Last week I was asked to shoot some model polaroids and create a comp card for my friend and a fantastic model, Mallory Mims, for her to take with her when meeting with agencies in LA. Before starting I did some research and gathered some examples so that I could give Mallory the best results and ensure she’d make a great first impression when meeting with potential agents. I got a little nervous during my Google search because I wasn't finding consistent standards or templates very quickly. Since I had such a hard time in my own research I am sharing what I found and a template to make this easier on you guys than it was for me.

We've all heard it hundreds of times: unless you're a journalist zooming off shots to an editor as the action happens, you should be shooting in raw. But why is it so vital to the quality of your images? Watch this video for a great explanation.

Do you remember when it was easy to trick search engines into ranking your website high for a search term? Or the time when it was sufficient to insert your keyword all over your website and you'd rank high in search listings? The good ol’ days of purchasing a domain name that was literally your top preferred search term to rank for, and stuffing your website with that same keyword and tricking Google into listing your website first are long gone and the rise of content marketing has taken over.

If you're just getting started with artificial light, one of the most challenging scenarios you'll probably undertake is mixing natural light and your strobes convincingly. This helpful video will give you some quick tips, as well as a neat trick for eking out a bit more shooting time during golden hour.

Sean Tucker started his career as a food photographer and had the chance to work alongside with some of the best food stylists in the industry. Thanks to this experience, he’s learned quite a few secrets one needs to know in order to capture the most stunning food pictures possible. Through this 15-minute long tutorial, Tucker shares some of the fundamental knowledge every photographer and foodies should acquire. So if you’d like to improve or get started with this genre, be sure to check the full video and take notes.

Since the arrival of digital photography almost 20 years ago now, the photographer’s workflow and its equipment have changed quite significantly. While investing in a solid camera, tack sharp lenses, and reliable storage equipment is a very good idea, one piece is often misunderstood or underrated: the monitor. Having a poor monitor is kind of like looking at your work while being color blind. I know that for a fact because I have been relying on poor screens for a long time. Recently, I’ve been given the opportunity to try the ViewSonic VP2768 for you, and I think it’s an amazing screen. Here’s why I think you should consider it if you don’t already own a great monitor.

I am sure most of us look back on our lives and think, “You stupid idiot, what on earth possessed you to do/think/try that?” I am certainly no exception to this, especially in the professional arena. During my early years as a photographer, I made a heap of mistakes and I worried about all the wrong things.

If you’ve ever wondered how to create rich seascape photos with silky waves that convey the motion of the sea, you’ll want to check out this tutorial. Freelance Landscape Photographer Michael Breitung describes how to capture various types of seascape images, and has one particular post-processing tip that you won’t want to miss.

If you do much work in Photoshop, you've no doubt used a Hue/Saturation/Lightness (HSL) layer before, but within that adjustment is a powerful tool for refining how the effect is applied. Check out this helpful tutorial that will show you how to get the most out of HSL adjustments.

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you're going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here's a thorough comparison of the major bodies and lens kits you'll likely be considering. As long as you're considering full frame, regardless of budget, here's a comparison for it.

Before taking on the definition of "fine art photography," perhaps we would be wise to consider Einstein's words: "Whoever undertakes to set himself up as a judge of Truth and Knowledge is shipwrecked by the laughter of the gods." Having said that, pretty much every single photographer oft considers their work and career in the context of "fine art."

Cleaning hair in post-production is without a doubt retouchers’ and photographers’ worst nightmare. It takes up a lot of time, energy, and precision, but more importantly, there are so many techniques out there that often we forget about even the most basic ones. In this very comprehensive video, Aaron Nace from Phlearn shows how to retouch hair in the most simple way possible.

Blend modes in Photoshop are still confusing lots of us even after years of using the software. This article is about two of them: Luminosity and Color. You may start using them more frequently after you understand their strengths and cases when you should use them.

If you're working as a real estate photographer, taking environmental portraits, or simply want cleaner shots, a little bit of retouching and cloning can go a long way. This helpful tutorial will show how to declutter and polish your shots.

Color theory for photography and retouching is more important than many would like to admit. Knowing how to create a visually strong color photography starts there. You can always go by the feeling, but failing to plan is planning to fail. Learning all about colors takes time and finding the proper resources is not an easy task. But thanks to Wacom, digital artists now have a place to get the needed materials to get familiar with all the theory necessary to get started.

I'm personally obsessed with the cinematic look in my stills work. I think it's timeless, elegant, and endlessly interesting. If you'd like to add that same style to your own portraiture, this tutorial will show you how to do it using just Lightroom.

Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?

We all know that one of the necessary parts of starting as a photographer is working for free in order to gain exposure. Working for free is a great starting point to build your portfolio, develop your technique, and build a name for yourself as a photographer without the pressure or expectations of a client. The hard part is knowing when to accept free jobs and when to start charging for your services.

Cold and moody processing is quite trendy lately. As I’ve been watching a lot of movies and cinematography tutorials, I began mimicking that cinematic feel in spite of myself. While lighting and makeup both play a big part in the final look, the post processing is critical as well. Here’s how to achieve it using Capture One!

There are countless Photoshop videos and tutorials out there, but it can often be daunting for beginners to wade through them to find the worthwhile ones. In this video, Jeff Rojas discusses five of the most common tools used in retouching, and shows in simple terms how to best use them. If you're a true beginner, this video can prove extremely useful, but be warned, if you've been using Photoshop for a while, this will most likely be way below your skill level.

Every wedding photographer has their favorite lens for photographing the couple. Some swear that shooting at 200mm produces the most flattering portraits, while others love the sweeping view of the surrounding environment that is showcased when composing with a wide-angle lens. In this video, Pye Jirsa of Lin and Jirsa Photography reveals his most frequently used lenses from over 10,000 wedding photos.

Focus and recompose is an extremely common method for getting around AF sensors with limited AF point spread, but it's an imperfect technique that could be causing you more issues than it's worth.

The most important tool in any photographer’s arsenal is their ability to use and manipulate light. However all too often many photographers either shy away from, or completely rule out using hard light and it may be hindering not only their flexibility but also their creativity. What if you could shoot in direct sunlight and love it?

Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.