As a professional wedding photographer, I spend a lot of time with people in front of my camera. But because I grew up racing motocross and driving fast cars, I have always been intrigued by automotive photography. So when I was asked by a friend of mine if I wanted to help shoot a 80s-styled cafe racer motorcycle, I jumped at the opportunity. Add to this that the shoot was going to be inside of an arcade filled with old-school machines, and this shoot sounded like one amazing time.
What do you get when you combine over 800 horsepower housed within the loins of a world-class trick-truck, one fearless driver, and the scenic streets and culture of Havana, Cuba? If the always creative Sweatpants Media is involved, you end up with an intensely high-octaine adrenaline rush of a short film, respectfully referred to as Recoil #4.
Have you ever captured a really amazing picture of a car or motorcycle only to realize that you forgot to turn the headlights on while you were on location? Don't you worry about a thing because Photoshop makes it a breeze to flip on those high beams in just a few easy steps.
I started my journey in photography back in 2011. Since then, there are only a handful of photographers that I have really paid attention to in terms of actively keeping up with their work. One of those photographers is Commercial Photographer Dave Hill. His work has taken a more drastic turn in just a few years than any photographer that I’ve followed. That’s one of many reasons that I reached out to Hill to chat about his work and photography.
I have always had a passion for cars, which is what set me in the path of becoming a photographer. From casually taking photos of various cars with a point-and-shoot at local events in the beginning, I decided to go beyond that and see where I could go with a camera. Scouring the Internet to learn as much as possible, there have been a group of automotive photographers that stand out to me amongst the best, and Easton Chang is among them.
I initially dove into the world of cinema and photography because of my passion for the automotive world and the arts. I have had some plans for more video work with cars in action but I always wanted more than action camera footage that’s stationary on the vehicle. Even with a jib and other equipment, I wanted more production value out of my work. Really, what I had in mind was a vehicle camera crane system.
One of a photographer's least talked about yet most important tools is the horse he rides in on. Okay, so I doubt many photographers are still riding horses, but the concept is the same: a trusty companion that will take you from point A to point B safely and in many cases with style. After all, it's not like you're going to hoof it into the middle of the Baja Desert, camera equipment in hand.
Even though she doesn't have a professional portfolio website, her name is widely known. Annie Leibovitz has done yet another nice shoot. This time it is for a Lincoln Continental campaign. Her style is very distinctive — both working with the subjects, lighting, and post processing. Although her lighting is simple, many photographers find it hard to achieve such a look. There are details that are not obvious if we look only from the technical side of her work.
Cars are beautiful pieces of machinery, some more so than others. Photographer Philipp Rupprecht came across a chance to shoot a Porsche 918 Spyder as soon as it was delivered, which almost took a year to begin. With a chance to shoot an amazing automobile, I probably would have waited as well. Philipp and his team where able to take the Porsche to a 100 year-old locomotive hall that's usually available for large events; I'm very envious of a location like that.
Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.
The recent remake of Mad Max: Fury Road has to be one of my favorite examples of both CGI and practical effects in modern day movie making working perfectly together. The way they created this world for which these characters live astounds me every time I see the film and truly set itself apart from other movies. Thanks to behind the scenes access and places like Gizmodo for the latest BTS footage.
It isn’t every day that a massive commercial client gives the freedom to artistically design a product launch. But freedom and a great amount of trust is exactly what Infiniti Motors Middle East gave Patrick Rochon for their new Q30 reveal. Rochon’s previous success with Infiniti’s Inspired Light campaign led to a second contract that allowed him to produce one of the most artistic automotive reveals to date.
When the top of the line car manufacturers look for people to call on in order to craft their new marketing materials for the newest and most technologically advanced cars off their assembly floor, they reach out to people like Richard Thompson, and that's exactly what Pagani Automobili did, for their newest and most advanced automobile yet.
Light painting is one of the rights of passage photographers have to try at some juncture. I enjoyed playing around with it in the early days, but what surprised me is I have used the techniques commercially on several occasions; from creating better backgrounds to my portraits in dark locations to capturing English Heritage sites. The importance of knowing how to light paint isn't necessary per se, but it does help you understand how light works and how your camera exposes a scene.