As visual artists, one of the most powerful tools we have to tell our story is color. In todays article, learn the importance of using contrasting colors to create depth in your frame and draw your audiences eye straight to the subject.
Learning the alphabet is the first step to becoming a great writer. Learning basic lighting setups with just one key light is essential for every photographer taking their first steps in portraiture.
Photography can be quite an expensive hobby or career. Needless to say us photographers love our gear and always want more of it - or at least I do! Over the past couple of years, I've been transitioning from being primarily a wedding photographer to incorporating more studio photography in my business. I don't plan on leaving weddings, but I love having a couple more thousand dollars a month doing quick and easy headshot photography. Here's how I built my studio with both simplicity and quality in mind.
There’s no phrase I dislike more in the photo world than "I’m a natural light photographer." Believe me, I love natural light more than anything. It’s simple and easy to work with, and you don’t need to worry about bringing a ton of gear with you. But very rarely will just unmodified natural light work. It’s the unfortunate truth of photography (unless you’re a landscape photographer, you lucky bastards). Most photographers will use a flash to do what natural light can’t. Sadly, many don’t use it to great effect. If you want your portraits, or any image with mixed lighting to look better, there are a few key things to keep in mind when you’re on location.
Summer is upon us, which means fireworks. Previously, we have discussed using alternative methods to get smoke-like effects in your photographs. But using flour can make for a messy clean-up and smoke machines require electricity. Smoke balls, however, are cheap, come in a variety of colors and require nothing more than a lighter.
They say RGB lights will make you get rid of old-fashioned color gels. This article shows exactly the opposite. You should keep your gels and even buy more.
There's a lot of different reasons why someone would need a new headshot, but producing one with a pure white background may not be the simplest task.
When I got into wedding photography twelve years ago, I didn't know a single photographer who was shooting macro shots of their clients' rings. Today, these shots have become expected, and hopefully, if you're a wedding photographer, you've got a macro lens in your bag so that you can capture professional-looking shots of the rings.
As photographers, most of us eventually stumble onto the world of flash and the myriad of options available for producing light as well as modifying it to produce different results. Speaking from personal experience, I have often been perplexed as to whether a softbox or an octobox would be a better choice or better yet, a cheap umbrella.
Once you have mastered the basics of how artificial lighting works and what you can accomplish with it, it is time to move on to more complicated multi-light setups to better bring your creative ideas to fruition. This great video will show you the process of creating a three-light portrait from start to finish.
Night photography is something that every budding photographer will play around with at some point in their learning process. It’s a great way to get star-filled nighttime landscapes or to capture the light-painting shots in which you write in the air with sparklers. Most people don’t associate night photography with wedding photography, though, which is a shame, because it can be a good way to capture some non-traditional wedding images. These nonyraditional wedding images can help you stand out in the sea of wedding photographers and can help you book more weddings.
For reasons unknown, I receive many calls to photograph pseudo reality TV shows more than almost anything other than athletic campaigns. Like sports, I try not to watch the shows I photograph. It is not out of disrespect for what the celebs and athletes are doing, but rather I want to remain distant from the connotations put upon them from commentators or editors. As much as we’d all like to believe that everything about a reality TV show is real, it is often far from it.
While you can absolutely create professional-level portraits with a single light, using multiple lights will allow you create more advanced and precise setups that simply are not possible with just one source. One of the most important secondary lights a portrait photographer can use is the kicker, and this great video tutorial will show you both what they are and how they are used to create more effective images.
One of the most crucial things any photographer working with artificial light needs to learn is the inverse square law, which has deep consequences on how light behaves and the look of your images. If you are new to working with artificial light and want to learn the inverse square law, check out this excellent video tutorial that will show you what you need to know.
A common challenge for many portrait photographers is shooting people in a room with very strong ambient light. This tutorial and demonstration video gives a good solution to that, as well as to the challenges of shooting in front of a mirror.
Understanding light is at the heart of photography. The topic of light is a vast one but there are some fundamental concepts which should be mastered before all others. One of those is the difference between hard and soft light.
It's easy to dismiss the amount of difficulty involved in location shoots. A few years ago, Joey Lawrence (JoeyL) shot a personal project of portraits in Ethiopia. Whether traveling by van, boat or Indiana Jones plane, it's great to have the opportunity to see how hard the literal journey was on the way to the figurative photographic destination. Just handling the equipment was a pretty substantial undertaking.
Annie Leibovitz is well known for her group shots that have a high fashion aesthetic. The posing, lighting, and color toning are signatures to her images. While most photographers may not be shooting for Vanity Fair, learning how to create the staging and composites for family sessions can give you the leg up on wowing your clients.
Guest writer, Corey Rich is primarily an outdoor/adventure photographer, but last winter he decided to do something totally different and shoot CrossFit—the masochistic athletic craze sweeping the nation. More than anything, he was keen to experiment with heavy-duty artificial lighting in an indoor environment–not exactly what he's known for. His goals were simply to elevate his lighting skills, unlock his creativity in different ways, learn some new things, and have fun in the process.
A black background is a popular and timeless look for a wide variety of applications, but depending on where you are shooting, you might not actually have access to a literal black background. This excellent video will show you how to create one no matter where you are.
Not all of us have the luxury of an expansive studio space that we can fill with equipment and in which we can endlessly experiment. This great video shows to make the most of a very small studio space to light and shoot highly professional portraits.
If you are new to photography, it can seem a bit counterintuitive when you see photographers using flash outside when there is plenty of available natural light. However, there is a good reason for this, and this excellent video tutorial will show you both why and how to do it.
If you're into that film noir look à la "Double Indemnity" (and who isn't?), this is the tutorial for you. Using only an off-camera flash, a food box, and some tape, you can create this moody and cool lighting effect.
Soft light is generally the preferred style for portraits, as it is more flattering on the subject. However, soft light produces more gradual transitions and requires relatively larger sources, which can make it more difficult to precisely control where it is falling in the frame. This excellent video tutorial will show you how to create a portrait using soft but carefully controlled light using flags and v-flats.
A while ago I wrote an article summarizing some of the key tools which are required when shooting apparel for commercial clients. That article served it's purpose to demonstrate the vast number of supporting tools we use on a daily basis, but the magic really happens when we roll out the lights. Today I would like to show you some of the considerations you need to take when lighting clothing for your clients.
Creative clients and photographers love shooting on white. Whether it be seamless paper, foam core board or a cyclorama wall. I’m not sure if it’s the simplicity and absence of color or it just creates such clear contrast for eye popping subject matter. Yes, it's versatile and can go dark with less fall off but frankly, I've always found white somewhat boring.
The only times my strobes see the light of day is when they are facing down onto the surface of the water from poolside for my underwater work. In the studio, the amount of natural light that fills the space has created a look and signature feel to my images. However, I started to wonder if I was just taking advantage of this light and not truly challenging myself to the work that can be created using a strobe light.
Continuous lights are making a comeback and many photographers are giving them a second chance. In this lighting tutorial Jay P Morgan breaks down how he uses two continuous lights in his photo shoot. With the old technology of continuous lights most photographers avoided them, due to the heat the lights produced and the uncontrollable power and temperature of light. Now companies offer continuous light where you are able to fine tune the power/temperature of the light. The benefit from using continuous lights is you are able to see exactly where your light falls.
In Part 3 of the Dramatic Beauty Portrait Tutorial, we will finally get into the first main step of the skin retouching process. Basic skin retouching involves addressing subtle skin and texture issues on our portrait images. We will not only look at techniques for skin retouching in Photoshop, but also discuss the theory behind our decision process during the retouching process. I will also show optional techniques for those looking for quicker or alternative options during their portrait or beauty retouching. In case you missed it, during Part 1 of the tutorial we went over the lighting and shooting of our image and in Part 2 we looked at the "pre-editing" process.
There are plenty of reasons you may want to blend natural light with flash. I know I rarely shoot with more than one strobe on location so the ambient light often acts as a fill light or rim light. Regardless of your reason to do so, knowing how to easily achieve this is extremely important. Check out this video where I explain my process for balancing strobes with natural light on location.
