Anyone that has used a gimbal without a support harness for longer than a few hours knows that it can get exhausting, and stretching the use longer can be downright painful. Now, many people will say: "hey, why don't you get a Support Vest to take the weight?" That is a viable option. However, with those systems, you're frequently locked into a height, and you don't have the opportunity to change from a low level shot to a high level shot. Even shooting freehand, you're only able to get as high as your arms will reach.
Before the digital accessibility of today's water resistant action cameras, there was the 35mm format wonder, The Nikonos Calypso. Many are familiar with this analog, water photography staple. Generations of photographers grew up cutting their teeth for surf photography wielding these water tight beauties. The cult following of the fantastically simple camera has produced catalogs of breathtaking imagery, iconic of an era. The Nikonos Project has been a driving force in maintaining the modern revival. The young project encourages incredibly talented surf photographers to hang up the digital gear in favor of a less forgiving, more rewarding form of capture.
Camera straps are about as ubiquitous as cameras themselves. If it weren't for the dreadfully uncomfortable ones that come with most cameras, you'd think they're pretty hard to get wrong. Most third party ones are at least adequate, or better, so what can someone do to stand out? We've spent the past month with four custom hand-made-to-order leather straps, in the form of a wrist strap, two neck straps, and even a unique TLR strap from the Deadcameras lineup. Do they have what it takes to stand out in an endless sea of straps? Let's find out.
In this video, Guadalajara-based Photographer and Retoucher Sid Vasandani, shows us how to recreate that classic Steven Meisel vibe, used in his controversial campaigns for Vague Italia's, "Makeover Madness" and "Supermodel Enter Rehab". Watch as Sid walks us through a behind-the-scenes shoot, where he runs down the lighting set up, before going into an in-depth explanation of the retouching and color grading workflow in Photoshop.
"What lens should I buy?" It is the question I have seen countless times over the years in so many forums. It's the question I get from friends — the never-ending question. There is only one problem: the lens you should buy really all depends on you! What lens do you love? How do you like to photograph? Where do you photograph? Do you have space to back up so you can use a long lens? What do you like?
Westcott is known for their amazing lighting products. Not only do they have great lighting modifiers and lights, but they are also constantly coming up with new technologies and products that make life as a photographer easier. Their new line of flex lights promises to do just that, but how do they perform in the real world?
When it comes to art, being creative is always a good way to stand apart from your competition. One day, I was browsing through something and saw that Airbnb put up an ad for a film festival. In the ad, Matty Brown was there talking about what it was all about. I was interested in seeing why Airbnb chose him to work with them on a project like this, so I checked out some of his work. I was blown away.
I recently posted an engagement photo in a Facebook group and immediately got a comment on it. The comment said: "Awful expression on her face... would not keep this picture." Although I have pretty thick skin when it comes to snide comments and CC on my images, this comment really got under my skin.
Some photographers call themselves artists, some photographers only think they’re photographers. Regardless, we all aspire for success. Maybe that means finding your work in galleries or gracing the cover of Vanity Fair. Even if you aren’t a photographer (how did you get here?), everyone strives to succeed. It’s different for everyone, that’s why it’s a difficult thing to chase. It’s tough to advise someone on how to succeed if you don’t have the same dream. There is, however, some common ground. Casey Neistat, the master Youtuber, shares his mantra, his guide, and what seems to be his daily lifestyle for pursuing his dreams and succeeding.
After receiving almost 300 submissions to my previous raw file challenge (inspired by Dani's post last year), I decided to cap the entries at 200, because why not, and also put out a second raw file and an all new challenge. This time, with a shot of model Anna Truett, shot inside the Union Station Hotel convention area in St. Louis.
Recently I babbled on and on about shadow and highlight recovery using raw data in Capture One Pro, something I still fully endorse and recommend you do in your post production work when recovery is needed or wanted. However, feedback and practical thinking made me create a simple Photoshop Action that sets up one of my more common methods for simple shadow recovery, but in a refined and manual way.
Conducting a smooth running photo shoot is a challenge. You need to create the right set conditions, manage the equipment, and deal with the models. Thankfully, there are several steps you can take in choosing the right models, while providing them with a relaxed and smooth-running environment. Having relaxed models can make or break a photo shoot because they’ll give you a more natural performance, which translates into memorable photos. Here are ten tips for working with models and managing the set in order run an efficient shoot and produce natural imagery: