The Fujifilm X-A5 is remarkably cheap, coming in at just $499 including a widely respected kit lens, making for inexpensive entry into the popular X Series. But can it hold its own against its more powerful siblings and will it stand up to the demands of a professional photographer? This great review will answer just that question for you.
The business of photography is unique in a specific way like few other careers are. Many people that call themselves professional photographers are also hobbyists that love to shoot whether they get paid for it or not. Is that a gift or a bonus to calling photography your career or is it an affliction?
Formula 1 photography has every right to be bland; the scope of what can and can’t be done at first seems like it would be limiting and result in the same looking shot of the cars over and over again. The pros that shoot trackside, however, have no intention of fitting into the mold.
An agency I work with for product photography hired me to photograph not one, but two race cars. I had already photographed motorbikes, but cars was going to be the first time. With cars the problems are almost always bigger: the surfaces are bigger, the reflections are bigger, the areas to be illuminated are bigger. Everything is bigger.
If you think that photographing Total 24 Hours Spa has anything to do with cucumber slices and a hot stone massage, then you are very wrong indeed. I will say, however, that when you finish photographing one of these endurance races you might need 24 hours in a spa. Have look at this fascinating short documentary to find out more.
Light painting has been a common method for automotive photography, but it is mostly demonstrated on car exteriors. On the other hand, shooting the interior of a car, by using the light painting method can give really good results that can be qualified as a high-end image. In this video, Moe Zainal shows his process from start to finish, including the retouching.
In a saturated market of incoming photographers each holiday or tax season, it is easy to get discouraged when you are trying to get paid clients in the door. When we think of photography sessions we generally tend to lean on the idea of photographing only people in portraits. Families, boudoir, fashion, and even underwater sessions. With so many other creative ways out there to get paid why not tap into another resource for marketing?