Recently, I have been experimenting with creating a sort of more intense style of headshot for certain clients who are interested in a more surreal, vibrant, look to their headshot as opposed to the more traditional headshot which is designed to to more closely emulate realistic lighting. The heavy cross-light look uses powerful lights that are positioned perpendicular to your the main light to create a strong highlight to the side of the face while living a distinctive shadow down the subject's cheek. Heavy cross-lighting can do a great job of building a sense of three dimensionality without sacrificing the soft, flattering, feel of a traditional headshot.
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
Our next episode of "Critique the Community" will include any automotive imagery, cars, motorcycles, engines, or other vehicles. The above incredible image by Digital Macdaddy should inspire you to submit your best automotive photos below! Please get in your submissions by Friday at noon (EST) and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify you must follow the submission rules below.
With a concept of traveling back through your childhood and experiencing that care-free, fantasy world of "pure imagination," Permagrin Films has put together an incredible time-lapse music video. In the article below, there's a full behind-the-scenes video and the producers of the film answer a few of my questions in a brief interview.
While some physical improvements with Spotlight, Photos, Safari, and other Apple apps are definitely welcome with today's new OS X release, perhaps the most exciting aspect of El Capitan are the under-the-hood improvements for performance gains. There’s no need to explain how time-saving performance upgrades can be for working professionals — and for those reasons, everyone will want to update immediately. But there are some things to always take into consideration before an operating system upgrade.
Oftentimes, while tending to mundane household or business-related tasks, I glance out the window and say to myself, "It is way too beautiful a day out today for you to not go out and photograph something!" It's a wonderful sentiment that many shooters have, I'm certain. I wish I could say that it is with regularity that I throw my camera bag into the backseat and make some dust. I usually don't.
Quick Reminder! We are having a contest with a chance at winning a $500 B&H gift card! The survey only takes ten minutes. After filling it out you will be eligible to win 1 of 4 prizes and will also guarantee you an Fstoppers Original Tutorial discount. All we need is ten minutes of your time and your honest opinion.
There aren't too many people in the f/0.95 club. Until fairly recently, it was a ludicrously expensive badge of honor, typically worn by Leica-toting physicians and hedge fund managers. After all, the legendary Leica Noctilux 50mm f/0.95 costs just shy of $10,000. Of course, there are some micro four thirds options. But those don't really count, do they? All that changed in April of 2014, when Mitakon announced their "SpeedMaster" 50mm f/0.95. After spending the better part of a month shooting it, I'm almost a believer... almost.
Yesterday we released the iPhone Bikini Shoot, a video in which I do a professional quality photoshoot with minimal gear. The point of the video wasn't to say that the iPhone was a better camera than a professional DSLR, it was meant to inspire photographers to use the gear they currently own to create beautiful images. Obviously the iPhone is infinitely worse than any current DSLR for stills but surprisingly it appears to be a far better video camera than my $3000 DSLR when there is enough light present.
"Oh, this is going to be good," I chuckled to myself. Fstoppers co-founder Lee Morris had just posted an article and video called "The New iPhone Fashion Shoot: Bikinis, Foam Core, and Flashlights." I knew the response would be fast and passionate. I wasn't disappointed.
Always backup your work, and then backup your backups! This opinion is brought to you by the recent news that Oakland-based photographer Jennifer Little lost her "life's work" when 21 hard drives containing over 70,000 photos were stolen from her home. To go along with the hard drives, she also lost eight cameras leaving only one left.
Brooke Shaden is an undeniable force of photographic nature. Not only is she well regarded as a pioneer of modern fine art photography with her dream-like compositions and self portraits, she is often as focused with helping us develop our own work as she is with her own. This week, Brooke throws open the doors to her “Promoting Passion Convention”, which aims to more than your ‘typical’ photo workshop. If you’ve been looking to spread your creative wings and be inspired to create by learning from some of the best in the industry, this could be exactly what you’ve been waiting for.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.