One of the first things I heard when I sat down at a large white table with Light CTO and Co-Founder Dr. Rajiv Laroia and VP of Marketing Bradley Lautenbach was that, when it comes to lenses, plastic is better than glass. Scratching my head for a bit, while searching for some logic, but keeping an open mind (I did ask for a meeting with the guy who decided to put 16 lenses in a small box and call it the future of photography), the meeting proceeded to somewhat blow my mind… if it’s all true.
When people think of visiting the Everglades, wading around neck deep, alligator infested waters isn't exactly what most folks have in mind. For Florida-born photographer Mac Stone, this is what he calls his office. Stone has been steadily developing his work in conservation, particularly of wetlands. He recently gave a compelling speech at a TedTalks event, discussing not only his evocative work but importance of the wild areas he works in.
Today marks the end of a full week at Photo Plus Expo in New York City. In the mayhem that comes with such a large expo, one of the stand out presentations for me was hearing Gregory Heisler speak at the Canon booth on Saturday. I've had the privilege of hearing Greg speak many times and even the chance to interview Greg at Gulf Photo Plus, and each time his presentations absolutely blow me away. In this extended video from BH Photo, Greg discusses how the Canon 50mp 5DsR camera holds up against medium format and large film cameras of the past.
It is no small thing to know how to pose your clients. In fact I don't feel like it's unreasonable to say that it is the hallmark of a competent, professional photographer. Especially when dealing with couples. Most client take comfort in being directed. It helps remove doubt and awkwardness while yielding a far more professional end product. For this reason, posing can be just as important to your final images as knowing what camera settings to use. Besides, it's always more fun for everyone when you can keep the atmosphere carefree, through confident direction and fluid action.
In the digital age, we spend a lot of time in front of screens. Many of us retouch our own work, distribute it digitally, and even only have a digital portfolio. Some sell prints of client work, or fine art prints. And, some get published in magazines. In a past article on reinvigorating your love for the craft, I touched briefly on printing your work, and would like to expand on that today.
The classic straw grid for speedlights; it might be one of the most attempted DIY photography projects. It's a popular project because it works well, it is cheap, and it is incredibly easy to make, but one clever photographer has found an even simpler way to make on of these popular modifiers. Check out this easy to follow video for step by step instructions.
Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.
Our friends at B&H have put together a tremendous list of instant savings in celebration of PhotoPlus Expo! Even if you couldn't attend this year, there are still great offers to be had from home. Many of our favorite pieces of gear and software are included in the promotion.
This week, Instagram released a new app called Boomerang in efforts to grow its need for world domination in the mobile market. This time, they took aim at popular GIF-like apps such as Phhhoto and Apple's New Live Photos. I am a huge fan of Instagram and it has helped me grow my love for photography into something far greater than I ever thought possible, but I have no idea why they keep creating exact copies of already existing apps. Are they trying to simply steal market share? Or, are their hopes to do what Twitter and Periscope did to Meerkat by creating something far better on a larger scale?
Capture One has been known amongst high-end retouchers and commercial photographers for quite some time, the main reasons probably being its powerful tethering and color editing tools. Wedding photographers seem to think Capture One is not tailored to suit their needs. At least, that is what I thought. After a full year using only Capture One to process my raw files, I wanted to share with you why I stopped using Lightroom.
From photos of Pluto and its moons to constantly expanding catalogs of images of our planet, NASA's releases seem to be never-ending lately. The latest epic space image, however, comes from German astronomers from Ruhr University Bochum. At a massive 46 billion pixels and a unwieldy 194 gigabytes, the image unseats the previous record holder for the largest photograph of space: NASA's 1.5 billion-pixel Hubble photograph of Andromeda.
With over 40 years of portrait work under his belt, American Photographer Will Shively has become one of the most successful commercial fashion shooters in Columbus. Will found himself at a crossroads when he first decided to pursue his passion for photography. He got his BFA in painting from Ohio State University and was working for a design firm before being let go with a newborn on the way. But despite the risks involved, Will worked nights as a janitor at a local manufacturing plant while teaching himself the art of photography.
The master of the headshot, Peter Hurley, has collaborated with Westcott to create a complete lighting solution for headshot photographers. Meant to be easy to set up, portable, and flexible, the kit looks to be a great option for anyone looking for an all-inclusive option for fashion, beauty, and commercial photography.