Looking for a gimbal that's capable of stabilizing your mirrorless camera, phone, or action camera, all without taking up too much space in your bag? Zhiyun's newly announced Crane-M2 S brings the unique features of the larger M3, including a fill light, USB-C fast charge, and a built-in display, to the more compact form-factor of the Crane-M2. Want to see what makes this gimbal such a powerhouse?

Lately it seems that DJI has been releasing innovative video tools every single month. Known primarily for their ultra popular Phantom and Inspire 1 drone systems, DJI just announced today that they are releasing their own handheld 4K camera and gimbal called the Osmo. Together with the Ronin DSLR stabilizing system and the Micro Four Thirds Inspire 1 Pro, the Osmo is yet another product that will change the way photographers and videographers can capture stabilized footage on a budget.

A French photographer who runs various experiments for his YouTube channel collaborated with one of his peers in order to create a DIY UV lighting setup to expose what our skin looks like when different, everyday cosmetics are applied.

Today DJI is adding an upgrade to their Osmo handheld gimbal with the new Osmo Plus. The Osmo+ features a 3.5x optical zoom camera with an extra 2x digital lossless zoom (while shooting 1080p), which gives it a 22-77mm focal length. Now available for $649 on the DJI website, the Osmo+ is an $80 increase of price over the regular Osmo handheld gimbal.

If you surf the web as much as me you've probably seen either the still image or the commercial for Canada's Paralympics. I waited to do a post on this because I was hoping a behind the scenes video would come out and lucky of us, one did. Check out the BTSV here and then view the full post to see the finished video and still image.

Video is a beast of an undertaking. Every element: pacing, storytelling, lighting, etc. must be working in top form to achieve a truly successful result. Here are five quick and free ways to improve your video work.

I’ve been a user of the original One Man Crew for many different videos. It’s ability to get elegant motion video clips have made it a go-to piece of gear for when I need my interviews to have an interesting look to them. When I heard that an updated version was being released, I was excited to see if a few issues were fixed. In this gear review, I'll break down what is fixed, and what left me wanting more.

The iPhone 13 is here, and it brings with it a bevy of improvements and new features, particularly in the camera department. One of the most exciting new capabilities is Cinematic mode, which allows filmmakers to shoot footage with shallow depth of field and focus pulls, and this great video shows off what it is capable of.

Check out this video by ​Monica Herndon which features Florida-based, Tampa Bay Times, photojournalist Dirk Shadd as he sets up to shoot a hockey game. When talking about the his use of remotes Dirks says, "… they’re kind of two purposes. One is that it’s a really graphic really clean angle and that’s what I like most about it but it also kind of a back up. If I get blocked on a shot or if I miss a shot or I don’t have a shot there is a chance I will have it from the remote. So you kind of do it a little bit out of creative artistic excitement and a little bit out of photos self defense".

Gillette, founded in 1901, has been around for just over 100 years now. To celebrate, they recently put together a genius stop-motion video showing the evolution of men's hair during that time. This video takes us behind the scenes of the four-day production and shows the painstaking level of attention-to-detail involved in creating an animation of this magnitude.

Making good-looking footage isn't an easy or cheap endeavor. While for much work, it still makes sense to spend on the gear you need, sometimes, there's a workaround that is much, much cheaper. This video takes a look at some of the best video accessories you can get for under $50.

Color is fundamental to photography and videography, but the way color is used is not always the same across both mediums. It isn't uncommon for videographers to make some common mistakes with their color grading, so here are the ones you ought to avoid.

For years, videographers shooting in dark situations frequently ran into the issue of a ton of noise in darks and shadows that would oftentimes make some footage difficult or impossible to use. Many have heralded the release of the a7S II with applause due to its power for video in low-light situations and even to record bursts of high frame rates in HD, so we took one into the deep recesses of an abandoned power plant in New Orleans to see how it did.

When a movie or video aims to make the viewer truly feel, it can be a tough mountain to climb. Emotion is difficult to compress into a visual and auditory experience but when it's done right, it can really make viewers think and share in a cohesive moment. This short video about the soul of Leica is one of those short films that excels at that experience, and now I'm going to shut up so you can enjoy it.

If you're starting out and you want to improve your portrait photography, or just be able to take someone's portraits, Peter McKinnon's video takes you through a quick crash course in how you can do just that.

For the past few years, I have been getting more and more into video work. When I first started, I had an idea of what frame rate was and I knew how to use it to get the looks I wanted but by no means was I doing anything correctly until probably late last year. In this video, Matt goes over frame rates and a few reasons why you should shoot in different ones.

A gut-wrenching mobile video clip depicting South Carolina police officer Michael Slager killing Walter Scott went viral earlier this month. The bystander behind the footage, Feidin Santana, has partnered with celebrity publicity agency Markson Sparks to license the footage, causing a stir among those who claim he's profiting from a death.

In case you missed "Hugo", the Oscar winning film from last year, the last cut of the movie is about 2 minutes long, and is seemingly a single steadicam shot. In this behind the scenes video, we see the point of view from a small wide angle camera mounted on top of the steadicam itself, and you can see how something like this is pulled off. You can even hear Larry McConkey take a sigh of relief when he finishes the move. Hit the jump for the scene from the movie.

Jay P. Morgan and the Slanted Lens have a new video out, this time showing how they are combining a video clip with a motion time-lapse for a music video project. It's a great watch if you've ever wondered how to approach getting this effect, or are still learning the craft of time-lapse shooting.

Last month we shared a really impressive project of an underwater shoot in Bali done by my friend and conceptual photographer Benjamin Von Wong. He stated then that was only part one and that part two would be coming soon. Well, soon is here and he's sharing more technical aspects of how he made the project come to life.

Most of us use our phones mainly for things that are not phone calls. Probably the most popular use of phones these days is snapping pictures, this is why the next iPhone got a totally different look that will change the way we take photos with our phones - a look that most of us know very well. And not only that: the resolution and glass are going to be way better. This great parody was written and produced by Adam Sacks.

Here we have food tutorial videos inspired by Wes Anderson of "The Grand Budapest Hotel", Quentin Tarantino of "Kill Bill", Alfonso Cuarón of "Children of Men" and "Gravity", and Michael Bay who gave us "Transformers" and "Armageddon". Take yourself out of your regular industry and client mindset and envision yourself in another niche, shooting something you wouldn't normally do. How would you make a food tutorial? How can you use your influences and own unique style to make a video about something different to your usual niche?

David F. Sandberg goes behind the scenes of his recent horror film Not So Fast and shows us how he lit and created the short. Sandberg reveals his innovative lighting set up that allows him to create a dark and haunting scene. This great behind the scenes video demonstrates that all you need to produce your next work of art is some creativity and innovative thinking.

Here is a short video featuring Charlie Sheen commentating on his RollingStones cover shoot. No offense Charlie but I would personally love to see this video with comments from Peggy Sirota, the photographer taking the shots. Maybe if we ask nice, our very own Reese Moore could track her down for an FS Spotlight. I mean let's be honest.

The technology inside cameras is growing at an impressive rate and even the older technology has been improved and refined to near-unthinkable levels. One such area is in-camera image stabilization (IBIS) to the point where it can rival a gimbal in certain situations. But just how many situations can modern IBIS compete with a gimbal?