I haven’t seen much on this topic, but a brief conversation with another photographer recently illuminated to me the fact that photographer anxiety is not at all uncommon. One of the reasons I believe it isn’t discussed a great deal is the general image of today’s top photographers.

Bad retouching is not the subject of this article. Sometimes we read articles that talk about banning retouching or rumors that some brands or companies are going to get it banned from their advertising. If we dig deeper into the very reasons for such a decision, we should ban many other processes involved in the crafting of commercial imagery.

I know, right? I too would have thought that more people would have common respect and courtesy for others, but apparently, I was wrong.

Photography, like any visual art, can serve a purpose bigger than its original intention; it's not merely a way to capture an instant. In our consumerist society, it is a weapon.

Contrast means so much more than the separation of light and dark. Understanding the different types of contrast can train our photographic eyes and improve our Images.

Nikon’s reviving an old playbook with its new mirrorless release, focusing on a high-speed model and a high-resolution model in a one-two punch to competitors, at least if rumors are to be believed.

Shooting in a photography studio can seem a bit daunting. A lot of photographers choose to shoot outdoors due to budget constraints and the fear of stepping into a studio. There are, however, some real benefits to shooting in a studio and they apply to both new and experienced photographers. If you have not had a chance to try shooting in a studio I highly recommend the experience.

There are hundreds if not thousands of posts discussing why creative vision is the most important aspect of photography. Why, then, are we so obsessed with gear?

There is no doubt that a lot of photographers have strong opinions about Lightroom, but it remains the standard application for cataloging photos and performing basic global edits for a lot of creatives. This great video discusses three things one photographer loves about the program and three things he hates.

OM Digital Solutions has promised the release of many exciting new products in the next year or so, but with the camera market more fiercely competitive than ever, they certainly face a steep uphill battle. What will it take for them to succeed? This excellent video essay discusses 10 things that will give them a better chance of finding success.

Here are a few thoughts from getting to spend a couple months with a powerful if pint-sized cinema camera from one of the industry’s leading brands.

I spent a few days in the Utah badlands attempting to capture the unique beauty the area has to offer, and I can confidently say it is unlike anywhere else in the world. While being there, I was surprised how much of the area did not look like what I expected.

Conducting a smooth running photo shoot is a challenge. You need to create the right set conditions, manage the equipment, and deal with the models. Thankfully, there are several steps you can take in choosing the right models, while providing them with a relaxed and smooth-running environment. Having relaxed models can make or break a photo shoot because they’ll give you a more natural performance, which translates into memorable photos. Here are ten tips for working with models and managing the set in order run an efficient shoot and produce natural imagery:

If you're an aspiring professional landscape and outdoor photographer, it might be time to stop capturing those iconic landscape scenes.

Resolution, bit depth, compression, bit rate. These are just few of the countless parameters our cameras and files have. Let's talk about bit depth here. There's a lot of good talk about 10 bit and a lot of bad talk about 8 bit. The computer can tell the difference, but can you?

You've probably heard the statement "nice and simple." Sometimes it's true, indeed, but most of the time the results and consequences from following that philosophy are not so nice, especially for those who are in the business of photography and filmmaking.

Using manual exposure is considered professional use by many photographers. Sometimes, it is even considered the only serious way of using a camera, giving you full exposure control. But is this true, or is manual exposure just old fashioned?

Have you ever wondered how the heck some photographers ended up with tens of thousands or even hundreds of thousands of followers on Instagram? The truth is people did and continue to do some questionable things all in the name of a larger number displayed on their Instagram account.

If you’ve been following the recent news about Panasonic, it’s possible to believe that the sky is falling over at the camera division, only to find out directly from the company it’s not, but then – reading between the lines – realizing it probably is a bad situation either way. A large, 4/3-sized chunk of the photo community is probably asking how it got so bad – didn’t the company just come out with the killer Lumix GH5?

This is more or less the camera that started film photography for me. Since developing an appreciation for Joey L’s work, I wanted to shoot medium format. The focus falloff and rendering was just so surreal compared to full-frame and crop-sensor cameras that I had been shooting with. Unfortunately, the cost of entry was a little steep for a digital back. After doing some research I stumbled upon film 645 cameras. And so it began.

One of the first things you learn when using strobes is the advantages they have over constant lights. Here are the reasons why using constant lights can be better in studio than strobes.

I'm an Adobe Lightroom user, and although I love the way Lightroom Classic works, I think there's still a lot to be improved on. From historical hangups to advanced features designed for busy professionals, here are some Lightroom features I wish existed.

In a move to help speed up the company's workflow and to supposedly stamp out severe editing, Reuters now not only requests only JPEG images, but even mandates that images not be originally altered from a raw file. How they can verify this is unclear (metadata and other types of data about the photo might give experts better hints), but the move is supposed to also help maintain ethical photojournalism practices by reducing one's ability to alter a photograph so much that it would change its meaning.

Peer-to-peer services have become very common these days with companies like Uber, Airbnb, and even eBay demonstrating how popular and huge those respective markets are. Platforms such as these have become a major part of daily life for many of us and the trend for growth seems very positive. The photography and videography industry is another that has seen immense growth in recent years, due to the number of new individuals joining the profession.

With the EOS-1D X Mark II having just passed its third birthday, speculation is emerging over what Canon is planning for its successor. It’s long been mooted that the Mark III will arrive in time for the Tokyo Olympics in 2020, but how will it compare to the competition?

Last Tuesday, Adobe hosted an event in London, which was headlined by a keynote speech from Nick Knight OBE, the world-renowned fashion photography visionary. He spoke about his views on the world of photography and innovation in his field, whilst offering some fascinating takeaways for his audience, not least the blending of formats and mediums that has lead to himself retiring the term “photographer” from his CV.

Believe it or not, the great Roger Deakins doesn't have a style, but yet we are inspired by his visual work. In this video you will hear this from his own mouth and you will find a few other cinematography gems.

With the iPhone XS, XS Max, and XR, Apple introduced the ability to control the amount of blur in the background of its Portrait Mode photos. But what seems like a gimmicky tweak takes what was a gimmick and turns it into a pro feature.