Fstoppers Original Articles

You need different tripods for different situations, but you don’t need to spend big on them. I’ll show you three tripods I use that can cover you in almost any setting and won’t break the bank.

Light is the cornerstone of photography. Without it, there are no images, and in landscape photography, the light's quality, direction, and intensity can make or break a shot. As a landscape photographer, understanding how light works is key to capturing the beauty and drama of nature. Over time, I’ve realized that mastering light is among the most crucial skills a landscape photographer can hone. Looking back, there are insights about light I wish I’d known earlier—knowledge that would have significantly boosted the quality of my early work.

How much camera do you need? No, for once I'm not talking about how many cameras. Though my inadvertent collection is growing and for every vintage camera that I sell or give away, it seems two new ones await. Gear Acquisition Syndrome (known also by the unfortunate acronym of GAS) is real and many are afflicted. Don't make fun of us. We're fellow humans. We suffer. Ok. Maybe not that much. I'm wondering instead about how much camera you need. How big, how rugged, how professional-looking does it have to be?

Abstract truths and concrete reality are where John Dykstra strives to create photographs. At first, people may confuse Dykstra’s work as images and not photographs, but they would be wrong.

If you are a user of one of the popular Nik Collection photo editing plugins, you have probably experienced errors in using the software recently. After Photoshop’s latest update, several users have reported that using the plugins will now force Photoshop to close when the plugin attempts to save its changes. This not only limits your use of Nik’s software, but it also will also cause you to lose all unsaved changes to your image prior to using the plugin. Luckily, there is a very simple workaround.

Being a photographer with a “real” camera always carries risk. People well within their rights to photograph in public are harassed online all the time. I’d argue, though, that being a brown person in the United States adds an extra layer of risk that other photographers don’t face, namely fears that you’re a terrorist taking photographs to plan for a future attack.

Have you had cases when someone looks at a photo at 100 percent and says it looks bad, but when you check it yourself, it's just fine? Is it possible that both are correct?

When looking at retouchers’ portfolios, you can separate the great ones from the rest by looking at their color correction. For example, when skin tones are not uniform, it makes the makeup artist look terrible just as much as the retoucher. There are multiple ways to correct color issues, but let’s see one that’s incredibly fast and easy to use for small localized issues, no matter what your photographic genre of choice is.

One of the hardest, cringiest things any photographer can do is go back and look at the images they created early in their career. In this video, Lee Morris and I revisit some of our best and worst images taken prior to launching Fstoppers.com. How bad are these photos? Let's find out!

If you listen to the podcast On Taking Pictures, you know that co-host of the program Bill Wadman is a New York-based portrait photographer who's worked with the likes of Seth Godin, Malcolm Gladwell, Philip Glass, Ze Frank, and many, many others. Though his traditional portrait and conceptual work are tremendous in their own right, Bill has gotten quite a bit of attention over the years for his projects such as his critically acclaimed Dancers in Motion, cinematic Drabbles, and the 365 Portrait project that helped him to start it all.

SPOILER WARNING. Listening to Vincent Laforet might leave you forever changed, never able to watch film or TV the same way again. The silver lining is he can also change the way you shoot, and engage, with your audience. With that disclaimer out of the way (you can't say I didn't warn you), join me as I talk to Vincent for this exclusive as we venture down the film and motion rabbit hole. How deep we go is really up to you...

As more and more photographers are shooting backplates on location and subjects in the studio, I've found the best tool for the job isn't necessarily your lens or the camera but a specific tripod head that finds the no parallax point in your lens. This was by far our favorite purchase of 2013 here at RGG Photo.

When I started out photography professionally, I only wanted to do weddings. It was what I loved (and still love). I thought studio work was so boring. With time, I was convinced to get my own studio and started doing portraits, beauty, products, and other genres. It was great. However, after two years, I am about to terminate my studio lease and will not take a new one. While I love shooting in a studio, I think the cons outweigh the advantages. Perhaps they will not for you. Nonetheless, let me show you what I learned from my two-year experience of having a studio.

We spend a lot of time discussing camera gear and the like, but given the amount of time we spend at our computers for our work, it is also worth talking about ways to make our lives easier in our office, whether that is at home or in a dedicated studio. Here are six things that make my office life easier and more enjoyable.

For the past decade modern cinema has opted for the orange and teal color grade to provide a wonderfully cinematic feel, and thanks to the new tools in Lightroom you can turn your shots into cinematic masterpieces, too.

The emergence of digital cameras has had a truly democratizing effect on photography, so why then are they on the verge of disappearing? Here are nine facts and figures (largely working from CIPA sales data) that might explain why.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2019, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

No one can deny Canon's prowess when it comes to making lenses. Fans of the Canon EF 135mm f/2L USM have long waited for an update, myself included.

Landscape photography is a captivating art form that allows us as photographers to capture the beauty of the natural world. Among the many composition techniques employed by landscape photographers, the Rule of Thirds has long been considered a fundamental guideline for creating visually appealing and balanced shots. However, in this article, we will explore a less conventional viewpoint: why you should consider ignoring the Rule of Thirds in landscape photography. We will delve into the limitations of this rule and uncover situations where breaking away from it can lead to more unique, compelling, and creatively satisfying landscape photographs.

Just like most photographers, my off-camera flash journey began with the purchase of a speedlight and some inexpensive triggers. Many photographers will tell you that as soon as you get a speedlight, you need to acquire proper off-camera flash units. However, there are still many things you can do with a speedlight, and in this article, I will show you some of them.

Getting great light in an event setting whether inside or outside is a tough shoot. You have to understand exposure, people are moving sometimes erratically, ambient light is moving over your subjects randomly, and you still have to create sellable imagery. I photograph several nightclubs in Dallas, TX regularly and the imagery I’m creating is their marketing for new patrons. What I have to show is an inviting and fun environment whether it’s packed or not and where people will want to spend their weekday and weekend nights, and let’s be honest, their hard earned money. This lighting isn’t tough to do, but takes some thought to execute as you move throughout a room or outdoor area.

Cheaper cameras' shutter lives are shorter than more expensive ones. As the shutter counts of premium cameras increase, so does the price. But I started to notice surprising discrepancies between brands. Here's what I found out.

When I first started out, I had no idea what to do and how this whole photography business is supposed to work. However, I was blessed to have a mentor who is a legend in my industry this side of the world where I come from.

Do you have insurance? Do you need insurance? Is this something that you've thought about and then just not gone ahead and purchased? Photography is a hobby, so I'll be covered with my home insurance should anything go wrong. Is there something in the small print that won't cover your equipment at home or overseas?

A few months ago, I wrote an article about how to get your website to the top of Google. I talked about the importance of search engine optimization, content strategies, keyword research, and search intent. If you put your SEO foundation in place following that article, you are ready to create content that will rank on Google.

The annual income of the typical photographer in the U.S. is 20 percent less than the national average. There are both good and bad reasons why photographers don't earn a decent wage and you might want to give these five reasons some thought if you want to survive as a creative image-maker in the modern world.

I encounter lots of people who are torn between pursuing their passion for photography as a career or keeping it as a treasured hobby. There’s naturally that underlying paranoia that doing what you love full-time and taking on the pressure of monetizing it will kill your enjoyment. I’d like to say that years after going “pro,” I still love what I do every day. If you’re unsure and need convincing, here’s why I believe you too should take the plunge.

With modern zoom lenses for mirrorless cameras getting better and better each year, more people lean towards their utility, and this is especially common in all-purpose APS-C lenses like Sigma’s 18-50 f/2.8 and Tamron’s 17-70 f/2.8—but which of the two is better?

Our video lighting of choice has become the Flex lights by Westcott. They are portable and extremely bright, but they certainly aren't cheap. Now, there is a cheaper option, but should you buy it?

In my recent Natural Light Tutorial with RGGEDU, I went through every aspect of natural light photography and retouching... Or so I thought. During a shoot this week, I realized I missed one thing: enhancing freckles with Photoshop. In this article I will show a simple method to making those freckles pop.

A photo is a two-dimensional rendering of a three-dimensional world. Although there is no longer any depth present, it is possible to add a sense of depth to it. I have gathered eight methods that can help you to add depth to your landscape photo.

Most people don't understand what all the fuss is about when they see a Platypod for the first time. If I showed it to my mom, she'd probably feign excitement in the way only a mom can. If you've ever used a Platypod, though, you know how powerful such a little piece of aluminum can be. You can use them for anything from travel and landscape to toy and food photography as a way to show your audience a new perspective on the world. You can even use them to mount flashes in obscure spots for portrait photographers. Okay, I'm a Platypod evangelist, but their company truly has changed the way I photograph.

An unusual situation has occurred on several occasions in the social media era, and it is as counterproductive as it is interesting. In this article, I will discuss the irony of trying to remove a photograph from the internet and the implications of a public persona in modern life.

We work in a field where, whatever we buy something for, we use for its intended purpose. Sometimes we just want to save money and dig through our stuff to see what else we can use it for. Here's a list of things you can use your gear for, either in a pinch or as a better replacement for something else.

Gear. Batteries. Cables. Chargers. Hubs. Do you ever feel like you spend more time managing things around creating instead of actually creating? Is your gear a chaotic mess when it comes to charging the plethora of batteries you have for your digital lineup? Is charging after you are out shooting something you don't keep up with right away? Wouldn't you rather grab a beer and download your digital assets after a shoot and skip charging? If you are anything like me and love getting more out of the gear you already have, here’s a sweet and rewarding DIY solution to make life a little easier. You can build a similar charging station for less than $50 using a few tools and simple supplies that you or a friend might already have.

Auto ISO is one of those features that I ignored for a long time, considering it not much more than a gimmick. It wasn’t until recently that I decided to try auto ISO, and I quickly realized that I was missing out on a valuable and practical feature.

It's what a tilt-shift lens was born to do. Learn how to straighten up your leaning buildings with this simple technique and never have a parallax problem again.

We look at what makes a successful backup system, the components, the ideal outcome, and how we test that all is working before the inevitable happens.

Photography is a fun, creative field, where we get away from the tedium and soul-sucking nature of the 9-5 to chase our dreams, to be creative, to be our own bosses. It's amazing, right? Meh, sometimes. Sometimes, it sucks.

Don't worry this hack won't invalidate the warranty on your phone and takes minimal technical skill to do. The end result is a dramatic change in how you and the camera see the world.

I'm a gadget guy. I always appreciate anything that can make my life easier, safer, or more enjoyable. When I recently acquired a Kywoo3D Tycoon 3D printer, I thought it would be an excellent time to make my photography life easier.

Your photographs will always be a copy. Unfortunately, a cheap one, too. There are two main reasons why you're quite limited in creating art.

Many photographers who are beginning to dabble in pet photography ask about the best lens to use when photographing pets. While there is no right or wrong answer, as a dog photographer who primarily specializes in outdoor sessions, I use a telephoto lens for the majority of photos I take. If I were limited to just a single focal length to use for photographing dogs, I’d go with 200mm, and there are several reasons for this decision.

Last year we featured London-based photographer Jaroslav Wieczorkiewicz with Aurum Light for his 1940’s pin up inspired milk portraits, which were then picked up for Coca-Cola's Farelife campaign. His fresh take on motion and liquids was put together in a well received and sold out magazine. This year, Jaroslav brought it bigger and better with his team by creating this years titled calendar “Splash Heroes.”

After multiple attempts to capture sunrise or sunset and not getting the conditions I wanted, I decided I was going to take photos no matter what the conditions were, forcing myself out of my comfort zone and pushing myself to be a better photographer.

Listen up! Whether you have a full-fledged career in photography, the pandemic got you exploring it as your side hustle, or you are just dreaming of taking your hobby to the next level, then look no further. These podcasts will educate, enthuse, and enable you to make your dream career of camera (and paycheck) in hand, come true.

One important setting can drastically affect your computer monitor’s accuracy. It’s important to check, but is almost hidden in the menus.

In a typical wedding, dozens of vendors come together to make the bride's day special. All these vendors have one thing in common: the photographer doesn't owe them a single picture.

If you want to improve your photography, experimenting with new techniques to achieve more creative and interesting results is the way to go. I did just that recently while out doing street photography by playing with a slow shutter speed while shooting handheld.

Adding to or accentuating the color tones in an image is a very effective way of telling a story, eliciting an emotion, or strengthening the aesthetic. In this short walkthrough, I'll explain how I can speedily color grade my images.