Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?

The guys over at Ledicia Audio Visual recently shared this beautiful video that shows process behind large format 8x10 film photography from start to finish. The film folows large format photographer, Luis Plácido López Caballero, as he sets up and composes his image all the way through his manual dodging and burning and developing in the darkroom.

The word “unprecedented” gets thrown around a lot these days, and it looks like once-renowned camera manufacturer Yashica is the latest company to use it to describe the new digiFilm Camera Y35 camera they just launched on Kickstarter.

While digital sensors have essentially surpassed 35mm film, 120/220 film is a great way to try out medium format without paying the price for digital medium format. This awesome video will give you a comprehensive rundown of the look of each film so you can choose what's right for you.

This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.

Beth Moon is a photographer who specializes in classic black and white imagery. Over the last 14 years she has been traveling the world documenting the oldest and largest trees on the planet. To promote her new book "Ancient Trees: Portraits in Time," Moon has shared this behind-the-scenes video of her platinum printing darkroom process which is pretty interesting to watch. Platinum printing is viewed by many to be the absolute best form of archival printing, and Moon's results are absolutely gorgeous.

A few years back, I managed to find a beater of a Hasselblad XPan for a song. I've tried to find a shooting style that would help me stand out from the crowd, and the panoramic format appealed to me. I didn't realize it at the time, but this purchase sent me down a rather obsessive path, trying to find the best panoramic cameras for news and editorial work.

Oftentimes, film photographers cite the slower, more considered pace and style of shooting film as one of the biggest reasons to shoot it. While that may be the case, it's a limitation that you can bring to the digital world with little lost in the process.

Some say film is dead. And while I have to concede that at times, it can seem like it's certainly on a few crutches, I can't say it's dead... Because in reality, it's the most live photography medium I know. And so, I still shoot film. If it's something you've been curious about or if you've been wanting to try it out but don't know how to get started, this is for you.

Mathieu Maury and Antoine Pai are two photography and filmmaking enthusiast who decided to launch a production and advertising company called Maison Carnot. They are passionate about finding new subjects and ways to explore what surrounds them. Based on this philosophy, they came up with the short film "Paris through Pentax".

Breaking your way into a very competitive film industry can be tough without proper guidance. While there is no real blueprint to success, there are some strategic approaches that can improve your chances of achieving a rewarding and lucrative career.

Getting into medium format is quite costly. It’s difficult to know if the investment is going to be worth it and if it’s going to match your current workflow. Medium format has a tendency to slow you down, kind of like film. When I tried my first Phase One, I couldn’t afford one. So I went with the cheapest alternative I could find, the Mamiya RB67 Pro-S. Here’s why I’m glad I made that move but also why it doesn’t replace a digital medium-format system.

Film photography has been enjoying a strong revival in the last few years. If you’ve yet to try it, it’s about time you jump on the film photography bandwagon.

One photographer, while on a road trip across part of the U.S, had the chance to try a pinhole camera currently in development. The results are beautiful, and if you enjoy film and large format photography, this is well worth your time.

The Contax T2 was a luxury compact rangefinder released in 1991, combing excellent image quality and controls that have since made it a desirable option for film aficionados. Contax no longer exists and T2s now sell for thousands of dollars. Why do they cost so much and are they worth the investment?

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

The Zhiyun WEEBILL 3E gimbal represents a significant evolution in the WEEBILL series, offering advanced features and performance tailored to meet the needs of professional videographers and filmmakers at the right price. Having used this now for the last number of weeks, I want to share my thoughts through this review that will examine the design, functionality, performance, and overall value of the WEEBILL 3E, providing an in-depth understanding of why it might become a favored choice in the gimbal market.

Developing your own rolls of film has been popular ever since it was necessary and is something all photographers should try at least once. In this video, that's exactly what happens, but using coffee to do so!

How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.

Film has seen quite a resurgence in the last few years, and after over a century of production, the number of used cameras available can be a bit overwhelming. If you are interested in getting into film but are not sure which camera is right for you, this helpful video will show you a variety of different styles at various price points to help you choose the right one for you.

A photographer who discovered a 120-year-old time capsule box in his old family home has developed the images. Deciding on one of the oldest ways to make photography prints, he used Cyanotype to develop the prints and recorded the entire process for this newly released video.

I believe one of the best ways we can stay motivated as artists is to study the art and words of some of the legends of our craft. Inspired by the words of Henri Cartier-Bresson, film maker Eli Sinkus of 522Productions.com put together this short 2-minute film which I loved. While it is important to take lots of photos, as photographers we need to remember that sometimes we should put the camera down and enjoy moments as well. Read on to learn about one that I experienced this past week while on vacation.

The Contax 645 AF is a relatively small and lightweight medium format film camera dating from the late 1990s. It’s a camera that will largely appeal to analog photographers looking to benefit from the greater resolution of 120 film, while still retaining many of the advantages of a 35mm SLR in terms of speed and mobility.

Early on as photographers, advice you often receive is to take your camera everywhere. I did this as a beginner and have advised others to do the same. That said, this camera is one I carry for a different reason, and here’s why.

Whether you’re a film photographer who also shoots digital or a film photographer exclusively, a life after film is on my mind and should be on yours as well.

I’ve always been enthralled with first person movie scenes, games and music videos. Clocking countless hours with Duke Nukem 3D in my parent’s basement on an old Packard Bell PC planted a seed that forever changed me. To this day I think The Prodigy's breakbeat electronic hit “Smack My Bitch Up” is one of the greatest first person videos of all time.

I recently picked up a Mint RF70, a fully manual camera designed to accept Fuji’s Instax Wide film. After capturing a few images with it over the past few days, I’m reminded of why I love instant film so much. Yes, it’s magical watching a print develop right in front of you, but that has nothing to do with why instant film is so exceptional.