Tis the season for spending on camera gear and all the latest and greatest tools. But sometimes, the best investment isn’t always the most flashy.

I started out today to write a specific camera review but ended up taking a broader view of a brand that I have come to depend on. I haven’t forgotten about the review, but, in today’s article, I thought I would simply share the love.

There are some essential things about being a photographer, most of which photography books don't usually mention. Here are the seven most important lessons I learned as a photographer, including one exercise I use to hone my skills.

It's the time of the year in which rankings appear all around the Internet spotlighting the best performers of the past 12 months. But what about the worst? As the French writer Beaumarchais once said, “Without Freedom to blame, there is no flatterer's praise.” Here is my take at the worst 2017 camera, the Canon 6D Mark II.

As a follow up to my most recent article about making a living using nothing more than an iPhone camera, I wanted to dig a little deeper into my entire gear setup. Yes, contrary to popular belief I do own more than just an iPhone, though as primarily a mobile photographer the limitation of the phone can be both a blessing and a curse. With just a few more pieces I have been able to absolutely perfect a minimalist photography setup for any all-around professional shooter.

Full-frame cameras have faced recent criticism, deemed unnecessary by advocates of smaller formats. This article aims to counterbalance the discussion, presenting arguments for why full-frame cameras may indeed hold the top spot for photographers.

Maybe now, ironically, is the best time of all to be a DSLR user.

Canon recently caused a fair amount of controversy when it came out that they had requested that Viltrox stop manufacturing autofocus lenses for the RF mount, as they feel doing so infringes on their intellectual property. The incident seems to explain the curious lack of third-party lenses for the RF mount. Has Canon made a mistake?

Over the last few years, Fujifilm has produced several brilliant mirrorless cameras. The X-T line of cameras and the X100 series are my favorites. Fujifilm frequently updates these cameras, and this greater selection means that there are better value options available if you don't need the latest and greatest.

As with any creative medium, there are blips of unfortunate comedy. Photography has had more than its fair share, and let's be honest, many of us have tried them. So what are the worst fads of all time?

Fujifilm has been quietly dominating the rather niche market of reasonably priced medium format cameras. However, their rumored newest addition is either going to the perfect option in that sector, or it's going to narrowly miss that target.

Let's face it. We’re all gear-junkies and tech-geeks whether we choose to admit it or not. Chances are that many of us have made hundreds of purchases related to photography over the years, but I’d venture to say that not all of those purchases have been as impactful as others. Here are five purchases that I certainly don’t regret.

In the past 10 years I was able to work and see the industry from so many different perspectives: as a celebrity shooter, as a photography writer, as a photo-consumer and as an agency photographer. All these years I have heard so many tips and so many "rules." You know, stuff like "know who came before you," or "it's not about the equipment." Now It's my turn to give tips - and mine are way weirder.

There are a lot of "rules" in photography, but the best ones are self-imposed that have the sole purpose of improving how you work with a camera in your hand. This rule is new to me, and it's definitely going to get used next time I'm out with my camera.

If long exposures are preferred, there are limits to how far you can go unless you wait for darkness. The best alternative is a neutral density filter, which allows the desired long exposure at any time of day. Whatever you do, don’t use a variable neutral density filter for photography.

With modern technology within Adobe Camera Raw, you're limiting yourself considerably when shooting in JPEG. However, by shooting in Raw, you're removing the purpose of many of the features within the camera. Settings such as 'Picture Style' serve no real purpose when shooting in Raw, because all the adjustments added to photos, will be stripped when put on your computer. Regardless, I shoot in monochromatic, and it has helped my work considerably.

We all know that person (if you don't, it's you) who thinks they are amazing and are completely useless at photography. Chances are that we have all also been that person, but why?

Like many 30-somethings, I came of age during a time when photography was transitioning from film to pixels. Entire years of my life were captured with early consumer and professional-grade digital cameras, and now I’m left feeling like that was a big mistake.

Many compare the rapid rise of mirrorless cameras to the days when digital overtook film. But how different are DSLRs and mirrorless cameras? Well, not that different when compared to the change from film to digital photography. Let's see what changes were made from film to digital and how they compare to the current "giant leap" in technology.

Nikon was the darling of the camera industry. At the leading edge of technological development, they introduced the F mount to great acclaim, alongside some top-notch glass. Pros flocked to their system, and the amateurs followed. So, where did it go wrong?

Fujifilm — the clue is in the name, except it isn't. Fuji was a behemoth in the film world, with Kodak its only rival. And then film went bust, and Kodak rapidly followed suit. Meanwhile, Fuji evaluated its business position and refocused principally around the healthcare sector and document management divisions. The architect of this remarkable turnaround was Chairman and CEO Shigetaka Komori. His retirement in March 2021 has precipitated changes that could have repercussions for its Imaging Solutions division.

As more mirrorless camera lines are announced from the biggest manufacturers in the world, does the DSLR run risk of being put on the sidelines indefinitely?

As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.

Two recent photographic projects focusing on sex workers stand in stark contrast to one another. One exploits them as a commodity, the other seeks to give them a voice. Why does the art world seem to value one so much more than the other?

Photographers today face a troubling predicament – essential software like Adobe Creative Cloud can only be accessed through expensive subscriptions plans. The era of purchasing permanent software licenses has been replaced by never-ending monthly rental payments. While companies tout this as convenient and necessary, the reality is that recurring subscriptions disproportionately squeeze photographers while padding corporate profits.

There are plenty of things about Lightroom that bug me and despite being a hardened user of more than 6 years, I thought it was about time give something else a go. The newly updated Capture One caught my attention and opened my eyes.

Canon’s recently released financial results don’t bode well for the Japanese manufacturer, nor the market more broadly. As much as the executives want to blame camera phones, the truth is that the industry is finally adjusting to a huge marketing con and a total inability to react to social technology. If you want to know why, it's time to examine my Mom's fridge.

As a professional travel photographer, I’ve shot around the world with some of the best gear Sony has to offer, including the Sony a7R V and top-tier G Master lenses. But after years of carrying heavy full-frame setups and investing thousands into the latest gear, I made a decision that might seem crazy to some: I sold it all and switched to the Sony a6700, a crop-sensor camera.

The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.

The mirrorless camera was an innocuous enough invention that stemmed from Olympus' early innovation, but is it Sony that has managed to change the camera market for good and upset the CaNikon apple cart?