Am I the Only Photographer Who Prefers Heavier Equipment?
The love for mirrorless bodies and pancake lenses is bottomless, but what about heavier setups? I can't be alone in my appreciation of them, surely.
The love for mirrorless bodies and pancake lenses is bottomless, but what about heavier setups? I can't be alone in my appreciation of them, surely.
The brutal crop when shooting 4K might be a decisive factor for a lot of filmmakers when considering whether to buy the EOS R, but for many it’s a solid option at a good price. How does it compare to its DSLR equivalent, the 5D Mark IV? This video aims to find out.
Canon's RF 24-70mm f/2.8L is now in the hands of photographers, and Jared Polin has put it through its paces to see how it performs. Significantly more expensive than its DSLR predecessor, does it live up to expectations?
Canon recently announced a new edition of the flagship 1D Mark III is on its way. While that got many people excited about what might be in the offing, there are some things that could also be rather underwhelming.
The holiday season is the best time to buy a new monitor; with Black Friday right around the corner, now is the perfect time to update your most important tool for editing. But do you know what to look for? Let's discuss what important qualities you should be watching for and go over some highly rated monitors for photo editing.
Photographers like to spend a lot of time comparing gear and considering how their own work might improve if they upgraded their camera or switched to a different brand. And while there are certainly objective differences between various camera brands and models, there is no such thing as a perfect camera. This great video explores that idea and why you might want to put your gear envy to bed.
The wide-aperture 35mm lens market is a crowded one, but Tamron has added their SP 35mm f/1.4 Di USD lens to the pack, and it looks to be a great option for photographers. Check out this helpful video review of the lens.
You might think 40mm sounds like a strange focal length. I know I did. But this lens surprised me in all the best ways.
A recent article by boss man Cookie reported how the demand of DSLR cameras may delay a professional mirrorless camera from Canon. It makes some sense that Canon would concentrate efforts on a system that still has a great deal of demand, however, I wonder if this an excuse or a mistake?
Photographers and videographers are working on the go and traveling more and more, and their needs for advanced data storage devices are growing. The Gnarbox 2.0 SSD seeks to fill those needs while housing those capabilities in a rugged device made to stand up to the elements. Check out our review of this powerful device.
Today, we have the conclusion of my three part series having a look at the Fuji GFX 100 in actual practice.
The Nikon NIKKOR Z 58mm f/0.95 S Noct lens is extreme in every conceivable measurement — from optics to price. Does that crazy price deliver image quality to match? This fun first look video takes a peek at the monster lens and just what it is capable of.
As creatives, finding a cost and time-efficient way to keep our files safe is possibly one of our more mundane but necessary tasks. For years, I have been purchasing hard drives and running my backups manually for the most part with Backblaze being used for off-site backups. As my archive grew, however, this became cumbersome. After much searching, I settled on the QNAP TR-004 as my new solution and I’d like to share my experience with you today.
There are numerous articles that are discussing the advantages and disadvantages of hot lights and LEDs. Knowing these, I want to share my opinion from a practical standpoint.
The Sony RX10 IV bridge camera was released in October 2017 and features a 24-600mm equivalent lens with the capability of shooting up to 24 frames per second with autofocus. Pairing those kind of specs with Sony’s newer Real-time Eye AF for Animals tech makes perfect sense, and now it’s here.
As camera manufacturers go, Leica is probably one of the more polarizing brands on the market right now. Personally, I'm a fan of their cameras, although I'm not planning on owning any cameras from them in the immediate future. Even still, I do think they produce some wonderful devices.
The Nikon Z 50 offers a sub-$1,000 entry point into Nikon's mirrorless system in a compact and lightweight crop sensor body, making it an intriguing option for many photographers. This helpful review takes a look at the new camera to help you decide if it is a good choice for your work.
If you have ever looked at the price of cinema lenses, your eyes probably watered a bit at their seemingly stratospheric cost. There are lots of reasons for those high prices, one of the most common being that they are parfocal. This interesting video explains what it means for a lens to be parfocal and why it is so desirable among filmmakers.
Sigma has recently announced that it will be releasing a brand new 24-70mm f/2.8 Art for Sony full-frame cameras, and the price is quite remarkable. Given the sudden shift from DSLR to mirrorless cameras, you’d think that lens manufacturers would be struggling to keep up, but despite that, there’s probably never been a better time to buy third party glass.
There’s been a lot of deserved praise heaped on the Google Pixel 3 and 3a series of smartphone cameras. But since those smartphone photography juggernauts came out, the landscape has shifted a bit. Does that mean that Google is still on top?
The Sigma 35mm f/1.2 DG DN Art lens is one of the newest from the company and one of the first designed specifically for mirrorless cameras. With its ultra-wide aperture, it looks to be an interesting option for Sony E and Leica L shooters, and this great review takes a thorough look at it.
The Sigma 24-70mm f/2.8 DG DN Art lens for Sony is the newest from the company, and it brings with it the Art line's legacy of high-quality optics at affordable prices. Sigma has released the price for the lens, and it looks to be a great option for Sony shooters.
Canon’s move to mirrorless may have taken a while but the Japanese manufacturer certainly now seems intent on taking full advantage of the new flange distance. Patents for three new wide-angle primes have just been submitted and the specifications are a little bit crazy.
The Panasonic S1H is a highly capable camera that offers a lot of flexibility for photographers and videographers alike. Those specifications make it a very interesting potential option for the kits of a lot of users if it can hold up in real-world use. This great video tests out the new camera to help you decide if it is right for you.
Filters are an essential part of any professionals toolkit and Polar Pro has built up a great name over the past few years in the filter industry. From the ease of use, quality, and performance of their products, Polar Pro is expanding into new realms to help filmmakers and photographers at a higher level.
Television studio cameras are massive when compared with any DSLR photography setup and are even bigger than most cinematography rigs. Check out this video for a fantastic breakdown of why they tend to be so large and cumbersome.
Aperture is one of the most important fundamentals in photography, and mastering it is crucial to learning how to create better images. This excellent video will give you a great introduction to aperture and f-stops and how you can use them to take more control over your images.
Canon is slowly filling out its mirrorless line, but there are still some cameras and lenses that photographers are waiting to complete their kits or to justify switching. The good news is that Canon seems to be planning a lot of releases for their mirrorless line in the first half of 2020.
The Trump impeachment hearings began yesterday, and as you would expect, there was a veritable throng of press coverage. But in the past few years, the camera landscape has changed quite a bit, and it is quite interesting to see the sort of cameras being used by press photographers there.
The Canon EOS R gained Sony-like AI Servo Eye AF with a firmware update earlier in the year, and now, photographer Manny Ortiz takes a look at how it performs. The short answer is that it’s definitely way better, and he says as much, but the real reason to watch the video is to see Ortiz in action on a portrait shoot. It’s fascinating.