Most Bookmarked Articles

Seeing colors and luminosity correctly is not always easy. You could calibrate your screen and be stuck working at the same place every day, but some people just can’t have a fixed office or studio. And even with a calibrated monitor, adjusting luminosity to your creative vision can get tricky. This is where visual help layers come in, especially one called the five-tone heat map. Blake Rudis from f64 Academy shows you how to use and why it’s so useful.

What’s great about photography and videography is that in most cases you can work wherever you are and thus move freely around the globe. Chris Hau understood that and managed to travel for free using his photography. In this video, he shares his experience and story with you to try giving you tips and inspiration to do the same in 2018. 

The trend in the portrait, fashion, and beauty industry is to come back to a more natural look while still removing the unwanted blemishes. But without the proper techniques and settings, it’s difficult to make an image flawless while avoiding the overly retouched look. Zoë Noble is a talented photographer and retoucher based in Europe, and she’s created a series of tutorial to teach the methods that will help you reach that high-end look. In this one, you’ll learn how to use dodge and burn to even out the skin.

Who doesn't like the idea of working with brands? You get free stuff, prestige, increased exposure and views, and free stuff! Of course, it's not as easy as just calling up your favorite company and having them send you the gear you want and or make you an affiliate. This great video talks about what it takes to work with brands, the different kinds of relationships, and how to increase your chances.

When you're shooting portraiture, particularly outside without artificial lighting, you'll often need to brighten your subject a bit in post. This can create a few issues, but this helpful video will show you how to obviate those potential problems and create a higher-quality result.

Lipstick can be a great addition that can complement a subject's eyes or really help a colorful portrait pop all the more. If the subject wasn't wearing it already, this helpful video will show you how to convincingly add it after the fact using Photoshop. 

Out of all the things you need to know how to work with in Photoshop, layer masks are one of the most fundamental and important. This awesome and quick video will show you ten shortcuts for working with layer masks in Photoshop.

It becomes obvious relatively quickly that gaining traction on Instagram can be at times daunting. You’re pouring heart and soul into your work and posting your best images, but still even then somehow you are not seeing the overall growth as quickly as you would like. 

For over a year now, I've been the lead freelance photographer for Stock and Barrel Magazine, a food and beverage publication here in Columbus, Ohio. Often, assignments get thrown my way with not a lot of time to get them done before deadlines hit. That means I get to shoot a lot of places in a very short amount of time. Oh the joys of the print world! In this article, I'm going to share with you how I shoot food on location quickly. No assistants, minimal gear, during business hours, and without pissing off the chef. Let's get started.

When you're first starting out with artificial lighting, it can feel a bit like trying to speak French in Russian. In between the modifiers, the types of light, and their placement, each setup is a puzzle. This helpful video will describe the main types of lights you'll have in a studio setup and how they relate to each other.

Photographers and filmmakers probably spend more time on their computers that behind a camera. We own thousands of dollars in gears, yet some of us waste a considerable amount of time struggling on a sluggish PC. However, for the price of a good lens you could dramatically improve your productivity by speeding up the entire post-shooting phase. Here is a short guide to help you navigate through the current offerings and avoid the marketing traps in order to build the perfect machine based on your budget.

Students often ask me a rhetorical question: “What is it like to be a professional landscape photographer?” Well, it’s fantastic if you’re into the outdoors, natural landscapes, and of course photography. However, that’s not entirely the point of the question. The real question you want to ask though, is “How do you find a sustainable income to support such a career?” Typically, we all have a preconceived idea of what a landscape photographer does for a living. But that idea seems to stem from a time when there weren't that many people in the business. 

Getting great light in an event setting whether inside or outside is a tough shoot. You have to understand exposure, people are moving sometimes erratically, ambient light is moving over your subjects randomly, and you still have to create sellable imagery. I photograph several nightclubs in Dallas, TX regularly and the imagery I’m creating is their marketing for new patrons.  What I have to show is an inviting and fun environment whether it’s packed or not and where people will want to spend their weekday and weekend nights, and let’s be honest, their hard earned money. This lighting isn’t tough to do, but takes some thought to execute as you move throughout a room or outdoor area. 

Unfortunately, it really is a case of "when" rather than "if" you will experience a bad photography or video client. The biggest problem is that once a person or business has your work there really is nothing to stop them from leaving you high and dry. Here's how to keep the upper hand and maximize your chances of always getting paid.

Going pro or full time in photography is often a daunting task. A lot of us are making the jump from another career rather than straight from university. This offers a particular set of challenges. Chances are that you have a mortgage or rent, loans, credit cards, children, cars, bills, a cat and dog, and a host of expenses that you have to keep on top of. The risk is high, but so is the reward.

The concept of a portrait lens has always baffled me. When I first started out in photography, reading the Internet and listening to other photographers would have led me to believe that I needed something around the 85mm or 135mm focal lengths if I wanted to photograph a person. Anything else wouldn’t work. Well, that simply isn’t true, is it? Any lens can be used as a portrait lens. In fact, the moment you photograph the likeness of a person with it, it becomes a portrait lens. So why not experiment using different lenses in your portraiture? 

It doesn't matter what kind of photography you do, shooting photo backplates each and every time you go out and take pictures is one of the best habits you can get yourself into. Not only does it save many hours in postproduction, it will also help open up a world of creative possibilities to you as a photographer.

Photoshop is tremendously complex and nuanced, and there are always techniques or entirely new features to be discovered. This helpful video will give you five lesser known tricks to add to your arsenal.

Does the idea of finding clients and networking fill you with dread? I know most of us would much prefer to stay behind the camera, taking pictures all day long, but that's really only part of being a professional. If you lack the confidence or game plan to gain new clients, then these strategies could really make a difference. 

I'm not a strong supporter of business cards nowadays. It's not because they don't do any good, but because most people are throwing them in the trash bin without even visiting your website and seeing what you do. Despite of that it's good to have some in your pocket. Here is my solution to using a special type of business cards that your potential clients may not throw away.

Since moving into my new house about a month ago, I've been thinking more and more about creating my own studio setup using as little resources as possible. As much as I'd love to own a huge Profoto Octa in my house, it's just not always possible. So why not build your own lighting rigs using equipment readily available at your nearest hardware store?

It really doesn't matter what kind of photography you do if you get paid for your services I guarantee that at some point you will be faced with price objections from a client. If you haven't already you definitely should arm yourself with a few tactics for when the inevitable happens.

If you've ever used Photoshop's Content Aware Tool, you know that it can either give borderline magical results or hilariously messed up miscues. With this quick trick, however, you can ensure you get helpful results more often.

Perhaps one of the biggest rites of passage for a photographer is gaining proficiency with artificial light. It can seem a bit daunting at first, but once you get some basic principles down, it's really not that hard, and you'll greatly expand your photographic capabilities in the process. Dive into this great video to get started.

When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.