Fstoppers Original Articles

Attempts to network with fellow photographers often fall short. Many of us act as professional “gatekeepers," defensively sharing little or no information.

Breathing life into your photographs can make the difference between an average shot and a masterpiece. But how can we bring life into a flat piece of paper? Depth is all you need.

Smartphone cameras nowadays are extremely capable. But are you making the most out of yours?

Photographers love gear, so we tend to get somewhat upset when gear goes missing. Not only is gear quite expensive, but it often worms its way into our hearts. Our gear often becomes a pride and joy. As a result we want to avoid losing gear as much as humanly possible. Here are some of my favorite strategies for making sure that all my gear comes home with me after every shoot.

There has been a concept in self-improvement that has been quietly growing for me, but one book I read in 2020 caused the eruption of the idea, and it has changed the way I approach photography, as well as every other area of my life.

Being behind the camera for a boudoir session can be just as exhilarating for the photographer as it is for the client. You are capturing the confidence being displayed right before your eyes. Add in another subject and the room becomes intoxicating when you think about the final images you will be editing. However, understanding how to gain that moody light or that intensity needed for a couples boudoir shoot is just what one photographer explains to us all.

The weather outside is heinous. Seemingly perpetual rain batters the windows as we fire up the computer. The northern autumn is definitely on our doorstep and one of the first signs of this change of seasons is the increasing number of mushrooms in the forest. We’ve bagged 69 shots of just one composition previously and this is a great time to post-process them. Let’s get into Lightroom before more fungi start to come up after the showers have passed. Let your imagination run wild with the post-processing of glowing mushrooms that are straight out of a fantasy film. Here is how I process my own little fantasy world.

When you hear "Sony Alpha" and "battery life" in the same sentence, it tends to be followed with a groan or sigh, because if one article has covered it, a dozen have covered it and made a big deal about how quickly the small batteries in the Alpha cameras run out. For me, 90 percent of my time with my Sony a7S II is spent doing video work, frequently during fast-paced events or sequences or racing the clock with lighting conditions. There's nothing more frustrating than being mid-shot and seeing that dreaded "Battery Exhausted" display pop up on your screen after draining your last battery after a long day of production. So, what options do you have to help extend the life of your battery?

Fuji sits in an odd place in the camera industry — beloved by camera enthusiasts for their retro styling and image quality, they continue to develop desirable cameras, but have never managed to break in to the realms of the top three manufacturers. Is this perceived failing actually a part of their game plan?

I've got a simple question for you: is there a photo that you're chasing right now? An image that you're dying to get right? Your white whale (hooray “Moby Dick” references); something that you can see in your mind, you can picture it, almost feel how you want it to look. Whatever the genre, you know exactly what you're looking for in the mood, the vibe, and the scene. The chase and that drive can be something very useful to a photographer. It can inspire and motivate us to keep going, to keep improving, and keep working towards whatever image that we're chasing after.

The Sony a1 has arrived and the Nikon Z 9 was recently been announced, so it's now Canon's turn to make an announcement about its forthcoming top-end camera, the R3. Last month, I compared Canon's then top-end R5 to Sony's and Nikon's offerings, commenting on the different strategic approaches of the three companies. Now that the R3 has arrived, what does it say about Canon's approach to the burgeoning mirrorless market, and what are the portents for Sony and Nikon?

Controlling light is one of the most difficult challenges a photographer must master. Even if you have years of experience under your belt, it can still be difficult to decide which light modifier to use with your strobes or if you should even be using strobes at all. In this video and article, I'm going to share with you five of my favorite light modifiers and how they can produce drastically different results.

A few years ago, Adobe introduced an alternate way of processing images that could help reduce artifacts. In the intervening years, much of the benefits have faded away, until now. Can this technique find a new use in processing images from non-Bayer sensors?

There are a couple of ways for models to get into an agency, including hiring a photographer to take photos of them and using those to show an agency their range. This requires the photographer to work quickly and efficiently to get as many different looks as possible in a compressed amount of time to save them money.

Now I know there have been countless articles posted about why retouching is important, or why it’s downright frowned upon. But imagine, as a photographer, being able to free up so much more time by outsourcing the editing to a trusted retoucher.

In an age where visual images flood our daily existence and cameras are embedded into nearly every mobile device, the notion of intentionality is of renewed importance. The instantaneous availability of photographic tools, combined with the unrelenting flow of images shared on social media, can lull photographers into a state of passive capture.

Perhaps a better question to ask is: “Why am I a photographer?” In recent months, I feel like I've completely lost touch with why I became a photographer. Don’t get me wrong, I absolutely love what I do, but sometimes I forget why. When I was first starting out as a photographer and all of my shoots were “just for fun,” it was easy to see why I enjoyed it. After all, there were no consequences if I screwed something up, and I looked at photography as more of an escape from reality than a job.

When I moved to Sony, part of the appeal was the smaller body. However, the idea of being able to replace my big, heavy wide-angle zoom with something light and fast seemed impossible. Last month, Tamron released its 17-28mm f/2.8, and I just spent three days using it to photograph a parkour event in central London. Ahead of a thorough review, here are my first impressions.

Before the invention of photography, historical events were depicted in elaborate paintings. Then in the early 19th century, photography came along. But it wasn’t until the 1930s when color photography was used. It’s amazing how good colorization work on a historical image can change your view of certain events. Before I saw the images coming out of Dynamichrome — a company that colorizes historical black and white photography — I did not feel the same connection. With the addition of color, the subjects in the images come to life.

Testing lighting is usually for those photographers who are a bit more on the “nerd" side of photography, but we always need to know if we have the ability to work through or overcome a lighting situation. I did a quick dive into testing two lighting brands most people either use or are familiar with, and discovered some interesting information for those looking at any of these lighting options.

As a professional photographer, the issue of over-editing is a topic that holds significant importance in our work. In this case, the term over-editing refers to the excessive use of post-processing tools and techniques, often resulting in images that deviate from the natural and authentic representation of the subject. While we cannot deny that the process of editing is an essential aspect of photography, overprocessing images can sometimes compromise the integrity of the image and do more harm than necessary. Here are several reasons why one should refrain from over-editing their images.

A 38-year-old woman plunged to her death at a well-known Instagram photo spot in Australia on Saturday. As sad and regrettable as this is, the real question is why do people keep risking life and limb for a photo?

As outdoor recreation areas become more crowded, the adverse effects on the landscape become more evident. Landscape photographers can help set the example by practicing Nature First Principles while we are out in nature photographing these beautiful scenes.

When it comes to light modifiers, there are hundreds if not thousands of options: soft boxes, beauty dishes, grids, umbrellas, etc. After all is said and done, I truly think that I have finally found the perfect modifier.

Original, innovative photography is hard to find. However, Ethan Beckler has excelled. He leads the way in macro photography, pushing camera and lens technology beyond normal limits and creating astounding art at the same time. With great generosity, he shares his techniques with us.

Now that Canon has recently announced the EOS RP, is the next Nikon Z camera on its way? And if it is, where will it fall in the Nikon Z lineup of cameras? If rumors are correct, the next Nikon Z camera will most likely be aimed at an entry-level full-frame user. Perhaps called the Nikon Z5?

As many of you may know if you follow me on social media, I teach workshops and give lecture on photography and retouching all over the United States. Through prepping each workshop, I sharpen my knowledge and become fluent in the material I’m teaching. However, without fail, I always learn a million new things when teaching each workshop.

Street photography is a realm of photography that carries enormous weight. A genre derived from some of the world's photographic pioneers — the big names. The generations taking cameras to the front lines of war, documenting death, destruction, humility, and the human spirit, and bringing it home to document the everyday. It’s a genre of photography like no other, and here’s why you should be shooting it.

Two 10-stop filters put through their paces side by side. Both advertise they do the same thing but are they really the same? In short, yes and no, but mostly no. You'll be interested in the reasons why.

Since I began photographing events, I've been paying close attention to the amount of images I've shot per hour. Why should you? Because overshooting creates problems.

As you can imagine I spend a lot of time in Photoshop. And when you spend as much time in Photoshop as I do, you want to work as fast and efficiently as you can. Over the years, I’ve learned a lot of keyboard shortcuts. Knowing keyboard shortcuts is crucial in creating a faster more efficient post-production workflow.

There is a saying that zoom lenses can make you a lazy photographer. And that might be true if you use them the wrong way.

I recently earned my Remote Pilot Certification, which allows me to fly a small UAS (drone) for paid photo and video work in the USA, under the FAA’s Part 107 rule. With no background in aviation, passing the test was no easy feat for me. If you’re considering taking the test yourself, read about my experiences to make sure you’re well prepared.

Takashi Aizu is based in Japan and makes mouthwatering time-lapses of his baking. He sets up his iPhone 6s, and documents the process and reaction of the specific dough to become breads, croissants, or baguettes. We often take the beauty of the croissant we get at Starbucks for granted, but here we can actually see how much knowledge, patience, and effort goes into baking and what the process looks like when you get it fresh and hot out of the oven. It’s a simple process concept, but he has over 25,000 followers on Instagram, and his baking is obviously rated as very good in Japan.

The primary objective for boudoir photographers is to empower their subjects, encouraging them to embrace their unique beauty and sensuality. Photographers can highlight the individual's strengths and showcase their personality through careful posing, lighting, and composition, creating a personalized and intimate experience.

Today, I state the obvious. But sometimes even the most obvious things can be easy to forget.

The votes are in, and you've helped to choose our Fstoppers Photographer of the Year! We've also randomly selected one reader who voted to receive a free Fstoppers tutorial of their choice!

As you progress in landscape photography, you might find yourself wondering how others get everything in focus within their images. In this article series and video, I'll go over how to focus stack while in the field and what to do once you sit down to process your images.

This year has been tough in every aspect, no question about it. Has your love for photography also suffered through this?

As you all know, we are currently pushing ourselves here at Fstoppers HQ to produce 30 videos for the month of January. Patrick Hall didn't want me to miss out on the fun, so he challenged me to recolor an image. Not an old black and white one, but an image he took with our new Nikon D850. Want to give it a try too? You could win a free tutorial if you've got what it takes to colorize an image.

As we near the end of another difficult year, we look forward to new beginnings. What will you be doing to ensure that you grow and improve as a photographer in 2022? Here are five ways you can guarantee you are moving in the right direction.

Black Friday sales are here and we at Fstoppers want to keep the photography community informed of noteworthy deals. Some of these savings are only available for a very limited timeframe, so if there's something that piques your interest, make sure to act on it now!

I recently spent three days in Ensenada shooting with the talented TEMPT Media crew during the Baja 1000. On the second night while unwinding at our Airbnb, in walks a guy with three beefy rigs with all the lenses wrapped in gaff tape, underneath what would appear to be a layer of dust that most normal human beings wouldn’t subject their Canon 1DXs to.

Recently, I got into a discussion with a guy on social media about one of my photos. He claimed it was fake. I had manipulated the image by adding birds, he said. The incident got me thinking about how easy it is nowadays to change an image completely. How do you prove your image shows the reality?

Do your photos get noticed? Do you have a sizeable Instagram following? If you answered yes to those, you are probably in for a shock.

When we start out as photographers, it can be a little underwhelming, I mean, we all have this idea of what we're capable of and yet we start out working on small jobs (often) with low budgets. Assisting helps you keep your enthusiasm while rising up through the ranks of experience and gives you access to productions possibly decades away from your current skill set.

Smoke grenades: foul smelling, clothes staining, and a primary tool for celebrating the birth of our nation. Recently, while in Austin Texas, I was introduced to a model, Valerie who suggested we use smoke bombs during the shoot. I was immediately intrigued at the creative possibilities...

One of the most useful lenses any photographer can own is an ultra wide-angle zoom lens. One of my favorite zooms in this category is the Tamron 15-30mm f/2.8 lens. Tamron recently released the upgraded G2 version of their already great SP model and I wanted to see if this redesigned lens was worth the upgrade.

For my inaugural post on Fstoppers, I want to run down of a few of the apps that my studio manager and I use almost daily to help manage the studio and keep things running smoothly. Many of these you’ve probably heard of, others may be new to you. The list is actually endless, but I’ve narrowed it down to these nine to get us started:

"If you’re not on Instagram, you don’t exist." How many times have you heard a statement to that affect? I recently had a discussion with a fellow professional photographer about the value of Instagram. In this article, I’ll explore our conclusions.