As a follow up to my most recent article about making a living using nothing more than an iPhone camera, I wanted to dig a little deeper into my entire gear setup. Yes, contrary to popular belief I do own more than just an iPhone, though as primarily a mobile photographer the limitation of the phone can be both a blessing and a curse. With just a few more pieces I have been able to absolutely perfect a minimalist photography setup for any all-around professional shooter.

Full-frame cameras have faced recent criticism, deemed unnecessary by advocates of smaller formats. This article aims to counterbalance the discussion, presenting arguments for why full-frame cameras may indeed hold the top spot for photographers.

Maybe now, ironically, is the best time of all to be a DSLR user.

Canon recently caused a fair amount of controversy when it came out that they had requested that Viltrox stop manufacturing autofocus lenses for the RF mount, as they feel doing so infringes on their intellectual property. The incident seems to explain the curious lack of third-party lenses for the RF mount. Has Canon made a mistake?

Over the last few years, Fujifilm has produced several brilliant mirrorless cameras. The X-T line of cameras and the X100 series are my favorites. Fujifilm frequently updates these cameras, and this greater selection means that there are better value options available if you don't need the latest and greatest.

As with any creative medium, there are blips of unfortunate comedy. Photography has had more than its fair share, and let's be honest, many of us have tried them. So what are the worst fads of all time?

Fujifilm has been quietly dominating the rather niche market of reasonably priced medium format cameras. However, their rumored newest addition is either going to the perfect option in that sector, or it's going to narrowly miss that target.

Let's face it. We’re all gear-junkies and tech-geeks whether we choose to admit it or not. Chances are that many of us have made hundreds of purchases related to photography over the years, but I’d venture to say that not all of those purchases have been as impactful as others. Here are five purchases that I certainly don’t regret.

In the past 10 years I was able to work and see the industry from so many different perspectives: as a celebrity shooter, as a photography writer, as a photo-consumer and as an agency photographer. All these years I have heard so many tips and so many "rules." You know, stuff like "know who came before you," or "it's not about the equipment." Now It's my turn to give tips - and mine are way weirder.

There are a lot of "rules" in photography, but the best ones are self-imposed that have the sole purpose of improving how you work with a camera in your hand. This rule is new to me, and it's definitely going to get used next time I'm out with my camera.

With modern technology within Adobe Camera Raw, you're limiting yourself considerably when shooting in JPEG. However, by shooting in Raw, you're removing the purpose of many of the features within the camera. Settings such as 'Picture Style' serve no real purpose when shooting in Raw, because all the adjustments added to photos, will be stripped when put on your computer. Regardless, I shoot in monochromatic, and it has helped my work considerably.

We all know that person (if you don't, it's you) who thinks they are amazing and are completely useless at photography. Chances are that we have all also been that person, but why?

Like many 30-somethings, I came of age during a time when photography was transitioning from film to pixels. Entire years of my life were captured with early consumer and professional-grade digital cameras, and now I’m left feeling like that was a big mistake.

Many compare the rapid rise of mirrorless cameras to the days when digital overtook film. But how different are DSLRs and mirrorless cameras? Well, not that different when compared to the change from film to digital photography. Let's see what changes were made from film to digital and how they compare to the current "giant leap" in technology.

Nikon was the darling of the camera industry. At the leading edge of technological development, they introduced the F mount to great acclaim, alongside some top-notch glass. Pros flocked to their system, and the amateurs followed. So, where did it go wrong?

Fujifilm — the clue is in the name, except it isn't. Fuji was a behemoth in the film world, with Kodak its only rival. And then film went bust, and Kodak rapidly followed suit. Meanwhile, Fuji evaluated its business position and refocused principally around the healthcare sector and document management divisions. The architect of this remarkable turnaround was Chairman and CEO Shigetaka Komori. His retirement in March 2021 has precipitated changes that could have repercussions for its Imaging Solutions division.

As more mirrorless camera lines are announced from the biggest manufacturers in the world, does the DSLR run risk of being put on the sidelines indefinitely?

As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.

Two recent photographic projects focusing on sex workers stand in stark contrast to one another. One exploits them as a commodity, the other seeks to give them a voice. Why does the art world seem to value one so much more than the other?

Photographers today face a troubling predicament – essential software like Adobe Creative Cloud can only be accessed through expensive subscriptions plans. The era of purchasing permanent software licenses has been replaced by never-ending monthly rental payments. While companies tout this as convenient and necessary, the reality is that recurring subscriptions disproportionately squeeze photographers while padding corporate profits.

There are plenty of things about Lightroom that bug me and despite being a hardened user of more than 6 years, I thought it was about time give something else a go. The newly updated Capture One caught my attention and opened my eyes.

Canon’s recently released financial results don’t bode well for the Japanese manufacturer, nor the market more broadly. As much as the executives want to blame camera phones, the truth is that the industry is finally adjusting to a huge marketing con and a total inability to react to social technology. If you want to know why, it's time to examine my Mom's fridge.

The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.

The mirrorless camera was an innocuous enough invention that stemmed from Olympus' early innovation, but is it Sony that has managed to change the camera market for good and upset the CaNikon apple cart?

For landscape photographers, a tripod is essential tool for creating those amazing photos showing the movement of rivers and streams. When the dynamic range of a composition is in the double digits, a sturdy tripod will help to blend bracketed images in post. Also, for those who want to create incredibly large panoramas or nighttime imagery, the tool kit begins with an excellent tripod. Zion National Park has become even more restrictive for 2018 and removed the ability for photographers in workshops from using any tripods on any trails within the park.

A few weeks ago, I started drafting a list of everything that Sony needs to fix on the a7 III. Then suddenly, in a move that caught everyone off guard, Sony announced the a7R IV. Have many elements on my list been resolved by this new generation of camera, or has the rush for an insane number of megapixels meant that certain details are being ignored?

It might seem with the focus upon the remarkable achievements of the latest smartphone cameras that traditional camera manufacturers have realized they are playing catch-up and trying to chase down the proverbial boat. The truth is that they've already missed it.

I’m a huge fan of Annie Leibovitz and the imagery she has captured over the past few decades. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. Over the course of a year, I scoured the internet for information on her lighting setups, equipment and methodology. But, the more I dove in, the less concerned I became about equipment and the more I felt the need to simplify my style.

In the first year or so of learning how to edit images, photographers are completely bombarded by information regarding the dos and don’ts for what makes a good photo. This is one area of post-processing that continues to be misinterpreted.

Currently, one of the most discussed topics in our photographic community is if DSLR cameras are already dead. The Digital Single Lens Reflex cameras were indisputably the preferred ones until the mirrorless cameras step ahead into the game and showed how good they could be.

Bokeh, it’s something that we all love, whether we like to admit it or not. It seems like every other client I work with asks me to "make the background blurry" or tells me "I want everything behind me to be out of focus." The obvious solution would be to shoot wide open, but the truth is, having your aperture wide open can actually have a negative impact on the quality of your image.

It's 2024 and you're still shooting with a full-frame DSLR? Me too. Here is why I feel no pressure to switch from my DSLR camera body to a mirrorless system any time soon.

There are many reasons for a professional photographer or video editor to shell out thousands of dollars for Apple's new Pro Display XDR monitor. But only Apple would be arrogant enough to think anyone — professional or otherwise — should shell out $1,000 for a stand to go with it.

Ever since the Canon 5D Mark II, it seems as though Canon has been dragging their feet when it comes to innovating. Their new announcements and releases tend to be met with quite a strong negative response, and although this may not be an overall consensus, it's prominent enough.

Canon’s tepid 4000D isn’t released in this country yet, but the fact that it even exists is a sad commentary on where camera manufacturers are today.

With sensor prices dropping and given that mirrorless finally has some competition at the top end, it’s time for Nikon and Canon to treat its customers to something classic: a pocket-sized camera featuring a full frame sensor and a fast, fixed prime lens.

You shoot perfect pictures. But are they the photographic equivalent of fast food? Maybe it’s time to consider changing the way you shoot and reject sausage machine images.

There are fads that come into fashion that then become passé and others that become overused clichés. Some things we do are just unethical. Here's what should be abandoned this year, and drone owners won’t be pleased.

You read that right: shouldn't. Wedding photography is a field that many photographers work within at least once or twice in their budding careers. Is it for you, though? Do you have what it takes? Even some of the most seasoned professional wedding photographers have thrown in the towel and moved on to other forms of work. Why is this, you inquire? I asked several of my colleagues – wedding photographers and other professional shutterbugs alike – their thoughts on why they think shooting weddings for a living sucks. These are the top five responses I received.

I have been doing photography for about 10 years. In that time I have moved from hobbiest film shooter to professional commercial photographer. This is what helped me make the leap.

About 15 years ago, the first DSLR was introduced. The Nikon D1 showed consumers that digital was the future, and was quickly superseded by the Canon 1D. Sporting just 2.7 megapixels (and 4.15 megapixels for the Canon D1), the technology wasn't quite there to make the DSLR groundbreaking. 15 years later, the DSLR has become the staple for photographers everywhere. So where will we be in say, another 15 years?

As photographers we're in a fortunate era where we have more tools at our disposal than ever before. That said, there's one well known one I have used consistently for years, that many photographers neglect.

Imagine a world where words can create images. Now imagine what that would do for the art world and photography. Well, it's here and it's not going to go away.

To paraphrase the great Mark Twain, reports of the death of the DSLR have been greatly exaggerated. With Nikon announcing the release of the new D780, in the midst of the mirrorless wave, some people might think this move crazy, but from a business standpoint, it might just be genius.

Some things are too good to be true. But every now and again, the world offers you an opportunity to feel like you got the lucky ticket for two on an all-expenses paid vacation to Disneyland. This isn’t quite that good, but I don’t know many people who would say, “No,” to a free iPhone, let alone one that can make you money. Here’s how you can have cash left over after upgrading to an iPhone 7…

When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.

The number one questions I receive when talking about Instagram is "How do I build a huge following like you?" and I usually laugh and reply "I honestly have no idea." Though this is true in some sense, there must something attracting these people to follow me by the masses. Whether that be by liking, commenting or even reaching out to collaborate it's still a bit of a mystery to me. Beginning today I am going to break down the various ways to use Instagram for business but first I want to give you all 3 comprehensive steps to building a huge following.

I asked in a Dutch photography community how they feel about black and white photography for landscapes. It seems it's not generally accepted, and many strange reasons are given why black and white shouldn’t be used. I’d like to share a few of those reasons that caught me by surprise.

This is a post for all the dude photographers out there. I really don't want to be writing this, because I don't think it should have to be said, but apparently it does. This post is simply a call and reminder to treat your models with the respect that they deserve. I want to talk about respecting your subject's boundaries in general, but I also want to address the psychological part within men's minds that makes them want to see women naked.

Canon has just announced its financial results for the third quarter of 2019, and in line with recent performance, the news is not good. For the first time, the report seems to acknowledge that aggressive pricing by its competitors is having an impact.