beyond offering perks as it once did. While the update is being touted as an improvement, photographers using Model Mayhem are likely going to be quickly re-evaluating if this service is one that they are interested in continuing to use.
Every photographer is always on a quest for sharper photos, but many only have a vague idea of how to actually create sharper images. The obvious is fairly well known such as high shutter speeds, closed down aperture, keeping ISO low, etc. There are also quite a few other minor techniques that can make a huge difference and are often ignored.
First impressions are everything, and your website is often your first chance to make a great impression with a potential client or fan. Unfortunately, most website portfolios are pretty rough. I will try to skip the obvious and avoid telling you about having a nice design or great work, instead lets focus on some of the things that are a lot less obvious but also super important when it comes to putting your best foot forward.
Apparently issues with memory cards are quite common, even among Mac users. Personally, I almost never have issues but I happen to also be the guy all my friends flock to each time they are having issues with photos on cards. In this post I will share a few strategies to help you avoid a headache when dealing with memory cards.
We Photographers sure love our lenses! So much so that the previous article of a rather similar name received so much love that I couldn't help but write a follow up. The world is filled with amazing glass that doesn't have to completely bust the bank. Sure we all want that new Nikon 105mm f/1.4 and certainly the enormously priced brand new Nikon 70-200mm f/2.8E but do we really need them? I'd argue probably not, the market has an enormous selection of great lenses, many of which are cheaper and offer exactly what many photographers need.
