Once in a while a lens comes along that makes you want to reach for your wallet without hesitation. While this 35mm "Franken-lens" may need some additional steps to get it to work, the results are rather breathtaking.
If you’re pondering your first full frame camera or need a backup body that will handle all of your Canon glass, now's a good time to buy the EOS RP. With holiday deals, it’s now cheaper than ever.
The Nikon Z 9 is finally here, and it takes square aim at Canon's and Sony's top cameras, giving Nikon shooters a powerful body suitable for a wide range of professional applications. This great hands-on video takes a look at the new camera and the sort of performance and image quality you can expect from it in practice.
The Sony a7 IV is probably one of the best bang-for-buck cameras on the market right now. With its high-resolution 33-megapixel full frame sensor along with a slew of high-end video features, it fits the needs of professional creatives. If you're thinking about purchasing this camera but want to know how it performs, then this video might be useful to you.
DSLR cameras with a focus on video don't get enough respect. Often regarded as a less-than-serious tool by professionals, and perhaps too complicated for photographers, they occupy an interesting but important middle-ground for content creators. So which brand is doing this genre right?
Canon shooters using the EOS R5, R6, and/or 1D X Mark III, will have reason to smile soon, as an upcoming firmware update will bring some notable improvements and new features that will make their lives easier.
There is no doubt that mirrorless is the future, and while all the major manufacturers have been producing some mightily impressive cameras, not all of us need those top-shelf features, nor do we all want to spend money on expensive bodies. Nikon's Z 5 offers photographers full frame mirrorless and some of the latest features and capabilities at an affordable price, and this great video review takes a look at the performance and image quality you can expect from it.
Having more gear is usually fun. Until you have to pack for a big trip or shoot and charge all your batteries, that is.
Professional wide angle zoom lenses tend to have apertures of f/2.8, but for photographers who do not need that extra light-gathering power, choosing an f/4 zoom can mean significant savings in both weight and cost (and sometimes other gains). For Canon shooters, there is the RF 14-35mm f/4L IS USM, and this great video review takes a look at the kind of performance and image quality you can expect from it in practice.
Canon has impressed us time and again with their RF lenses, which push the boundaries of design and performance. Such superlative lenses are not cheap, however, and many photographers may be looking for more reasonably priced options. The RF 16mm f/2.8 STM is one such option, and it is quite portable on top of that, and this excellent video review takes a look at the kind of performance and image quality you can expect from it in practice.
The price disparity between entry-level and high-end equipment in photography and videography is larger than every, and in many ways, that makes comparing them more interesting. In this video, one videographer shoots b-roll with a cheap smartphone gimbal and an expensive stabilizer rig to see just how much difference there is.
When it comes to buying new lights, you first need to decide if you want a continuous light or flash, which can be a difficult decision if you shoot both photography and video work. But with the new Reflex S from StellaPro, you no longer need to decide.
Fuji recently unveiled their Instax Wide photo printer, over 20 years after the format first made its appearance. So, why has it taken Fuji so long?
One of the most commercially successful lenses in recent years was the Tamron 28-75mm f/2.8 Di III RXD, which offered an impressive blend of performance, image quality, and portability all at a very affordable price, particularly when compared to other 24-70mm f/2.8 options. The second iteration of the lens is here, and it brings with it a range of improvements. This great video review takes a look at the lens and the kind of image quality and performance you can expect from it in the real world.
Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.
Canon's EF 100mm f/2.8L Macro lens was known for being a bit of a hidden gem in the company's lineup, offering true 1:1 macro performance, sharp images, top-notch image stabilization, and more, making it a versatile option for everything from macro work to portraits and weddings. The RF 100mm f/2.8L Macro IS USM is its successor, and it brings with it some new features and improvements over its already impressive predecessor, and this great video review takes a look at the performance and image quality you can expect from it.
The Fujifilm Instax SQ6 has been my favorite instant camera for several years now. The relatively extensive features, film size, and overall compact design make it a brilliant option. The question is, how does the SQ6 compare against the new instant camera from Polaroid?
It used to be that full frame was the largest sensor size most photographers could reasonably afford, with medium format reserved for rental houses and a few rare creatives. However, in recent years, we have seen an explosion of relatively affordable medium format options that open an entirely new system to many photographers. Before you take the plunge, check out this great video that answers some common questions about medium format and illustrates some problems you might encounter.
Sony's a bit of a niche player in the smartphone market, but with their latest offering, they seem to have managed the impossible, which is cramming a 1-inch sensor into a very thin cell phone.
There are numerous genres out there in which a 24-70mm f/2.8 is the bread and butter lens, offering a focal length range that allows for wide angle coverage on to portraits and more, paired with a wide maximum aperture. However, such lenses are rarely affordable, though Tamron's 28-75mm f/2.8 Di III RXD G2 bucks that trends and offers a lot of performance for not a lot of money. This great video review takes a look at the sort of image quality and performance you can expect from it.
It is no secret that both Lightroom and Photoshop can be resources hogs that do not run particularly quickly, though in fairness, they are also pushing around and manipulating a lot of data. Between your CPU, GPU, RAM, drives, and more, there are a lot of places where an upgrade could possibly speed things up, but of course, you do not want to waste your money. So, what components should you upgrade first? This helpful video will show you some useful tests to help you figure it out.
It is 2021, and numerous devices have GPS, Wi-Fi, Bluetooth, and cellular radios or some combination thereof, and these capabilities provide a certain level of security. There are also passcodes, serial number databases, and much more. And yet, cameras do not seem to take advantage of any of these capabilities. Why is that, and will we ever see some of these features make their way into our devices?
In the past few years, we have seen a few zoom lenses that push the boundaries of lens design and performance to the point that they can conceivably replace several prime lenses with comparable performance and many times more convenience. One such lens is the Tamron 35-150mm f/2-2.8 Di III VXD, which offers an impressively wide aperture combined with a highly versatile focal length range, and this great video review takes a look at the sort of performance and image quality you can expect from it.
What exactly can the H&Y Revoring do and how does it work? This unique type of filter from H&Y has definitely turned a lot of heads due to its unique design and how it solves a problem that generations of photographers (who use filters) have had for a while. In this review let’s check out how the H&Y Revoring works, what are its limitations, and what instances is it useful in.
One of the beautiful things about mastering artificial lighting is that you open a huge range of creative options to yourself through the use and arrangement of modifiers. However, there are numerous modifiers available to photographers, and it can be tricky knowing which ones are right for your work. This fantastic video compares over 25 lighting modifiers to show you the way they will render your subjects and help you choose the ones you prefer.
If money is of little concern and cameras are what you're interested in, then let us guide you through the realm of exotic and super-expensive cameras.
Fujifilm has introduced a ton of new gear in the last couple of months, including a couple of incremental upgrades to the much-loved X-T30. How do you choose between this new X-T30 II and the X-S10?
It used to be that cameras had three or nine focus points, with maybe 30-50 on more top-level professional bodies. Nowadays, cameras have hundreds or even thousands of focus points with nearly limitless ways to combine and arrange them. One of the fundamental choices you will have to make is the size of your focus point, and this excellent video tutorial will help you decide which is right for your work.
It is quite often overlooked when it comes down to creating a stunning photograph, although it has a big impact on the composition and even on the story of an image. We are talking about the right focal length. Avoid one of the biggest traps about focal lengths and find out how to impact your composition with the right lens.
The Fujifilm X100 series is now in its fifth iteration with the X100V, and the popular camera is better than ever. Is it the best travel camera out there? This great video review takes a look at the camera and how it performs on a trip.
