Photographer Chip Litherland initially thought mobile photography was a threat to photojournalism and a platform for visual gluttony and selfies. But once he started tinkering with Instagram, he fell in love with the medium and began making artistic, saturated double exposures that advanced his vision. Chip explains how he uses his iPhone alongside his DSLRs when on assignment and how it has changed his photography.
The Whitney Biennial only happens every two years, yet it is perhaps the most prominent and fundamental celebration of American contemporary art in the world. Featuring works from over 100 American artists, this rarer-than-a-lunar-eclipse event is a must-see if you're in NYC -- and it ends May 25th. Don't think fine art can help your photography? Think again...
Yes, you did read the title correctly, Pixels.com has launched a new image licensing marketplace, and you're in control. Pixels.com is an online image licensing marketplace that enables artists and photographers to self-manage their images, prices and licenses. Take a look at how Pixels.com is structured, works, and proves to be a major game-changer for our entire industry.
In a surreal blend of day and night, Budapest-based photographer Bence Bakonyi’s series “Urbanite” features vast cityscapes seemingly devoid of people. Shot in Hong Kong and Shanghai, the series presents settings in which the presence of humanity is eerily close, as though the population had suddenly fled, leaving lights on and laundry on the line.
Even the best photographers need inspiration. 500px is a beautiful playground for some of the best photographers in the industry, and also one of the most powerful tools for motivation. There’s no sifting through rubbish to find quality work in your feed, which is often a problem with various social media platforms, like Facebook. Here's a list of photographers and their mind-blowing work in 4 different genres you MUST be following.
Effingham, Illinois-based photographer Tytia Habing’s ongoing series “This is Boy” beautifully captures the dichotomy of peace and wild energy inherent in its subject-her young son. The series, presented exclusively in black and white, features Habing’s son over a period of several years. Usually with her son as the sole subject, the series displays a remarkable range of emotion as he shifts from contemplative, to vivacious, to vulnerable.
Photographer Claire Droppert’s series “Sand Creatures” features photographs of sand clouds in mid-air as they form eye-catching, animal-like figures. Often titled after the animals they resemble (some more closely than others), the bursts of sand take on beautiful, energetic presences.
Merely two years ago, Stanislav picked up his first camera: a Lumix G3 for $600. From that point forward his inspirational journey began. The majority of his mind-blowing work was taken in his attic using friends as models. Now he is known as Sean Archer - a natural light photographer who specializes in female portraits. His work is proof that it’s not about gear. It’s about the photographer; it's about the vision of the artist.
Tis the season, a new senior class will emerge this spring. Thus, for high school senior photographers, a new class to educate about your business. As a senior photographer, I have already chosen and photographed my 2015 models/representatives, but it isn't too late to get started.
Polaroid enthusiasts who have long missed Type 55, that unique black and white 4x5 emulsion famous for providing a usable negative along with a positive print, may soon be in luck. The film may return to production but it depends on the likelihood of New55 project, a four year effort aimed at resurrecting it, having success as a Kickstarter campaign with a funding goal of $400,000.
About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.
The first time I saw a levitation shot, I stared at it for 15 minutes in astonishment. I could not conceive how the image was captured; I was captivated by the story it conveyed, it was surreal, magical and awe-inspiring. Conceptualizing the image and executing it can prove to be rather difficult and meticulous. Thankfully, photographers who have mastered the techniques involved in levitating have decided to share their secrets with us.