Photographing cars is no small task — literally. Their size makes them trickier to photograph than a lot of other subjects, requiring more lights, more space, and a range of other adjustments and considerations to create a successful shot. This interesting video shows you what it takes to photograph a car in a studio.
The Fujifilm X-A5 is remarkably cheap, coming in at just $499 including a widely respected kit lens, making for inexpensive entry into the popular X Series. But can it hold its own against its more powerful siblings and will it stand up to the demands of a professional photographer? This great review will answer just that question for you.
The business of photography is unique in a specific way like few other careers are. Many people that call themselves professional photographers are also hobbyists that love to shoot whether they get paid for it or not. Is that a gift or a bonus to calling photography your career or is it an affliction?
Formula 1 photography has every right to be bland; the scope of what can and can’t be done at first seems like it would be limiting and result in the same looking shot of the cars over and over again. The pros that shoot trackside, however, have no intention of fitting into the mold.