Sony's ZV-E10 is an affordable and versatile camera aimed squarely at content creators and meant to produce quality photos and videos in an efficient and easy manner. This excellent video review takes a look at the camera and how it performs in real-world usage.
Sony's latest lens, the FE 70-200mm f/2.8 GM OSS II, is here, and it brings with it a ton of improvements over the original, making it an intriguing option for a wide range of applications, from wedding shooters to bird photographers and more. This excellent video review takes a first look at the new lens and the sort of image quality and performance you can expect from it in practice.
SIRUI has become synonymous with bringing affordable anamorphic lenses to the masses. Their latest lens has seen substantial interest and now reviewers are getting the chance to be hands-on with it.
So what’s it like to shoot in 12K video? This was just one of the many questions I had which inspired me to take the Blackmagic Design URSA Mini Pro 12K out for a spin and see how it would perform in the real world.
Autofocus was one hell of a quality-of-life upgrade in photography, but it's not always necessary. In this video, see a comparison of one fast autofocus prime with four fast manual focus primes to see how they hold up.
There have been some excellent lens releases this year, but Tamron's newest offering might be challenging for the top spot. With an unbelievable focal range and widest aperture, how does it hold up on different shoots?
In a new development for the company, Samyang/Rokinon has unveiled its latest lens for Sony full frame cameras: the AF 24-70mm f/2.8 FE. Just released on sale in Thailand, an announcement for U.S. and European markets is expected soon.
DJI's drone lineup has grown into a well-respected and varied range of options suitable for everything from casual snaps to high-level professional work. Three of their most popular consumer options are the Mavic Mini, Mini SE, and Mini 2, and if you are wondering which one is the best option for your needs, this excellent video review will help you pick the right choice.
Astrophotography has some specific and often more demanding requirements when it comes to lenses, and as such, it takes careful evaluation of potential options to know which is right for your work. For astrophotographers on a budget, there is the Viltrox 35mm f/1.8 AF, and this great video review takes a look at the sort of image quality and performance you can expect from it in practice.
One of the neat things about street photography is that there are so many different approaches to what gear one can use. Some prefer a simple, quiet rangefinder with a neutral focal length prime, while others will use a DSLR or mirrorless camera with a superzoom for the flexibility and more advanced features. What is the right option for you? This great video features a few street photographers discussing their thoughts on the topic.
If there is one thing the world absolutely does not have a shortage of, it is 50mm lenses for Sony E mount cameras. Two of the best options are the Sony Planar T* FE 50mm f/1.4 ZA and FE 50mm f/1.2 GM, and this awesome video comparison will show you everything you need to know to choose the right one for your work.
Canon's announcement of their newest RF lens has pricked up a lot of ears in curiosity. Is this new lens going to be brilliant, or is it too niche to succeed?
Supply chain issues have been plaguing electronics manufacturers for several months now, and camera companies are not immune to the problems caused by an inability to obtain adequate quantities of needed components. It seems as if Canon is the latest to be affected by the shortages, with several product canceled and slated to be "refreshed" at a later date.
Professional photography has never been more affordable to get into as a profession as it is today. Digital is now old hat, so your money goes a lot farther than it did 10 years ago. But how cheap can you really go as a commercial pro?
I received a Sony ZV-E10 for review. It’s an interchangeable lens camera for content creators, featuring a nice APS-C sensor. Instead of looking just at the specs and the pros and cons of this camera, perhaps it’s better to look at it from another perspective.
The Canon EF 100mm f/2.8L Macro IS USM was one of the most respected lenses in its DSLR line, offering top image quality, impressive image stabilization, and no-fuss autofocus, all at a very reasonable price that made it a top pick for wedding, macro, and portrait photographers. The new RF version promises a range of improvements and new features, and this excellent video review takes a look at if they are worth the price.
Panasonic's latest camera, the Lumix BS1H, is here, and it brings with it impressive capabilities in about as small a body as you could possibly imagine. Who is it for and how does it perform? This excellent video takes a look at what you can expect.
Every couple of months, it seems that there’s another manual focus lens from a tiny manufacturer that offers an insanely wide maximum aperture. This short video puts two newcomers head to head: the Laowa 35mm f/0.95 versus the TTArtisan 90mm f/1.25.
It's a favorite focal length for portraits. So, how does it cope with landscapes?
It looked like 2021 was going to be somewhat of a dry year for virtual reality content creators, and then out of nowhere, Canon drops the RF 5.2mm f/2.8 L Dual Fisheye lens aimed squarely at creators of 180 VR content. It's now possible to more easily shoot this kind of content in 8K, but beyond that, what other new features does it bring to the table? Expert VR content creator Hugh Hou explains.
Tamron’s latest lens for Sony APS-C cameras is a superzoom: with a range of 18-300mm, it offers a huge amount of flexibility and might easily replace four or five lenses in your bag. How well does it perform, and what about Tamron’s other new lens, the 11-20mm f/2.8?
Landscape photography requires a fair share of specialized gear, and knowing when to upgrade or what to splurge on can make a big difference in both your image quality and the ease and enjoyment of the experience. This excellent video features an experienced landscape photographer discussing six such pieces of gear that improved his landscape photography.
Cameras just aren't good enough at processing photos — witness the inexorable rise of the smartphone which leverages adequate hardware and clever software to produce images that look as good as those from a high-flying $2,000 camera. What can manufacturers do to remain relevant in today's market?
A good 50mm lens with a wide aperture is one of the most useful a photographer or filmmaker can own, suitable for everything from portraits to low-light work. At $299, Samyang's AF 45mm f/1.8 FE is an affordable option, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
The workhorse lens of choice for a huge range of photographers is the 24-70mm f/2.8, and while it is an extremely useful optic, there might be better choices for certain genres and photographers. For landscape work, an interesting alternative is a 24-105mm f/4 lens, and this great video discusses why it might be the essential lens for such imagery.
Apple's latest iPhones have arrived, and they come with a wide variety of improvements on the photography front. With everything from Cinematic mode to macro capabilities, they promise to be versatile and powerful tools for photographers and filmmakers, and this great video review takes a look at the sort of photo capabilities and image quality you can expect.
A good 24-70mm f/2.8 lens is the workhorse of choice for a huge range of photographers and filmmakers, offering a versatile focal length range and a wide aperture suitable for a lot of uses and applications, though they are not always cheap. Sigma's 28-70mm f/2.8 DG DN Contemporary lens offers impressive image quality and performance in a small package and at quite an affordable price, and this great video review takes a look at just what you can expect from it.
Few lenses are more versatile and useful than a tilt-shift lens, offering high levels of sharpness, the ability to control depth of field independently of aperture, correction of verticals, and more. For Nikon shooters, there is the PC NIKKOR 19mm f/4E ED tilt-shift lens, and this excellent video review takes a look at the sort of image quality and performance you can expect from it in practice.
Canon has just unveiled the latest lens for its R-series cameras: the 5.2mm f/2.8 L Dual Fisheye that projects two image circles in order to create 180-degree stereoscopic footage for 3D virtual reality capture. It’s ingenious and bizarre.
In 2020, Sigma announced the disappointing news that its work on a groundbreaking Foveon sensor was delayed indefinitely. However, in a recent interview, Sigma’s CEO has said that work is underway, having restarted the project from scratch.
