Photography is a dream job for many, and everyone thinks we’re so lucky to do it. To that extent, they also all “would love to get more into photography.” While we get pretty good at sifting out which of our friends are actually serious about that goal, here are a few suggestions for how to get over the biggest barrier to entry by starting with film.

Whether you already have a 35mm film camera or are looking to get one, the Nikon F2 is about as good as an SLR camera can possibly be.

Most photographers are familiar with three types of cameras: the DSLR, mirrorless, and rangefinder. However, a fourth type, the TLR, offers a completely different and rather fun medium format film shooting experience. Though they have largely been overtaken by other designs, you can still find them on the used market, and this great video shows you the experience of shooting with one.

Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.

I reviewed the newly revived Nik Collection in June. It was nice to have the collection back, after Google bought it and then let it sit idle. Now it's been sold to DXO, and it's compatible with the latest PC and Mac operating systems.

Film photography has enjoyed a notable resurgence in the last few years, and while it can offer an enjoyable and different experience over digital, it is not without its drawbacks. The cost is the most commonly cited con to the format, but there is something arguably more crucial to consider. This excellent video essay discusses the issue and what you should consider before you pick up your film camera.

Film photography is enjoying a bit of a resurgence at the moment, with many people flocking to it for reasons ranging from the abundance of cheap used equipment, to the enjoyment of the process, or the look of the results. And while film can certainly be both a fun and rewarding way to shoot, it is important to be aware of its downsides as well, one of them being the fact that it is not friendly to animals.

Andrew Dean from HillBillyGripTruck.com posted his updated video shootout of the Gh4, Gh3, 5d3, 7d, and C100. The results were pretty cool and we were able to get a nice side by side view of quality from each of the cameras as they were all setup to be relatively close in settings. On top of making sure settings were close, all of the cameras shot at the same time in the same exact lighting situation to make sure they were all brought an equal scene to work with.

Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.

I would have sworn that "affordable" and "medium format" were mutually exclusive. I would have been wrong.

There's something special about taking a picture on film. That said, film also lent itself to a lot of error: a botched exposure, missed focus and light leaks could all serve to ruin an otherwise lovely image. There are few things more frustrating then getting a roll back from the lab with an error note on the envelope. Occasionally the results were a novelty, perhaps adding interest to an otherwise boring image but all too often light leak was nothing but a bother. So why would anyone want to replicate it in Lightroom?

The world of analog photography went through a dry spell for a while but has been making a strong comeback in recent years.

Composition has rules that transcend all visual mediums, but playing to the equipment you're using can still be helpful. In this video, one photographer walks through his favorite techniques for better film photographs.

Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.

Sending off old negatives can be time-consuming and even a little costly. Here is how you can develop film using just your camera, tripod, and a light source.

I can’t think of anyone who doesn’t go through some amount of indecision when it comes to picking out a new lens to get. One major factor in decision making is the cost of the lens. Some are affordable, others are better but less affordable, and others are out right expensive. In the end, is there a noticeable difference?

If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.

There are literally thousands and thousands of 35mm film cameras that have been produced over the last 100 years or so, and more are being manufactured even now. However, there's one camera that sits at the top of the tree, at least for me.

If you have ever shot with certain film cameras of the past, you have probably noticed that the prints came back to you with the date of capture superimposed on them in the bottom corner. It is a neat and very useful function, and this fun video will show you how cameras of the past made it happen.

Though it was introduced 50 years ago, the Mamiya RB67 is still one of the most beloved cameras out there, widely sought after by many film photographers. What makes this camera so special? This great video follows a photographer as he shoots with it for the first time.

Medium format film cameras are a rarer sight than ever, and taking portraits on them can be an experience. These portraits, however, are taken on one of the most expensive film cameras you can get your hands on.

After recently buying 200 tintypes from the deep archives of estate sales, eBay, and Etsy auctions, I became transfixed by seeking out if there was still anyone making imagery using this 160-year-old process. I found a wide range of Instagram accounts ranging from those just starting out to those with thousands of followers. These are the top 10 tintype photographers that stood out with their compelling visuals and dedication to keeping this lost art alive.

Medium format sensors are usually housed in expensive cameras, but with film bodies, you have far more options without having to remortgage. In this video, one film photographer discusses what the best medium format film camera for portraits is.

With medium format bodies more affordable than ever, but still much lighter on lenses than full frame, could one solution be to use lenses originally created for film bodies?

Who would have thought to pair Instax film with a vintage medium format camera? I couldn’t stop myself from shooting it if I tried.

Kendall Jenner is being credited for a surge of sales in film cameras after she beamed about her Contax T2 during a TV chat show appearance.

The Sony A7s is making a lot of buzz on the internet right now for its insane ability to push ISO high and basically see in the dark! Sony released a demo video on the Youtube channel SonyHowTo for us all to watch. To be honest, the results are impressive.

Occasionally, I'll come across a camera that really excites me as a photographer. This offering by Fujifilm may be the weirdest camera I've ever seen, and I love it!