While there’s never been a sure fire way to win work and sustain a living as a photographer or film maker, and particularly not today given how much change we are seeing, having your own unique vision can help set you apart from the crowd. Young film maker Paul Trillo has shown time and again how an interesting perspective can separate him and his work from the pack. After watching his recent innovative short, you'll likely never be able to look at your phone in the same way again.

If you've ever wanted a film that you can shoot the way you can shoot with your digital camera in the dark, you'd normally be looking for the discontinued Kodak T-Max P3200. But now, thanks to a few coy teasers on Instagram, Kodak is telling us we're getting it very, very soon.

I like beer. I like film. I like beer and film together, especially when you can process film with beer!

Though film has long since fallen to digital, it is still a passion for many photographers, and medium format film still offers the beauty of large negatives that are not matched in size even by the most expensive of digital options. This awesome video review takes a look at one of the best options from yesteryear, the Mamiya 645.

Many of you will have seen images taken with the famous Kodak Aerochrome film, or more likely in today's photography, you will have seen a digital homage to its created aesthetic. But how did this film come to be, and why was it originally used?

On December 20, 2022, Ricoh Imaging made an announcement that few in the photography community saw coming. The owners of the Ricoh and Pentax lines of cameras announced that they are looking at making film cameras again.

Sometimes you just need to slow down. Last year, I shot just north of 95,000 digital photographs. That may not seem like a lot to some of you wedding photographers out there, but it was enough to make me take a step back and want something else. How many did I throw away? How many were made without thought or conviction? This was enough to trigger the impulse to try something new, and that something new was large format photography.

Leica is on track to have the most impressive set of announcements for Photokina. This morning they released the Leica M-A (Type 127), a beautiful, fully mechanical, 35mm rangefinder camera.

Making digital photos look like film is something many people are interested in, but achieving authentic results can be tricky. One area that often gets overlooked is the appearance of grain. Getting it right can significantly enhance your images by mimicking the subtle imperfections that define film.

It happened. After years upon years of drooling over large format photographs in books and on the internet, I finally pulled the trigger. I got a 4x5 camera. Many of the masters I've looked up to used large format for their portraits and I've always wanted to try my hand. Here are my first observations of trying to tame the beast. First thing I noticed: this isn't easy.

Shooting film can be an expensive hobby, but if you love it, there are ways to make it more affordable.

These days it's hard to come by a fashion shoot that's not shot with a digital camera. That's why when Fstoppers discovered on a Facebook Film Shooters group that Indonesian based photographers Wirawan Sanjaya and partner Gaillard Mathieu had convinced the editors at Bazaar Magazine to allow him to shoot the entire editorial on film, we just had to reach out! The stakes were high, but his results were stunning.

I'm always fascinated by what makes the best photographers think they way they do. What shapes their ways of seeing? In the current climate of photography, it's easy to get lost in everything technical. We can often lose sight of the most important thing about photography...why we photograph. In this video from Steve McCurry's Youtube channel, we get a glimpse at what goes on in the master mind of perhaps the world's greatest living photographer.

The different experiences felt when shooting analog compared to digital is well known to photographers, but what is it about film photography that makes it so appealing to the point that ever more of us are picking up second-hand cameras from more than 25 years ago?

If you’d like to get into film and you already have modern glass for a Nikon camera, the F100 is for you. Even if you don’t, the F100 is still for you. The value of this Nikon is almost impossible to beat.

Photography authorship has historically been very one-sided. In this video, Vuhlandes is quick to confess that making photographs has historically been a medium for those few people who had the resources by way of money and time to make images.

Have you ever wondered what it's like to be a video editor? Well, look no further. The team at Lixi Studio created this informative, and flipping hysterical how to video, so that you can learn what it takes to edit film.

Heading out into the night with your camera can be an adventure, especially in a city full of people and bright lights. In this short video, street photographer Robin Schimko gives you quick run through of how to pick the best settings for your camera when photographing in low light, including some particularly good tips if you’re shooting film.

A few days after Leica announced the end of production of the M7, Canon has announced the discontinuation of the 1V, its last remaining film camera, after the last remaining stock was sold, bringing an end to the storied history of film cameras made by the industry giant.

It's no secret that I'm a big fan of Fujifilm cameras, and their Instax cameras are part of the reason why. I've owned several Instax cameras over the last few years, and now the SQ6 might just be the best one yet.

The long take has been a staple of film for decades, showing off a director's capability at managing a set and camera movement. Some directors have been ambitious enough to create entire films using a "single shot," which are really many shots cleverly stitched together to appear as one long, continuous take. But none have been as ambitious as Sam Mendes with his upcoming film, "1917."

As a personal approach to traveling, I generally bring more gear than I think I’ll ever use. As is almost always the case, I find that there’s something more I should have brought or, conversely, something I should have left behind.

Large format photography is probably the most technical and methodical process of all methods of shooting, but you're rewarded with prints that have mind-blowing renderings and resolution. Along with that technical process come some pretty unique powers, however. This video shows off one such capability and how it helped the photographer realize his creative vision.

It’s about the time of year where many people are looking for gift ideas. This list outlines multiple options for a film photographer at multiple price points.

Willow Creek is what Sven Dreesbach calls a “proof of concept and workflow” for an eventual surf film he’d like to make – but, as it stands, it’s a short film that achieves a lot in its own right. Shot with an iPhone 5s and color-graded using Davinci Resolve, Dreesbach produced a very moving piece of cinema that has an erie but mystical vibe to it - thanks in part to the Ry X track Shortline accompanying the film. Sven was gracious enough to talk with Fstoppers a bit about the hows and whys behind crafting this stunning short film.

Photographing the landscape can be hard work, at times very hard work. It entails rising well before daylight in most cases and working in sometimes very harsh conditions. Most of the time, you will be out in the woods until well past dark, waiting for just the right moment, which may not come—even after your most valiant efforts. It makes sense, then, to do everything you can to stack the odds in your favor. Here are some thoughts on that.

The choice of colors in a scene can be one of the most influential factors in giving a film its signature identity. Whether you're looking to recreate an iconic look or simply seeking new inspiration, Cinema Palettes is making it incredibly easy to replicate your favorite films.