We have seen various projects appear that celebrate and normalize humanity's oldest and most natural action: breastfeeding. However, while some photographers try to focus on how the public perceives a woman who breastfeeds in public, Emma Shardlow Hudson from Hudson & Rose Photography does something quite unique.
Piracy is a major issue among all types of creatives. Regardless of if you make handbags, design websites, create beautiful paintings, produce movies, or craft amazing photographs, at some point or another, someone is going to steal and rip off your work. Recently, we decided to run a social experiment; we actually pirated one of our own tutorials and put it online for free before it was even released to the public. What happened next was pretty interesting.
Twenty four photographs from the early 20th century by sociologist Lewis Hine sold at auction recently, giving us a reminder of the impact of his work on life in America.
While some photographers are on the hunt for the most outrageous image, others become increasingly sensitive to what they shoot. We are confronted with a never ending stream of images that blurs our ability for ethical judgement. I asked Joey Lawrence and Graham Macindoe about their opinion.
We've never been fortunate to fund our expensive gear with money from a generous Nigerian prince. When filmmaker Adam Grumbo met such a scammer online he decided to pay and hire him as a photographer and a videographer, and the results are quite interesting.
British photographer Jimmy Nelson traveled to 35 communities across the world in the first part of his project to document portraits of tribal and indigenous peoples. Today, in the second part of his project, Nelson is continuing to travel and document lives and cultures that are often unseen.
Photographing behind the scenes at any large power producing area can be difficult not only to obtain entry but also to capture the massive scale to do the area justice. The areas are normally bustling with workers, smoke from the machines, and dust from the ground. Traveling to these destinations, however, will help show the world just what goes on behind that power that they use daily.
Yes, you read that title correctly. In this episode of the behind the scenes of “Photographing the World 3,” we face the most disastrous day of filming yet! While Lee was recovering our crashed DJI Mavic in the mountains of Matera, someone on the hiking trail stole our brand new Nikon D500 DSLR and Tamron 18-270mm lens.
One Annapolis native decided to venture to Tangier Island to take a few photos. What he didn’t anticipate was getting stuck on the island — just 1.2-square miles in size — due to icy weather, finding himself in the middle of a National Guard supply drop.
Producer, director, writer, editor, actor, and researcher, Sarah Burton has to wear many hats while working for BuzzFeed Video, but can she answer the question, "Who Invented the Selfie?" Spoiler alert, she can't but as the adage goes, it's the journey not the destination. Watch as Burton humorously struggles to discover who took the first selfie, and struggles even further when the very definition of selfie comes into question.
Using a thin, round, six frame, glass plate, "spy camera", a nineteen year old Carl Størmer (1874 – 1957) captured candid images on the main streets of Oslo, Norway. These atypical images are a rare glimpse into everyday life at a time when most photos taken were of well prepared, composed and stoic subjects. If you're interested in the three part documentary video, be sure to turn on "subtitles / closed captions" and switch to "auto translate" English.
If you have just under an hour to kill then Benjamin Jaworskyj has your back with an epic travel and landscape photography video that's worth the watch. Take a visual tour to the beaches, mountains, and castles that lie tucked away in the German countryside with some landscape photography tips to boot. Feeling more like an adventure vlog than just another YouTube video, from the production values to the accompanying music, this video makes for a relaxing watch.
In this beautiful short video, photographer and filmmaker Ian Wong discusses the work of legendary photographer Wing Shya and how making mistakes can give you creative freedom and innovation.
As photographers, a common rhetoric we hear is about finding our style. We are to consider so many technical aspects like lighting, lenses, color grading, and choice of palette. On some platforms, these aspects have become more important than the content of the images themselves. However, there are so many other aspects of photography, and every genre of photography has its own set of considerations. In this talk for TEDx Chattanooga, Photojournalist Billy Weeks discusses the role of the photographer in an area of photography that is often thought to be objective in nature.
Chinese Photographer Ying Yin’s was inspired to travel and see snow. While visiting Japan’s northernmost region during the peak of winter, her photo series “Wind of Okhotsk” looks like the end of the earth, with buildings isolated by the intense weather.
On virtually every front, 2017 was a year of change, turmoil, and upheaval. A year comprised of moments that affected our every day lives in ways that societal and political movements haven’t in recent years past. The tension that has defined this year has found itself mirrored in the art that we create, and in more obvious ways in the documentary subjects captured by filmmakers across the globe.
This photo series from Paris-based Photographer Stefan Draschan documents the funny moments that gallery visitors accidentally co-ordinate with the very works they are stopping to admire.
You've heard the name. Listed among the accolades as one of the greats, Herb Ritts' ability to seamlessly blend together both environment and model set him apart from his peers. A mastery over lines, shapes, and all things pertaining to light that trademarked his work as timeless. He had an eye for capturing a moment and creative intuition for creating one. This documentary gives us a glimpse into the man behind the work. In a sense it is even more intimate then we could've hoped, as it is told by those who were closest to him.
Pripyat, once a town of 40,000 people and now a short distance from the world's single most deadly object, stands inside the Chernobyl Exclusion Zone. As I waited to get a coffee at the tiny shop alongside the Zone's checkpoint, I cringed slightly at the array of glow-in-the-dark knickknacks on sale. Chernobyl, the site of the biggest nuclear disaster in history and now a slightly Disney-fied tourist destination, is a reminder that photography's "truth" is always a little suspect.
Whilst many of us are getting excited over what new camera gear we’ll be acquiring over the Christmas period, it’s easy to forget that elsewhere in the world, poverty is rife and many live in warzones. One artist exposes war life in Yemen by contrasting images of our Christmas with their reality.
At the age of seven, Melissa Spitz first visited her mother in an institution. It was the first of many trips that inspired her project documenting her mother’s mental illness — a project that has now won her TIME Magazine’s Instagram Photographer of the Year 2017.
Wildlife Photographer Michel d’Oultremont knows what it’s like to wait. Sometimes he spends a week and a half just waiting for the perfect light and the animals he photographs to show up. The resulting images are well worth the effort.
As someone who shoots 90 percent of my professional work with wide lenses, it seems like a daunting tasking to go reaching for a 70-200mm or longer when looking to capture a landscape. Long lenses require a lot more thought in how the compression is going to affect the way the viewer sees the image and its a focal length that the human eye can’t really grasp until you look through the viewfinder. With that being said, learning to use these long focal lengths will go a long way in making us more versatile in our craft. Lucky for us, Thomas Heaton has decided to make a video specifically about this.
Netflix’s new eight-part documentary “Shot in the Dark” casts focus on three rival Los Angeles-based video journalists as they chase down the “story of the night,” all with the aim to sell their footage to the news outlets for the morning news. But as the city consumes itself through the night, does the slick production fail to address the morality of the journalists altogether in the hunt for a "Grand Theft Auto"-style brand of entertainment?
Adobe just released a delightful mini-documentary showcasing the work of award-winning Photojournalist Danny Wilcox Frazier. Frazier’s work is centralized on struggling rural communities and the families and stories within. He’s able to capture both the struggles of day-to-day life of underprivileged families while still documenting the successes of perseverance.
I created a photobook with captions, for my sister, featuring her two daughters. I had never created an album or photobook before, so I wasn’t sure how to organize the shots. Added to that, the photos were taken over a four week period. So, how did I combine all these to make a cohesive narrative? I wrote a bedtime story.
Filmmakers Justin Pelletier and Adam Maruniak of Brick Films have been hard at work over the last three months to produce this “volcano epic,” and it does not disappoint.
New footage has emerged of a starving polar bear surrounded by dry land. The heartbreaking video, picked up by National Geographic, sees the malnourished animal struggling to walk as it searches for food.
Filmmaker Matt Mangham has been working on an ongoing series entitled “Analog: Stories of Film Photography,” and I’m very excited to share episode four with the Fstoppers community. In this episode, Mangham explores creativity through the eyes of San Diego native, Matthew Lawless.
Over 56 million acres of land in the United States is owned and controlled by approximately 500 Native American tribes that received federal recognition and sovereign land from the U.S. government. Living on this land, although a blessing, has made us invisible to the public eye. In addition to the geographical invisibility, our history, modern culture, and social issues have been swept under the rug for decades by mainstream media and the U.S. government. They typically stay out of the reservations altogether, but unfortunately, people can't fix a problem unless they view it with their own eyes, after all, "seeing is believing." This is the reason our own cameras are crucial to healing our indigenous communities.
