Fstoppers Original Articles

As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.

Photographers tend to bemoan that everyone's seeming belief that they are a photo critic. Event though the vast majority of people aren't really experienced enough or aware enough of what makes a good photo to be taken seriously. This position is often weakened by the fact that even top photographers generally can't agree on what makes a great photo. I'd propose the argument that the average viewer actually is quite aware of what makes a great photo while the nit picks of us pros more often than not have little to do with photographic greatness and more to do with photographic elitism.

The year is 2017 and at this point, it's fair to say that most people are on Instagram. Now I don't think that you have to be and I don't believe that an Instagram presence is a requirement for your success. If you've chosen to forgo this particular media app you're not necessarily missing out. IG is a tool at your disposal and as time goes on, that tool becomes increasingly useless. Here are three reasons why Instagram's algorithm is garbage and may not be worth your time anyways.

There are different opinions about what makes good photography. Many suggest it’s a single ingredient; they are wrong. If we want to grow in our art, it’s by combining seven elements that we have any hope of improving.

There are a lot of variables to consider when discussing the income we generate from our photography. Aspiring professionals often site a lack of work when defending their status as either hobbyist or part time photographers, but the truth is often a little more complicated than that. When times get tough, many creative photographers use the skills they’ve collected to generate income in other ways.

With more and more amazing lenses being introduced at a dizzying pace, I find myself asking a very basic question: How many lenses do I actually need?

You get what you pay for. In most cases, this saying rings true. However, there is another narrative playing out in the photographic world. This other, rather untold story has a central character getting much, much more than what they pay for. When it comes to portrait photography, clients are reaping rewards from photographers who are unwilling or too fearful to raise their prices. There comes a time when something other than a photographer’s livelihood must give.

Some may say I'm squarely in the Fuji fanboy camp. I love their cameras and lenses, and will sing their praises whenever I feel it is due. However, today I'm going to write about the one camera I haven't liked in the lineup so far: the X-Pro2 (aside from the X-Pro1, which was a very immature realization of the X system). I have been looking for a second body to go alongside my X-T2 for a while now, and an exceptionally good sale in Australia meant I could pick up an X-Pro2 for $600 off the retail price. This was too good to pass up, and I ordered one as my second camera.

Peter Lik must be one very happy camper. Earlier we broke the news of the sale of the “Phantom”, a black and white image of Arizona’s Antelope Canyon, sold for a record breaking $6.5m, making it the most expensive photograph ever sold. A massive internal discussion amongst Fstoppers writers took place shortly thereafter, arguing whether any photograph was actually worth that much money.

After the release of Nikon’s new Z8 mirrorless camera, you may be asking yourself a simple question. Should you get the Z8 or its big brother, the Z9?

Working in Photoshop with multiple layers and then trying to navigate to those layers to make tweaks to your edits can sometimes be time-consuming and at times also very annoying if you have forgotten to name the layer.

I was on Instagram the other day when an ad for one of Canon’s two-lens kits popped up. The kits package together a couple of interesting options for photographers looking to step up from a kit lens, but the real question is: are the lenses a good value for photographers or should the money be spent elsewhere?

Flowers can be a wonderful opportunity for photographers to practice their camera skills. Whether receiving a bunch as a gift, or wanting to record the flowers in your own garden, there are a few things you can do to improve your flowery shots.

Zoom lenses are very versatile. In a way, these lenses offer an infinitely variable focal length adjustment. If you could have only one zoom lens, which focal range would you choose?

Photographer Felix Hernandez has done it again. If the name doesn't ring a bell then you might know him by his amazing miniature photography such as "The Love Car" or his "The Crow & The Dove." These projects has been floating around on the Internet, and we have an exclusive on his new project called "The Wardrobe."

A long time ago, I heard someone utter this bit of nonsense. Depending upon the genre of photography you shoot, there are good arguments for using manual controls and settings. However, there are times when your camera’s automated technologies prove the Luddites wrong, then automation is king.

Canon’s EF 50mm f/1.8 has near-legendary status as the definitive nifty fifty — i.e., a small, lightweight, affordable, fast 50mm prime lens. The news that its RF counterpart is going to be almost as cheap will be great news for owners of Canon mirrorless full frame cameras.

I just watched Justin Timberlake's "Say Something" video, and then, I watched it again. No doubt that's professional production work. Knowing the technical challenges of such a video, for me it felt like I was watching a reality show. The almost "unplugged" vibe of the song was so right for that video that the rest of my senses could be focused on how those guys pull that work off (pun intended). This article will be a humble attempt to reveal how they shot the video.

We have all been there at one point or another. The thought of picking up a camera and having to take more pictures seems less than appealing. Shooting the same thing over and over, dealing with frustrating clients, or simply not getting the results you had hoped for. All these things can take a toll on your mental state and will eventually translate into feelings of disdain towards your passion. It might feel like you need a miracle to find your passion again, but here are four things which have worked for me, and maybe they can work for you as well!

Often when we are editing in Lightroom we find ourselves doing the same tasks over and over again. The key to speeding up your workflow is finding ways to minimize the amount of steps it takes to do these regular tasks and fortunately Lightroom gives us many options to do this. One of my favorites is the 'Export Presets.'

Quite frankly, neither should you. I understand that we all love our gear and we all have dreams of upgrading and moving on to bigger and better things, but that's not the real point of it all, not really.

Waterfall photography is often described as one of the most mesmerizing forms of landscape photography. The challenge of capturing the motion of flowing water, along with the contrast of the surrounding still landscape, can create some stunning visual effects. The use of specific camera settings, lenses, and filters plays a huge role in the final result.

There is a lot of various advice on the internet. A large chunk of it is bad or irrelevant. Editing images is an art. It is an art that takes a while to master. Because there is so much bad info online, I decided to share some of my favorite editing techniques I use to get my signature look.

If you haven’t wrapped up your holiday shopping yet, consider buying secondhand in exchange for a great deal.

Sharpness: it's what we all want from our photos and it's something many of us obsess over. If your shot out of camera isn't quite as razor edge as you'd like, there are quite a few ways to get more sharpness in post-production. This method is by far my favorite.

Around this time last year, I wrote an article called “Why Other Camera Manufacturers Should Be More Like Fuji.” Although I wasn't the only one saying this, it seems that Sony has taken note.

Aside from being a catchy acronym, Digital Asset Management is an incredibly important concept in the world of digital photography that is too often overlooked.

There are a zillion photographers out there, but there aren’t a zillion clients. How do you make your work stand out? Success comes when a client will book you because it's you and not because you are just another good photographer. In the process, having a recognizable style might also make you a happier photographer. But how can you get there?

Whether you’re a photographer, filmmaker, video editor, first assistant, or even just starting out as a PA, you’ve got to work to survive. There are many lengths of time where the work might seem to be non-stop; you work so much that when you do have free time, you might not even know what to do with yourself. The winds of fate can change quickly though, and you might find yourself all of sudden not having any new jobs lined up. After doing this dance for over ten years as a video producer and photographer now based out of Lexington, Kentucky, I’ve learned a few things about dealing with the stresses of when business is slow.

The recent introduction of new lenses for Canon's RF-S mount by third-party manufacturers Sigma and Tamron is a significant development for the industry. These lenses, all designed for APS-C format cameras, are a significant development that reveals Canon's strategic approach to its mirrorless camera lineup.

This is a pet peeve of mine, so I am going to thank you in advance for indulging me. There seems to be a rampant misunderstanding in certain levels of the photo community as to what editing presets are, and what they actually accomplish. I (like many of you I would assume) am a member of various photo-centric groups on Facebook. In particular, I am a member of groups for people who have purchased Lightroom and ACR preset packs from a variety of creators. Almost daily I see posts in these groups that go something like this: "I thought my photos were beyond hope, but then I applied "WHIMSICAL PRESET NAME" and they were saved! These presets are amazing!!!1!111!!!" Sound familiar?

At the most basic level, photographers seem to be in two camps when it comes to image file types. There are those who care about the look of their images and shoot with big RAW files and those who don’t and use the smaller JPEG files.

RAW files offer a tremendous level of control over noise, tonality and color; a hearty file that can cope with the demands of our creativity.

In today's somewhat over saturated market of boudoir photography, everyone is looking to shoot something new and unique. It can be difficult to find a new perspective on shooting when so many ways have already been discovered. So how can you get creative and grasp the attention of the viewers without reinventing the wheel?

It was my first wedding to shoot and I had never shot one before. I get stressed out really easily, so doing this was a bad idea for me all the way around. I missed shots, I missed a set of groups, and my lighting for the reception was terrible. On top of not having a clue on how to get a proper exposure for a wedding and what images were important to the couple, I delivered full-resolution files on a plethora of disks that caused more confusion than good. Today, I'm using online galleries provided by Pixieset and flash drives for file delivery.

Upgrading your RAM from Apple is a lot like buying your tires directly from the car dealership. It's overpriced for essentially the same product and you shouldn't do it. In this video I cover the benefits of upgrading your RAM from a third party to maximize your computers ability for retouching and file management through various applications like Lightroom.

So, what are the best settings for wildlife photography? Most people would argue that aperture priority would be the best way to tackle shooting fast action like wildlife and sports. It gives you the best balance between automatic camera settings (like picking the correct shutter speed) and manual control (like the ability to compensate for exposure).

I've used older digital medium format cameras in the past but the FUJIFILM GFX 100 is the most powerful camera I've ever held in my hand.

It emerged on Thursday that Magnum Photos may have been selling photographs of child sexual abuse for more than 30 years. Until it can answer some critical questions about its past and how it runs its business, its reputation is under threat.

When starting out in photography, you might want to purchase as much gear as possible. However, professional photographers who have been doing this for decades seem to have every lens in the world. It is natural to strive to buy as much gear to be as professional as possible, but the devil is in the details, as it takes decades to amass gear, and even then, the pros still have some things they want to purchase.

With the news that Instagram's focus has shifted to be far less centered around images, many photographers who have spent years building their following and brand on the app are left out in the cold. This isn't the first, nor will it be the last time you are reminded of the dangers of building a large part of your business on someone else's platform.

Many aspiring landscape photographers hit a roadblock when it comes to long exposure and filters. They may seem confusing and too technical, but the following tips should clear the path for you.

Landscape photography brings with it its own special set of challenges and risks. But beyond your filters and spare batteries, you're going to want to carry some extra non-photography gear to make sure you're in tip-top shape to capture those beautiful shots.

I once started with the top of the line Canon flash with a remote controller. Even though those flashes very good, they can have too little light output for off camera flash. That is why I started looking for a portable studio flash system and I ended up with the expensive Profoto system.

Glamour photography, fine art nude photography, lingerie photography, swimwear photography — all of the above involve nudity. Sex sells — no explanation needed here. Or, at the very least, it will get you more likes on your page or your Instagram account. Is the sexiness in itself a problem? This is a recurrent debate. The #WomenNotObjects campaign, launched by Advertising Executive Madonna Badger, is calling on the advertising industry to put a stop to objectifying women for marketing purposes. As photographers, do we have a responsibility in this controversy?

The day you move from amateur to pro is one you never forget. But how do you decide to make that move? How do you know you’re going to cut it as a pro? How do you know if you’re ready? Will you ever be ready? Yes, you need a healthy interest from potential clients, and yes, you need a heap of camera gear. But what else? It is not all about the kit I promise you. That’s just a crutch. This is what you really need.

There are always an abundance of lists explaining misconceptions and lies about being a professional photographer, but there are almost none telling you which rumors are true.

When it comes to digital photography, I think editing is as important as the darkroom was for film photography. But now, we have a lot more tools at our disposal.

Over the past six weeks, I've photographed more sunsets than I can count along the coast. As someone who primarily shoots on land, I had a lot to learn about shooting the sea and have put together a few of the most important lessons I came away with for your next seascape location.

Horses have been the subject of many powerful images throughout time. They lend a magnificent presence to any photographers portfolio. Boudoir photography has been inspired by the story Lady Godiva and her nude ride on her horse for the people of Coventry.