I’m sure you’ve seen it time and time again on YouTube; animal encounters captured on a GoPro. These popular little action cameras have seen it all. Watch a kayak fisherman fight off an aggressive hammerhead shark. Check out this shot of a red fox carrying off and attempting to eat a GoPro. Take a look at what it would be like to be stalked and chased by a marlin in the open ocean. And good luck sleeping after you feel what it would be like to stroll into a rattlesnake pit.
"A Taste of New York," produced by Peter Jablonowski, Thomas Pöcksteiner, and Lorenz Pritz, is the third installment of their very popular time-lapse series. The team behind Film Spektakel have once again taken their enormous talents and experience with large scale time-lapses and distilled it down to a masterful three minute experience.
First establishing a business relationship with NASA in January 1971, Nikon fulfilled a contract that put several modified Nikon Photomic FTN cameras aboard Apollo 15 which launched later that year. Since then, Nikon equipment has been on every manned space flight. In this time-lapse video by SmugMug Films, the connected history of Nikon and space exploration is observed as part of the company's 100 year anniversary celebration.
I saw the first minute of this video on Instagram and walked away from it thinking to myself, wow. The flying in this video was very good, the choice of lenses stood out, and it was filmed in some rather tough lighting conditions. I went back to the video on Instagram, found out who made it, and watched the full thing on Vimeo. While I was watching it again, I realized that this video was way different from what I had expected it to be. At first it began with straight forward camera movements along with flights through some tight spaces/buildings that would require a really good pilot. After a few clips of that, the movements began to get very unique and had me wondering what they were doing to achieve these looks.
If you were old enough to remember the horrible scenes of the Los Angeles riots of 1992, the memory probably most burned into your mind is the ruthless beating of truck driver Reginald Denny. This last weekend marked the 25th anniversary of one of the ugliest domestic events in American history. Over the course of six days, 58 people died, 2,000 people were seriously injured, and over 11,000 citizens were arrested. The man responsible for capturing the most graphic video of the epicenter, Timothy Goldman, happened to be at the wrong place at the right time, and the story of how it all unfolded is pretty interesting.
Over the past couple of weeks I have been given the opportunity to try out one of the widest Micro 4/3 lenses out there, the Venus LAOWA 7.5mm f/2.0. After testing it for some time, I'd like to share some of my thoughts on how it performed and what I liked and didn't like about it.
The first time I landed in a foreign country at night was when I went to Costa Rica in 2009. I remember being wide awake for the last hour of the flight and looking out the window at the yellow spider webs of city lights as I descended over Central America. Seeing populated places from above at night was new to me; the patterns of the streets, the sprawl of the towns, the promise of life popping up at random amidst the calm of the surrounding darkness all made it one of the most exciting flights I'd ever taken. And that's not even mentioning the stars overhead.
When flying from a distance, DJI's Goggles stream the drone's capture at 720dpi, and when you're closer, you can get up to 1080dpi with DJI's new OcuSync Wireless Technology. It's a different take on what goggles can be. It boasts two screens, one for each eye, each with a higher resolution (1280 x 1440) than the Oculus Rift (1080 x 1200), but what is most impressive is how it can be controlled by the tilting of your head with Head Tracking.
Who here owns a drone? Who here knows every single minute rule, regulation, and flight path allowed to actually fly it personally or commercially? Probably not very many. As the market grows, we find the FAA expanding rulings and steps to go by to make sure you are being safe and responsible when flying these types of devices. Though, even with all those in place we can still find ourselves with a wild neighbor prepared to shoot the thing straight out of the sky with ease.
The past few weeks I have been driving up the parkway here in New Jersey for work, my eye kept getting drawn towards this one specific railroad bridge between exit 136 and 137. Every time I passed by it, my eyes would follow it until I had to turn to see the road in front of me again. It was one of those things that I had to remember so I could go back and photograph it when the time came. Today was the day that I set out to photograph it, but before anything, I had to put a little bit of planning into it.
Ever since I was young, I was interested in photography and being able to create awesome things that I could appreciate. At first, gear wasn't something that really mattered to me, as long as I could take photos and video and somehow edit them to create what I envisioned. As time went on and I began to get more serious, I realized my gear was sort of important and I do think that having the best gear you need for the field you are in is one of the most beneficial things you can do for yourself. I know not everyone is a huge gear head and may not want to invest in new gear, but I will share some of my reasons for upgrading my gear to benefit my work.
After many years of serious stargazing, Melbourne, Australia based photographer Colin Robson has set his sights high on photographing the world’s largest image of The Milky Way. This project has been in the pipeline for the past six months and after completing a successful test photo, Robson is looking forward to getting things rolling as early as next month. Whilst images of The Milky Way have been captured before, this project aims to create the most detailed, and so far the largest, 65 gigapixels, combined from 100 panel mosaic which will view right into the heart of Milky Way.