The good news is 2020 is over. The bad news is that 2020's woes appear to be coming with us into 2021. So, if you want to improve in photography, it's going to take more effort and focus than usual.

I'm sure every one of us has spent at least a four-figure amount in gear that was supposed to make our images and videos better, but in the end, it didn't. Here are a few tips that could save you a few thousand dollars.

Photographers who already made it beyond the beginner's level sometimes have trouble getting out to shoot. Because they know what a good photograph needs, they're afraid they can't deliver that quality. If that's you, then maybe you're the Worst Photographer Ever.

The world wide web was set ablaze this week by the photography community when Brides.com published an article telling prospective brides which vendors they should and shouldn't be feeding, and this advice strongly suggested photographers should not be fed. Of course, anger ensued. Surely, in this day and age, the author would have crafted a rebuttal or an apology to the legion of photographers in the trenches that she had scorned. Nope. They silently covered it up.

In a recent and popular advertisement, DJI uses Chris Burkard to showcase the new Mavic Air. But when advertisements don't line up with reality and end up costing customers a few hundred, maybe a thousand bucks, what is there to do?

Let's face it, photographers can be really annoying people. While some of their actions are just mildly tiresome, other things they do are downright harmful to our profession. Are you guilty of any of these wrongdoings?

In the last decade, cell phones have made huge leaps forward in technology and capability. It's simply incredible what they are capable of these days, and the amount of processing power and features they have would have been unimaginable not so long ago. The latest iPhones are capable of shooting beautiful images and video up to 4K at 60p. Further, still, the iPhone 8 and X are capable of filming at 240 fps when shot at 1080p, which is very impressive indeed. Both of these features are currently not available in any other similarly priced phone, DSLR, or even most mirrorless cameras. Even popular DSLRs like the Canon 5D Mark IV and Nikon D850 aren't able to shoot at the same frame rates as the iPhone. The question that many people ask is, why?

I’ll admit it, I’ve jumped on the MacBook Pro bandwagon a lot later than most. Just a couple of years ago I was beating the drum about how great the old Macbook Air was for photographers. The thing is, after a few weeks with the 13” MacBook Pro, in some ways, I still feel that way.

Pull up almost any lens review these days and one of the primary attributes people are judging is the oh-so-important bokeh. Purchases are made and lenses are brought back all because of the how a lens does or doesn't measure up in the bokeh department. Well I’m here to tell you, at least for portraiture, it’s just plain overrated.

Recently while filming video for our next educational tutorial with landscape photographer Elia Locardi I found myself asking, "Why in the world do our $4000 cameras still not do this?" Today I have laid out 12 simple features I believe would make all of our lives a lot easier, and most of them could probably be implemented right now! Give me your opinion in the full post poll.

I got a sneak peek at a pre-production version of the new Nikon Z fc and thought I’d share a handful of thoughts.

When it comes to the quantity of lights that one needs, opinions are often heavily polarized and a hotly contested debate often rages. There are those that are staunch supporters of one light while others claim that a handful of lights are needed before anything meaningful can be done. Ultimately neither group is right as there is no definable minimum or maximum number of lights that one should use.

A strong critical reaction has led to Fujifilm pulling an advertisement that highlighted the work of photographer Tatsuo Suzuki. It seems that holding an expensive camera is not a license for an obnoxious and provocative style of street photography.

The craft of photography has arguably changed more in the last 20 years than in the century before it. With each improvement to the equipment comes the inevitable groans of many photographers who believe the technology takes away from the craft. Is that well-founded or mistaken?

Retouching problems start well before we sit down in front of the computer and begin pushing pixels around. I know this because as I reflect on my past work, I realize that I’m as guilty of making countless mistakes as much as anyone else. Rather than talk about techniques like dodging and burning, frequency separation, etc. let’s focus on more high level problems that might be leading you in the wrong direction.

So many are awaiting an announcement from Nikon related to their next best thing, but let’s face it, the Nikon D810 is a pretty incredible camera that more than meets the needs of many professional photographers all over the world. That being said, why should I even consider upgrading to whatever Nikon decides to replace the D810 with?

Canon is the only brand of camera I will ever buy.

At the beginning of the summer, Olympus announced the sale of their imaging division, leaving the future of their highly regarded OM-D range and Micro Four Thirds (MFT) more widely in disarray. The other half of the MFT founding partnership — Panasonic — has been strangely quiet on the subject. Their next move is crucial, so what might it be?

While the shutter shading issues of the D750 don't plague every body, Nikon's recent service advisory (i.e., recall) does apply to quite a few of them. Many might groan at the thought of sending in their workhorse or even backup D750s, but the truth is that this may be a huge blessing in disguise.

In photography - and in anything else, really - it seems as though when we first discover something new, whether it be a new camera, a new technique, and/or a new system of doing things, it’s fairly natural I think to want to use it all the time. When I first “discovered” photography, I immediately gravitated toward those photographers like Emily Soto, Zach Arias, Joey L, and Syl Arena.

Thanks to apps like Instagram, there are some concepts that we've seen literally thousands of times, and at this point, they all blur into the same bland flavor. 2018 felt like the year of the lone person standing by waterfall, and seriously, we're sick of seeing that same shot over and over again.

Before anyone gets the wrong idea, I should clarify that the title of this article is a suggestion and not a claim.

Sigma has recently announced that it will be releasing a brand new 24-70mm f/2.8 Art for Sony full-frame cameras, and the price is quite remarkable. Given the sudden shift from DSLR to mirrorless cameras, you’d think that lens manufacturers would be struggling to keep up, but despite that, there’s probably never been a better time to buy third party glass.

In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you're going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here's a thorough comparison of the major bodies and lens kits you'll likely be considering. As long as you're considering full frame, regardless of budget, here's a comparison for it.

Over the course of a wedding day, you can shoot in countless locations with varying difficulties. Most of the time, the locations will be places you have never been before. If you ask around online for advice, you will probably be told to scout out your locations days or even weeks in advance. You may be advised to know which location you are going to shoot each image in and that you should build a list so you don't forget. When I first started shooting weddings, I would scout locations and build the shot lists; however, the more I would shoot, the more I would realize that this process was actually making things more difficult for me. That’s why I prefer to go into a wedding day with no idea what I’m doing.

When pondering my move away from Canon almost 18 months ago, the two main contenders were Fujifilm and Sony. Despite the announcement of the incredible-looking X-T4, Fujifilm still hasn’t done enough to drag me on board, and it has nothing to do with sensor size.

People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.

I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.

If you consider yourself an artist, with the sole intent of getting hired to create beautiful imagery and hope that people are going to come knocking at your door to buy your images, congrats! You’ve failed as a photographer in 2015.

Is it real this time around? Are we all going to jump ship from the DSLR form and embrace the mirrorless form? In this video, Jared Polin of Fro Knows Photo explains why he thinks it will happen soon.

I am a regular Reddit user and am constantly browsing the subreddit /r/photography. Yesterday an awesome question was asked that got some great replies and I knew I had to share it. The user Lemonfighter asked "Is there anything wrong with just always using the center Auto Focus point?" At first I thought "Not really, just do what feels right." I went into the comment section and was surprised with some awesome replies instead.

Travel photography is an alluring genre. The thought of getting paid to explore and discover the world is one that most photographers have entertained. In this article, I touch on an uncomfortable truth about travel photography and present seven tips based on this truth.

I recently wrote an article asking photographers to stop tagging locations of outdoor photographs. Here's a follow-up to that piece, with a great supplemental video from Vox.

Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.

One of the things that I've noticed over the last year on Instagram is just how little of an effect most of my efforts make. A few years ago, we were quite literally receiving thousands of likes and hundreds of new followers daily. Today, I'm lucky if I get anywhere near a hundred likes on new posts, and my follower count remains pretty stagnant.

By now, no one is surprised by the actions of reality television star, Kim Kardashian-West. With such a massive following on social media, it seems like she could wipe her rear, post the paper on Instagram and we'd have an instant Instagram hit. After all, art is subjective, right? Were the images she used in her recent campaign to launch her newest line of perfume used in good taste, or was the advertising concept a fail supported by her massive... following?

Some outlandish rumors regarding the forthcoming flagship mirrorless full frame camera from Canon have emerged, but given that the R5 took the industry by surprise, just how ludicrous are these proposed specifications?

Lightroom isn’t a perfect tool. However, for some users, it is a perfect fit. If you are just getting into editing tools, left Lightroom during the change to Adobe Cloud, or practice photography professionally, there’s a number of reasons Lightroom might be a perfect fit for you.

Over the years, camera companies have been going head to head in the battle for the best camera sensor. This battle has always focused around the amount of megapixels a camera has to offer, and as of lately, how high the ISO can go. Because of this most consumers, including a significant amount of photography veterans, think that megapixel count is the end-all be-all of sensor technology, with ISO following up as a close second. At this point in the game though, I wish the sensor battle would switch gears and focus more on the dynamic range.

​I’m going to come right out and say it. Instagram saved my photography life. Today, I’ll show you how Instagram changed everything for me and how it can really help you too.

There a lots of differences between professionals and hobbyists at anything, but there's one thing that crops up time and again, and it appears to be particularly true of those in creative professions.

Street photography is a particularly tough genre to achieve success in: it takes a combination of a quick eye, good instincts, and a dose of bravery, and even then, a little luck certainly helps. Personally, I think that even with that taken into account, a lot of street photography is simply bad photography and exploitative of the subjects.

Nikon has been busy on the super telephoto lens front as of late. The latest addition, the NIKKOR Z 400mm f/4.5 VR S, presents an option for photographers who need the extra reach without straining your budget.

I shoot solely raw. However, I know some tremendous photographers whose cameras are set to record just JPEGs, and they will never change. I am envious because they spend less time in front of the computer. Shooting raw is worth learning, but maybe there's also a good reason to shun it.

In three years of working in photography, I've shot roughly 1,500 family sessions. I've dedicated all my time to growing my photography skills whether it be watching online tutorials, going to WPPI, reading articles, and reaching out to fellow photographers. In my time spent doing this, I've come to one major realization; photographers seem very guarded, opinionated, and close-minded. I've tried to understand what it is that stops us from helping one another? Is it the fear that we are training our competitors, are we bitter that we may have had to learn the hard way, or is it the fact that we are too proud to admit when someone is better than us?

Photographers and filmmakers have more choices in camera brands than ever before, with standards like Canon and Nikon to more niche options like Pentax. So, which is right for you? This excellent video opinion essay discusses the good and bad of 10 different brands to give a bit of insight into what each manufacturer is doing right and how they might fit your wants and needs.

Like most photographers, I own more than one camera bag. There is my main bag, my video gear bag, my small kit bag, my rolling bag for airplane travel, and that one, never-been-used, just sitting in the back of the closet, camera bag of unknown origin.

Today, we are going to have a debate! And the subject is TFP (trade for print), something which I have had a fair few debates on already in photography groups on Facebook.

The resolution of camera sensors is still increasing. Over the last decade it has grown from 3 megapixels to 50 megapixels and more. At first the increase in resolution was a significant one, but not anymore. Do we really need more resolution than the cameras that hit the market today?