For most manufacturers, one of the hangovers from analog cameras is the chunky dial that sits on top. Two of the modes — shutter priority (often S or Tv) and aperture priority (often A or Av) — are becoming increasingly obsolete. Cameras have changed, and so has how we use them, and manufacturers need to keep up.

Canon's EOS R5 showed us they were finally taking mirrorless seriously. And now, the EOS R3 has shown us that they are swinging for the fences. And yet, there is still the EOS R1 to come. It is going to be one crazy camera.

As photographers we face challenges day in and day out, but one of the toughest facets of the job is posing our subject. Regardless of experience, when a model steps in front of your lens for the first time he or she will expect some direction. It’s up to you to give that proper guidance, otherwise your images will just come up short.

Canon is definitely late to the party when it comes to developing a professional mirrorless system, however, being late isn't always a bad thing. There are advantages to being second or even third to market when it comes to new products. Unfortunately for Canon, Sony seems to have anticipated this with the a7 III and competing is not going to be easy.

With a saturated market for photographers, there are so many pitfalls a photographer can plunge into that can prevent them from being successful. Taking a step back to analyzing yourself and your business can be the first step to improve and guarantee chances of success for the future. Here are a number of things to look out for, these things can be what is preventing you from reaching your potential.

The Sigma 40mm f/1.4 Art is such a ridiculous lens. Whenever I've thought about 40mm lenses I thought about the Canon EF 40mm f/2.8 pancake lens. I'm sure many of us have owned one of these lenses; it's actually pretty good. The tiny form factor, relatively fast autofocus speeds, and great image quality. Obviously, this lens was just too small for Sigma.

Full frame cameras are often considered the tool of choice for professional photographers. You rarely find such cameras in articles aimed at beginners. For many photographers, transitioning to a full frame camera is the next logical step in their journey. In this article, we will explore some crucial factors to consider before making the leap to full frame.

Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here's why.

Nearly two years ago, I wrote an article pointing out that most of the biggest brands' camera designs are uninspiring.

Back in 2008 the Canon 5D Mark II was a photographer’s dream. The camera revolutionized the industry and opened new creative horizons for many professionals. The low light performance, dynamic range, and image quality were unheard of. This technological wonder was a huge hit in the photography world and beyond, especially in the indie filmmaker community. Later in 2012 came the 5D Mark III, with a solid body but somehow conservative specifications. Since then, it seems that Canon has decided to freeze progress, and lately, take a few steps backward.

With little exception, every time you agree to provide raw images to your client, you are hurting your own brand and doing that client a disservice. Although it might be easy to feel, it may be hard to understand exactly why this is. Even more difficult is how to then explain your decision to your clients in a way that also makes them feel good about receiving 'less.' Thankfully, Austin-based commercial photographer Caleb Kerr has all of these answers.

Bokehliscious photos. That is the ultimate goal for any photographer no matter the experience level. When "bokeh" is mentioned, the first thing that comes to mind is the lens and the aperture. Although both play vital roles in bokeh, there are a few key elements that play an even more important role in achieving the finest milkyness in a photo. These requisites aren’t often discussed or even seen as necessary.

Mirrorless cameras have been taking over the photography scene for quite a few years now, and they're widely heralded as the next step in photographic innovation. But there are quite a few reasons why they're not the game-changer we were expecting.

When I moved from Canon to my Sony a7 III late last year, the first lens I ordered was a nifty fifty: a cheap, incredibly lightweight, relatively fast 50mm prime lens that’s good for portraits, landscapes, and pretty much everything in between. Given that this affordable lens is so universally loved and has such an important role, why does its future look so bleak?

Sony produced what could be described as a game-changer of a camera with its current flagship, the Sony a1. Although this camera offers a plethora of new features that most reviews have raved about. One of its most remarkable features has gone a little under the radar. This feature is the increase in the flash sync speed to 1/400th of a second shutter speed.

If you ran a poll to find out what are some of the biggest pet peeves that a photographer experiences when dealing with clients, undoubtedly, requests for all raw files from a photoshoot would be up there on the list. Many newer photographers cave in to the pressure of trying to appease their clients but the reality is that this is, in most circumstances, an unfair request that could do more harm than good. Fellow photographer Jessica Kobeissi explains why in this video.

There’s no single sure way to being successful as a photographer. However, there are a handful of examples around that definitely teach you what not to do if you want to attain success.

Here are 10 things to stop doing in the New Year if you want to be a better, happier photographer and maybe make more money to boot.

2018 has been quite a year for new equipment releases. We’ve seen Sony’s impressive a7 III, the Nikon Z6/7, and now the Canon EOS R, among many others. Specifically, these new mirrorless cameras continue to bring up one question for me, and that is: have we lost our minds?

I love a good quote to put things in perspective when I'm having a crisis of confidence in my creative output, or feeling like a project or goal is taking too long to reach. There are many lessons you, and I, as photographers can learn in these 5 quotes from famous artists, entrepreneurs, and sports stars. Get ready for a boost of inspiration and a mindset shift!

You probably have one or more camera bags for transporting your camera equipment. A shoulder bag, a backpack, perhaps a trolley. Do you place your camera in your bag with or without a lens attached? Or does it depend on how you use your camera bag?

A few weeks ago, I was chatting with a new friend via Facebook and he asked me to describe my most creative period of time and, if I could talk about what led to those circumstances. “Easy,” I said. “That moment is now - it’s right this minute.” I went on to describe how I’ve never been happier nor more focused on what I’m doing, how my work is being well-received, etc. But, later, when I thought about it, I realized that I was wrong (sort of).

What are certain photographers doing that make them popular? Surprisingly enough, things like gear, location, social media skills and post production have very little to do with it. Believe it or not, it's something far more important and it's not often discussed. Here is the common secret all five photographers shared that makes their work stand out.

The evolution of a photographer is rarely a linear one. We get better, we get worse, we think we’re improving but we’re not, and then with some luck and a lot of patience and practice, we actually start to produce great images. For some that last point is never reached and it’s usually due to a few common mistakes.

There's a new change happening in the photography world and you may not even be aware of it. Let's see how it'll pan out and learn how it might affect you.

There are amazing lenses available. It is tempting to buy a special lens, because it can open doors to a whole different kind of images. But there are lenses which you probably won’t need anytime soon. Here are six of them.

If you've followed my writing, you'll know that I rarely pick up my camera if I don't have a contract attached to the action. Call it the joys and perils of being a commercial photographer. You get paid to do what you love, yet your love morphs into a duty and can lose its allure. This is why I surprised myself on my recent work trip to California.

For years, I've been the biggest supporter of everyone using a Mac, except gamers. Especially if you are a photographer or graphic designer, it just makes sense and it always has. But as current events unfold it's becoming harder and harder to stick with the platform, no matter how great it actually is.

There has been a lot of fan fare about the recent legislation that allows nationwide marriage for gay couples in the USA but not everyone is happy or excited. One photography business has been the target of this intolerance when their support of gay marriage resulted in a cancellation request from a wedding client. The response they provided was perfect.