For years, I enjoyed cinematography and photography as almost non-overlapping magisteria. I was fully aware that they played by many of the same rules, but I didn't entertain the idea of extracting elements of cinematography and inserting them into my images until much later.

Two things you can't get enough of: Benedict Cumberbatch and Dan Winters. Cumberbatch stars in The Imitation Game - opening next week - as Alan Turing. Dan Winters photographs him for the cover of TIME. Dan Winters' perfect attention to detail is on full display here - personally building various set pieces and even having an authentic WWII Enigma machine hand-delivered from a museum six hours away.

I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.

What’s stopping you? We all have at least one imperfection that we wish wasn't part of us so that it would be easier to achieve our dreams. I often wonder what my photography and life would be like if my extreme anxiety disappeared, if I had more money, physical strength, and even if I were a man instead of a woman. Our flaws that hinder us are often hard to deal with, but once we embrace them for what they are the outcomes can be surprisingly perfect.

Playboy Magazine is famous for one thing, — okay, maybe two things — but there are no nude women in any of my photos, nor do I have any shots of the late Hugh Hefner. So, how did I do it?

A quick trip into downtown Los Angeles allowed me a closer look at one of my photographic heroes.

Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.

"It's a vulnerable thing being photographed," says the photographer sitting across from me, "It's not abnormal for me to sit and chat with people for 20 minutes before I photograph them. I'm timing myself; I am watching for a look in their eye... Once I see it, I know we are ready to start photographing." Sitting down in Michael Schacht's studio, nestled in the heart of Chicago's meatpacking district, I have come to realize he is all about human connection.

From the outside looking in, the creative industry can be daunting. We think we need thousands of dollars of equipment to take images on par with our peers – but that’s not strictly true. Here’s a breakdown of how I photographed one of British pop’s biggest acts using cheap lights from eBay.

Late last night Adobe announced Photoshop Lightroom 5 to much fanfare. Though some of course have complaints, the general consensus has been pretty positive. Following the release, we posed a few questions to Adobe, and they got back to us on what they learned from the Beta, new features and the differences between Creative Cloud and perpetual licenses.

For any photographer with ambitions of working in the fashion industry, or for those with a focus on portraiture, there will come a time when you work with a subject that is unfamiliar with being in front of the camera. This can range from a newly signed model at an agency, to a client interested in a corporate headshot. While a photographer’s eye can be their greatest asset, communication skills are just as important. Below we will take a look at some of my top tips for making the most of your next session.

Lots of skilled videos editors have started to see the value in being hired for contract work. It’s a great supplement to other income, you can be picky about projects, and most of us enjoy the work. But what about negotiating rates, estimating time, and dealing with files after the job? Here are some tips for the business-side of being a freelance video editor.

Perfect travel or street photography is a delicate concoction of the right place and the right time mixed with a superb eye for the extraordinary. William J Palank is one of those individuals who managed to brew that concoction with a supernatural elegance. While traversing the globe, his weapon of choice these days is the Leica M9, a digital rangefinder that produces an uncannily beautiful image. To help us celebrate Mirrorless Month, Palank describes what about the Lecia M9 allows him to shoot at his best.

This is one of those phone calls you always hope to receive from a photo editor, but you can never envision happening. Well, it finally happened to me - "One of the biggest pop bands in the world right now needs to be photographed for the cover of a music magazine, Alternative Press, and you have to fly from New York City to Amsterdam to do it." This is the story of my adventure and how I made my photoshoot happen.

On Assignment from Camp 4 Collective on Vimeo.

Yesterday Tamron announced the development of a new lens, but what caught my attention more than specs and the PR-speak that comes with a product launch was the way the new lens looked... strikingly like what Sigma is going for. I’m excited and happy to see Tamron pushing with a new design, but they have a lot to prove with the change and, arguably, a lot to lose if it doesn’t stack up.

So wham! Rumor has it that apparently two years to the date, or at least the same week, we get a sequel to "The Dress." The not so red strawberries.

Every year, The Knot compiles statistics from thousands of weddings in their annual Real Weddings Study, and we get to learn all sorts of things about the ins and outs of what makes up a wedding in America. While there's plenty of interesting statistics, such as how 83% of couples used a smartphone in planning their wedding, the marquee stat is cost, and for the past five years that number has crept onwards and upwards to a brand new record that's just insane when you compare it to the average wedding in Europe.

Back before I ever picked up a camera, I always enjoyed looking through the pages of Sports Illustrated. I was never the rabid sports fanatic many of my friends were growing up, but I definitely loved the close game, the epic play, the milestone achievement, and of course the human emotion that came with obtaining greatness. So when one of our readers, freelance sports photographer Tyler Kaufman, offered a chance to see how the photographers of Sports Illustrated covered the biggest game in college football, you know I happily obliged. It also didn't hurt that my college days were spent on...

Unless you’ve been living under a rock for the last couple of years, you’re probably familiar with LensRentals.com, which is one of the most popular camera gear rental shops in the world, if not the most popular. We recently had the chance to sit down with the LensRentals team and learn everything about what just might be photography’s most fascinating company.

As the end of the year looms, we begin to look back and reflect on the previous year and think about aspirations for 2014. What will make this coming year successful for you? Getting paid to live and work as a photographer? Producing creative, fulfilling work? Being published? Teaching and helping other photographers? One photographer I've worked with this year did all of these and in this interview, she shares her insights on what success is for her - and importantly, what this could mean for you and your career in 2014.

Tamron's VC technology can't be beat: it's simply the best option out there for any type of optical stabilization. I can't live without it when it comes to video, and it's so good it often makes using a steady cam unnecessary. Common complaints with Tamron is often the build quality and sharpness, so let's see how their latest super zoom, the 150-600 f/5-6.3 handled a wildlife shoot.

I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.

One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.

With budget options for aerial video becoming more affordable, while the quality and abilities of the cameras they host getting better, I knew it was only a matter or time until I got my hands on such a system. Even though I was a little skeptical from the onset, I’m pleased to say that the DJI Inspire is a phenomenal drone/quadcopter unit for adding dramatic footage to video or still projects, even for first time users.

Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.

I've always been a huge fan of Annie Leibovitz's work. I hear she's one of the hardest photographers to work for - as it probably should be. She can make even Lady Gaga, Queen of Eccentric, look elegant for Vanity Fair's January 2012 issue. While this video doesn't explain much about her lighting technique or how she achieved each photograph, watching Annie behind the scenes is always a treat. Most of her lighting situations in this video are very simple using only a Photek Umbrella and a diffusion cloth attached to it.