This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.

Beth Moon is a photographer who specializes in classic black and white imagery. Over the last 14 years she has been traveling the world documenting the oldest and largest trees on the planet. To promote her new book "Ancient Trees: Portraits in Time," Moon has shared this behind-the-scenes video of her platinum printing darkroom process which is pretty interesting to watch. Platinum printing is viewed by many to be the absolute best form of archival printing, and Moon's results are absolutely gorgeous.

A few years back, I managed to find a beater of a Hasselblad XPan for a song. I've tried to find a shooting style that would help me stand out from the crowd, and the panoramic format appealed to me. I didn't realize it at the time, but this purchase sent me down a rather obsessive path, trying to find the best panoramic cameras for news and editorial work.

Oftentimes, film photographers cite the slower, more considered pace and style of shooting film as one of the biggest reasons to shoot it. While that may be the case, it's a limitation that you can bring to the digital world with little lost in the process.

Some say film is dead. And while I have to concede that at times, it can seem like it's certainly on a few crutches, I can't say it's dead... Because in reality, it's the most live photography medium I know. And so, I still shoot film. If it's something you've been curious about or if you've been wanting to try it out but don't know how to get started, this is for you.

Mathieu Maury and Antoine Pai are two photography and filmmaking enthusiast who decided to launch a production and advertising company called Maison Carnot. They are passionate about finding new subjects and ways to explore what surrounds them. Based on this philosophy, they came up with the short film "Paris through Pentax".

Breaking your way into a very competitive film industry can be tough without proper guidance. While there is no real blueprint to success, there are some strategic approaches that can improve your chances of achieving a rewarding and lucrative career.

Getting into medium format is quite costly. It’s difficult to know if the investment is going to be worth it and if it’s going to match your current workflow. Medium format has a tendency to slow you down, kind of like film. When I tried my first Phase One, I couldn’t afford one. So I went with the cheapest alternative I could find, the Mamiya RB67 Pro-S. Here’s why I’m glad I made that move but also why it doesn’t replace a digital medium-format system.

Film photography has been enjoying a strong revival in the last few years. If you’ve yet to try it, it’s about time you jump on the film photography bandwagon.

One photographer, while on a road trip across part of the U.S, had the chance to try a pinhole camera currently in development. The results are beautiful, and if you enjoy film and large format photography, this is well worth your time.

The Contax T2 was a luxury compact rangefinder released in 1991, combing excellent image quality and controls that have since made it a desirable option for film aficionados. Contax no longer exists and T2s now sell for thousands of dollars. Why do they cost so much and are they worth the investment?

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

Developing your own rolls of film has been popular ever since it was necessary and is something all photographers should try at least once. In this video, that's exactly what happens, but using coffee to do so!

How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.

Film has seen quite a resurgence in the last few years, and after over a century of production, the number of used cameras available can be a bit overwhelming. If you are interested in getting into film but are not sure which camera is right for you, this helpful video will show you a variety of different styles at various price points to help you choose the right one for you.

A photographer who discovered a 120-year-old time capsule box in his old family home has developed the images. Deciding on one of the oldest ways to make photography prints, he used Cyanotype to develop the prints and recorded the entire process for this newly released video.

I believe one of the best ways we can stay motivated as artists is to study the art and words of some of the legends of our craft. Inspired by the words of Henri Cartier-Bresson, film maker Eli Sinkus of 522Productions.com put together this short 2-minute film which I loved. While it is important to take lots of photos, as photographers we need to remember that sometimes we should put the camera down and enjoy moments as well. Read on to learn about one that I experienced this past week while on vacation.

The Contax 645 AF is a relatively small and lightweight medium format film camera dating from the late 1990s. It’s a camera that will largely appeal to analog photographers looking to benefit from the greater resolution of 120 film, while still retaining many of the advantages of a 35mm SLR in terms of speed and mobility.

Early on as photographers, advice you often receive is to take your camera everywhere. I did this as a beginner and have advised others to do the same. That said, this camera is one I carry for a different reason, and here’s why.

Whether you’re a film photographer who also shoots digital or a film photographer exclusively, a life after film is on my mind and should be on yours as well.

I’ve always been enthralled with first person movie scenes, games and music videos. Clocking countless hours with Duke Nukem 3D in my parent’s basement on an old Packard Bell PC planted a seed that forever changed me. To this day I think The Prodigy's breakbeat electronic hit “Smack My Bitch Up” is one of the greatest first person videos of all time.

I recently picked up a Mint RF70, a fully manual camera designed to accept Fuji’s Instax Wide film. After capturing a few images with it over the past few days, I’m reminded of why I love instant film so much. Yes, it’s magical watching a print develop right in front of you, but that has nothing to do with why instant film is so exceptional.

While there’s never been a sure fire way to win work and sustain a living as a photographer or film maker, and particularly not today given how much change we are seeing, having your own unique vision can help set you apart from the crowd. Young film maker Paul Trillo has shown time and again how an interesting perspective can separate him and his work from the pack. After watching his recent innovative short, you'll likely never be able to look at your phone in the same way again.

If you've ever wanted a film that you can shoot the way you can shoot with your digital camera in the dark, you'd normally be looking for the discontinued Kodak T-Max P3200. But now, thanks to a few coy teasers on Instagram, Kodak is telling us we're getting it very, very soon.

I like beer. I like film. I like beer and film together, especially when you can process film with beer!

Though film has long since fallen to digital, it is still a passion for many photographers, and medium format film still offers the beauty of large negatives that are not matched in size even by the most expensive of digital options. This awesome video review takes a look at one of the best options from yesteryear, the Mamiya 645.

Many of you will have seen images taken with the famous Kodak Aerochrome film, or more likely in today's photography, you will have seen a digital homage to its created aesthetic. But how did this film come to be, and why was it originally used?

On December 20, 2022, Ricoh Imaging made an announcement that few in the photography community saw coming. The owners of the Ricoh and Pentax lines of cameras announced that they are looking at making film cameras again.

Sometimes you just need to slow down. Last year, I shot just north of 95,000 digital photographs. That may not seem like a lot to some of you wedding photographers out there, but it was enough to make me take a step back and want something else. How many did I throw away? How many were made without thought or conviction? This was enough to trigger the impulse to try something new, and that something new was large format photography.

Leica is on track to have the most impressive set of announcements for Photokina. This morning they released the Leica M-A (Type 127), a beautiful, fully mechanical, 35mm rangefinder camera.

It happened. After years upon years of drooling over large format photographs in books and on the internet, I finally pulled the trigger. I got a 4x5 camera. Many of the masters I've looked up to used large format for their portraits and I've always wanted to try my hand. Here are my first observations of trying to tame the beast. First thing I noticed: this isn't easy.

These days it's hard to come by a fashion shoot that's not shot with a digital camera. That's why when Fstoppers discovered on a Facebook Film Shooters group that Indonesian based photographers Wirawan Sanjaya and partner Gaillard Mathieu had convinced the editors at Bazaar Magazine to allow him to shoot the entire editorial on film, we just had to reach out! The stakes were high, but his results were stunning.

I'm always fascinated by what makes the best photographers think they way they do. What shapes their ways of seeing? In the current climate of photography, it's easy to get lost in everything technical. We can often lose sight of the most important thing about photography...why we photograph. In this video from Steve McCurry's Youtube channel, we get a glimpse at what goes on in the master mind of perhaps the world's greatest living photographer.

The different experiences felt when shooting analog compared to digital is well known to photographers, but what is it about film photography that makes it so appealing to the point that ever more of us are picking up second-hand cameras from more than 25 years ago?

If you’d like to get into film and you already have modern glass for a Nikon camera, the F100 is for you. Even if you don’t, the F100 is still for you. The value of this Nikon is almost impossible to beat.

Photography authorship has historically been very one-sided. In this video, Vuhlandes is quick to confess that making photographs has historically been a medium for those few people who had the resources by way of money and time to make images.

Have you ever wondered what it's like to be a video editor? Well, look no further. The team at Lixi Studio created this informative, and flipping hysterical how to video, so that you can learn what it takes to edit film.

Heading out into the night with your camera can be an adventure, especially in a city full of people and bright lights. In this short video, street photographer Robin Schimko gives you quick run through of how to pick the best settings for your camera when photographing in low light, including some particularly good tips if you’re shooting film.

A few days after Leica announced the end of production of the M7, Canon has announced the discontinuation of the 1V, its last remaining film camera, after the last remaining stock was sold, bringing an end to the storied history of film cameras made by the industry giant.

It's no secret that I'm a big fan of Fujifilm cameras, and their Instax cameras are part of the reason why. I've owned several Instax cameras over the last few years, and now the SQ6 might just be the best one yet.

The long take has been a staple of film for decades, showing off a director's capability at managing a set and camera movement. Some directors have been ambitious enough to create entire films using a "single shot," which are really many shots cleverly stitched together to appear as one long, continuous take. But none have been as ambitious as Sam Mendes with his upcoming film, "1917."

As a personal approach to traveling, I generally bring more gear than I think I’ll ever use. As is almost always the case, I find that there’s something more I should have brought or, conversely, something I should have left behind.

Large format photography is probably the most technical and methodical process of all methods of shooting, but you're rewarded with prints that have mind-blowing renderings and resolution. Along with that technical process come some pretty unique powers, however. This video shows off one such capability and how it helped the photographer realize his creative vision.

It’s about the time of year where many people are looking for gift ideas. This list outlines multiple options for a film photographer at multiple price points.

Willow Creek is what Sven Dreesbach calls a “proof of concept and workflow” for an eventual surf film he’d like to make – but, as it stands, it’s a short film that achieves a lot in its own right. Shot with an iPhone 5s and color-graded using Davinci Resolve, Dreesbach produced a very moving piece of cinema that has an erie but mystical vibe to it - thanks in part to the Ry X track Shortline accompanying the film. Sven was gracious enough to talk with Fstoppers a bit about the hows and whys behind crafting this stunning short film.