Street photography is a particularly tough genre to achieve success in: it takes a combination of a quick eye, good instincts, and a dose of bravery, and even then, a little luck certainly helps. Personally, I think that even with that taken into account, a lot of street photography is simply bad photography and exploitative of the subjects.
Nikon has been busy on the super telephoto lens front as of late. The latest addition, the NIKKOR Z 400mm f/4.5 VR S, presents an option for photographers who need the extra reach without straining your budget.
I shoot solely raw. However, I know some tremendous photographers whose cameras are set to record just JPEGs, and they will never change. I am envious because they spend less time in front of the computer. Shooting raw is worth learning, but maybe there's also a good reason to shun it.
In three years of working in photography, I've shot roughly 1,500 family sessions. I've dedicated all my time to growing my photography skills whether it be watching online tutorials, going to WPPI, reading articles, and reaching out to fellow photographers. In my time spent doing this, I've come to one major realization; photographers seem very guarded, opinionated, and close-minded. I've tried to understand what it is that stops us from helping one another? Is it the fear that we are training our competitors, are we bitter that we may have had to learn the hard way, or is it the fact that we are too proud to admit when someone is better than us?
Photographers and filmmakers have more choices in camera brands than ever before, with standards like Canon and Nikon to more niche options like Pentax. So, which is right for you? This excellent video opinion essay discusses the good and bad of 10 different brands to give a bit of insight into what each manufacturer is doing right and how they might fit your wants and needs.
Like most photographers, I own more than one camera bag. There is my main bag, my video gear bag, my small kit bag, my rolling bag for airplane travel, and that one, never-been-used, just sitting in the back of the closet, camera bag of unknown origin.
Photography is a marathon, not a sprint, and each person's journey is unique. Although your path may evolve, photographers' stages can be similar.
Depth of field is a fundamental concept that can dramatically impact the quality and storytelling of your images. It's not just about blurring the background; it's about thoughtfully controlling what elements are in focus and how they relate to each other within the frame.
Today, we are going to have a debate! And the subject is TFP (trade for print), something which I have had a fair few debates on already in photography groups on Facebook.
The resolution of camera sensors is still increasing. Over the last decade it has grown from 3 megapixels to 50 megapixels and more. At first the increase in resolution was a significant one, but not anymore. Do we really need more resolution than the cameras that hit the market today?
Each day that passes is another day closer to the announcement of the Sony a7S III. We all know it’s coming, but what new features should it have?
As Instagram evolves, copyright violations don't seem to be an issue for this social media giant. More images mean more views which mean more ad revenue, and there is zero incentive for Instagram to take any serious action against reposters, lost as it is in this huge gray area of what constitutes a breach of intellectual property.
For the last couple of decades, a prime lens wasn’t professional grade if it didn’t have a maximum aperture of f/1.4. Times have changed, however, and now, you have to look past the aperture to really understand where a lens is positioned. Want to know what drove this change?
Some of us photographers, particularly those of us who create content of any description, have worked our way through a lot of cameras, both owned and tested. One photographer has used nearly 90 cameras since 2016, and decided to rank them all.
Photography is undoubtedly the art with the lowest entry point. You can just pick up your phone and snap away. With billions of images created every day, they sometimes follow trends. Many beginner photographers start following pages on Instagram that “repost bangers.” However, those bangers are very far from what photography is about. In this article, I will talk about some of the worst photography trends that have become memes.
In many of the photography groups I am part of, I constantly come across the question of which lens should someone get as a portrait photographer. We all have different styles, and depending on what type of portraits and what other genres of photography we usually shoot in, we could all recommend you a different lens or pair of lenses.
The new Nikon mirrorless cameras have been announced and with that comes all the opinions on who these cameras are for. Should professionals use these cameras?
For many photographers, Canon has been the source of a lot of frustration. It seems they've been holding back features and not innovating as much as other companies in the market. Companies like Sony have been pushing things forward with exciting announcements regularly and Canon has been doing pretty much the exact opposite, but is this about to change?
It’s August. And if you’re anywhere in the Northern Hemisphere, you’re warm - hot even. So why not sit back and relive the good old days, back when our cameras were new, the exposure triangle was confusing, and the idea that photography could be something that could to take us to the ends of the earth and make us a lot of money in the process was still a far off dream.
Photography is brilliant! It’s an accessible art form adopted by millions of fabulous people. However, there are some things it should have grown out of by now. Here are my bottom six that we should abandon in 2023.
In the film world, it doesn’t take long before you start to get hooked on the idea of shooting medium format. Why, you ask? By this time, no reason whatsoever.
2022 is fast drawing to a close. There have been some outstanding releases this year, including lenses, bodies, and accessories. But what is the camera of the year? Take a look and see what comes out on top in the Pixel Awards, run by influential industry insiders.
We’re all working hard. We all shoot as much as we can — a lot of it for free or little pay. We do our studies or go to work and try our best to stay in shape and take care of ourselves. There are a lot of hard-working people in the world. But most are quite lazy inhabitants of this planet; and odds are that you’re one of them.
Cameras are always improving, but it seems like the rate of progress has kicked into another gear in the last few years, with Canon, Sony, Fuji, and Nikon all blazing ahead with remarkably advanced bodies. One photographer recently decided to switch to Sony for his work, and this great video takes a balanced look at his thoughts after three months with the system.
Recent research shows that there are excellent reasons why you should abandon the camera phone that have nothing to do with how good the pictures are. There’s a darker side to camera phones that we ignore at our peril.
In a field crowded with options, there is no better value for the money than the Fuji X-T3.
Judging by my title, you'll be shocked to know that I have always been a Canon loyalist. From learning with the Canon A-1 inherited from my grandmother in 1999, to the latest mirrorless models, I have been a devoted customer and an advocate of the brand for over two decades. That is, until the Canon EOS R5. The Canon R5 is where my bond to the brand was systematically dismantled as the hardware itself did.
This past week I've been sleep deprived, socially inactive, and holding a camera in my hands for more than I ever have in my entire life. You see, this past week I've been working with PRO EDU to film my first tutorial series to go on sale at the Fstoppers store this summer. Though learning a lot about my own work and process, I think I learned the most when I used a rented PhaseOne IQ250 system for one of my shoots.
A few months ago, I was out at dinner with a couple of friends of mine. We had each just finished up our respective shoots and had settled into a booth where the conversation inevitably turned toward who we shot, where we shot, and whether or not we were happy with the in-camera results (we were). That night, we spent the better part of two hours eating, drinking and sharing our techniques with one another.
Okay, I get it. Hundreds of thousands of you are offended by Adobe's choice to go to the Creative Cloud. I understand, I was leading the forefront with my torch in hand. Renting software sounds like a ludicrous statement, especially when half the software you won't even use. So why shouldn't you just pirate it?
