Drones create unique new ways to film but as technology seems to advance day after day, true pilots begin to push these drones to their limits. Meet Johnny FPV, a drone pilot who has helped take FPV freestyle to the public eye.
The decision to purchase a DSLR or mirrorless for new users, or the decision to switch from one to the other, is one that can be difficult to make. In this video, Engadget explore the key differences with a couple of discussions that will interest even photographers with advanced knowledge.
The Panasonic S1 is the company's first foray into the full frame camera market. Though it's their first camera of the sort, they've had a lot of experience in the micro four thirds realm and have brought that knowledge to the S1 to give themselves a head start on the competition. How well did they do? This helpful review takes a look at both the photo and video capabilities of the camera to answer that question.
When it comes to shooting video, a camera screen can be a bit small and challenging to see. Depending on the type of work that is being done, sometimes it is nice to have an external monitor that can help us compose the perfect shots.
After initially announcing the update earlier in the year, Nikon Europe have unveiled a new video giving a glimpse into how its eye-detection autofocus will work.
If you have previously been told micro four third cameras are not the best option for shooting video in low light situations. Then you just might be pleasantly surprised when you see the results of this video.
Following the announcement of the winners of the World Press Photo competition last week, Spanish photography website Photolari.com compiled the metadata to examine what the leading photojournalists are using to capture their images. The results are quite interesting and demonstrate that the mighty DSLR is going nowhere. Here's why.
I once tried to color calibrate my monitor... It was a disaster.
It's been about a year since the Sony a7 III has been released, and a lot has happened in that year, particularly with a flurry of new mirrorless cameras with similar capabilities coming to the market. Is the Sony a7 III still one of the best choices for hybrid shooters in comparison to other mirrorless options? This great video explores exactly that question.
Tilt-shift lenses are highly specialized pieces of equipment that many photographers will go their entire careers without ever touching. As such, you might wonder why those weird lenses are so expensive in the first place. This interesting video explores just that question.
Firmware is the magical sauce that turns the manual operation of your camera in to a fully digital supercomputer, controlling the high precision mechanical instrumentation, making it a thing of artistry. More amazingly, this fundamental component of your camera is fully replaceable. Would you pay for an upgrade?
Since starting my career as a photographer, one of the more challenging things I found was producing relatively accurate and pleasing looking colors. For a long time, I've been using the ColorChecker Passport from X-Rite because it consistently helped me to produce better-looking colors.
When the Sony a9 first came out, it was hailed as a massive step forward and a challenger of Canon's flagship 1D X Mark II and Nikon's flagship D5 at a lower price than both. And although it looked amazing on paper and in early reviews, questions about its longevity remained. After almost two years, this great video discusses how the a9 has fared over the long-term.
The Tamron 28-75mm f/2.8 Di III RXD has been a remarkably popular lens, while the Sony FE 24-70mm f/2.8 GM remains a top performer for standard zooms, albeit at nearly triple the price. Is that increased performance worth the price difference? This helpful video review helps answer that question.
A full tank of gas, a Fujifilm GFX 50S, and a partner in crime make for a perfect day to remember what happiness is all about.
Part of Sigma's lens philosophy seems to be: better optical quality, compact size be damned. And perhaps no lens more distinctly shows this idea than the 40mm f/1.4 Art. But is that gigantic size worth the results? This great video review answers that question.
With sensor prices dropping and given that mirrorless finally has some competition at the top end, it’s time for Nikon and Canon to treat its customers to something classic: a pocket-sized camera featuring a full frame sensor and a fast, fixed prime lens.
The S1 has just started shipping, and the reviews are a little mixed. Will it work how you need it to?
Despite advancements in mobile phone camera tech, the in-built flash often leaves much to be desired. One company has now unveiled a handheld, wireless Xenon flash for when you’re looking for studio-esque lighting for your phone photos.
DSLR shooters may not think they need a 360-degree camera (they don't), but that doesn't mean there is no reason to get one, and Kai Wong makes the case why this 360 camera is worth your investment.
When you talk about landscape photography, chances are, you associate it with wide angle lenses. Telephoto lenses are probably the least used in landscape photography, but they do have some fantastic qualities to them.
Canon’s flagship APS-C DSLR, the 7D Mark II, is long overdue for an overhaul, and all of the speculation for 2019 was that its successor, the 7D Mark III, would soon be announced. Rumors now suggest that it will be merged with the 80D, with an EOS R in the pipeline to take its place.
Are you looking for a new flash and intrigued by the Profoto A1? Maybe you’ve seen the internet rumblings about Godox’s V1 light and the alleged backdoor drama between the two lighting companies and wondered if this new light beats the top priced flash? Which round flash is the best bang for the buck and should you switch or stick with your square flash?
2019 certainly seems to the year for f/0.95 standard lenses. Shortly after fans were teased with Nikon’s Noctilux at the CP+ event in Japan, bokeh geeks (bokeeks?) were treated with an announcement from Zenit, and now Chinese lens maker ZY Optics has launched the Mitakon Speedmaster 50mm f/0.95 Mark III for Sony E, Canon RF, and Nikon Z mounts.
Today, Tokina unveiled a new 100mm macro lens for Sony full-frame mirrorless cameras.
When it is time to buy a camera, image stabilization can be something that is on the bucket list of must haves. Image stabilization makes it possible to shoot with longer shutter times than normal, preventing the use of a tripod. There are many different implementations of image stabilization, but it is not the Holy Grail. You could say image stabilization is overrated.
Following a recent interview with one of Canon’s senior executives, we’re getting more of an insight into what the Japanese giant has in mind for its vast range of cameras: EOS M is the most likely future of APS-C mirrorless, with no suggestion that there will ever be mirrorless versions of the large array of crop-sensor DSLRs.
You have a daily workhorse camera that gets used for all your run-of-the-mill jobs. Like most businesses you go with a five year replacement cycle, so why would you replace it with a seven year old camera?
Martin Fitzpatrick has built one of the most interesting cameras we've ever seen: one that displays the captured image by drawing it on an Etch a Sketch.
During a fascinating interview given by one of the company's senior executives, Canon dropped a few bombshells, including the plan for a full frame mirrorless camera that is even cheaper than the recently launched EOS RP. When you consider how affordable (and limited) the RP is, you have to wonder what Canon has in mind.
A cinematographer has unveiled a sneak peek of his multi turret, which allows users to mount three lenses onto one camera for easy changing.
What seems like it could have been an April Fools joke if it had come out a few days sooner, the Lensrentals blog has posted a great (and enlightening) story on something that apparently has happened more than once: somehow, for some reason, a full-sized fly got into a lens, and the entire lens had to be disassembled to remove it. The question is: did it affect image quality?
The photography community is at a bit of a crossroads, as manufacturers continue to make the transition from DSLRs to mirrorless cameras, and many might be wondering just what their plans are. Canon recently gave an interview and clarified what the future holds.
In a previous video, Dave Altizer demonstrated the Sharp pre-production 8k camera. What many people really wanted to know was how this performed in low-light situations and its high ISO capabilities.
Nikon’s brand new mirrorless cameras, the Z 6 and the Z 7, have one important feature that’s missing and according to one photographer, needs to be addressed through a firmware update as soon as possible. Check out this short video to find out what needs to be fixed.
I spent several days creating images in nasty, cold conditions on Mount Washington and the mountains of New Hampshire to see how this new mirrorless camera would perform. There were some issues, but no major malfunctions or failures. Overall, I’d say it’s a step sideways from the D750 or D800, but not a big step up at this point.
Building a shooting space in your home can be difficult to say the least. For most photographers, a home studio is never large enough and every inch of space becomes a commodity. In this video we show you perhaps the easiest and cleanest way to hang seamless paper in your studio space.
Figures show that between February 2018 and February 2019, camera shipment figures were down 35 percent, meaning 250,000 fewer interchangeable lens cameras were dispatched.
Today is a good day for many Sony shooters because it will feel like getting a new camera in some ways. Real-time Eye AF, Real-time Eye AF for Animals, and Time-Lapse Interval Shooting have arrived to the Sony a7R III and a7 III mirrorless cameras in firmware update 3.0.
Canon, Nikon, and Sony are all now seriously committed to the mirrorless camera market, so what does that really mean? As each manufacturer pursues a slightly different path in the mirrorless market, and Sony having several years head start compared to Canon and Nikon, where will each system be in one to two years? Just importantly where does each manufacturer stand today?
If you're a fan of extreme lenses, the Venus Optics Laowa 10-18mm f/4.5-5.6 lens is one that should definitely be on your radar. With its insane focal length, it's a fascinating lens to shoot with — both a lot of fun and a challenge. Check out our review of this interesting lens.
Announced at CES 2019 earlier this year, Seagate showed off their updated line of Backup Plus external hard disk drives. Here's a first-look review at these inexpensive travel-sized storage options.
I own the Canon PIXMA Pro 100 printer. In fact I purchased mine under a similar deal that B&H is offering right now which is $250 off the normal price of $399. That’s just $149 for one of the most dependable photo printers on the market. I love my printer and enjoy adding printing as another part of my photography experience. The prints I’m able to produce are fantastic and it gives me another means to thank a client, by giving them a print they can hang.
Today, Canon announced their latest addition to the famed EOS Rebel series of DSLR cameras. The new Canon EOS Rebel SL3 weighs under a pound and features 4K video recording, a DIGIC 8 processor, and Dual Pixel AF with Eye Detection AF.
A Gobo is used to create shapes of light on a subject. It's usually quite a hassle, but the StrobePro Optical Snoot has changed the game.
With the explosion of full frame cameras over the last few years, speculation has mounted as to the future of APS-C and micro four-thirds. In this quick video, photographer Dave McKeegan offers his insights in the camera industry and gives his thoughts as to why APS-C is here to stay.
I understand that the term "best" is mostly subjective and in many cases, it's entirely based on individual requirements. The recent releases from Datacolor boast some pretty cool new features, but, do they make them the best?
If you've been wondering what the future of Canon's various camera lines will be, the company has gone on the record in several recent interviews, clarifying just how future development will continue.
Were you one of the early adopters who jumped to a Fuji X series, selling your extensive Canon camera body and lens range, to be thoroughly unimpressed with the image quality to then jump back? Or did you fork out on a PhaseONE medium format, drooling over that dreamy tonal range to then see Pentax release the rather good 645Z for a quarter of the price a year later? Enter the "Yesterday's Tech" purchasing model.
