Gear

Recently, Hasselblad released a 20-megapixel, 1-inch sensor on DJI's new Mavic 2 Pro, but in the grand scheme of things, Hasselblad may have a few bigger plans for the future when it comes to cameras that can fly. Having the ability to throw an A6D on a Matrice 600 Pro to capture 100-megapixel raw images has never been so easy.

What happens when seven different 85mm lenses are pitted against each other in a controlled test? I guarantee the results will shock you and make you reevaluate your spending habits on lenses.

Do you have a lens in your kit that delivers results every time? Is it your go-to lens or is it one that you don't use as much as you should?

Over the past few weeks, I had the opportunity to try out the all-new Sigma Art 85mm f/1.4. Priced lower than a majority of Sony lenses out there, this seems to be a good solution for anyone looking into new glass for their Sony body.

Details are still a little vague, but rumors regarding Panasonic's foray into the world of full-frame mirrorless are starting to surface. Given the success of their micro four thirds offerings, will Panasonic be the dark horse that finally presents something genuinely comparable to the Sony a7 range?

The Profoto B10 is here, and it's one of the most exciting advancements in lighting that I've seen in years.

Listen, I know what you're all thinking. "Whoa, it looks cool. The modeling light is even bi-color. But it costs how much?" I get it, but bear with me.

When it comes to photographic equipment, do you always get what you pay for? Starting out, is it worth breaking the bank to acquire the same glass used by the industry’s leading professionals? One photographer decided to compare the results of two lenses with the same focal length but drastically different price tags.

Back in April, Tamron announced their 28-75mm f/2.8 lens for the Sony E mount and the community anticipated something super sharp and refreshingly affordable. After high demand, more units hit the shelves next week and reviews so far suggest that Tamron has delivered.

Hot on the heels of his first look at Sigma 135mm f/1.8 lens, Manny Ortiz offers his first impressions of the recently released Sigma 24mm f/1.4 DG HSM Art Lens for Sony E mount.

It's iPhone day! Here's what you need to know about the three new phones Apple released today.

Over the last decade or two, photography and videography technology has evolved drastically. Computers, monitors, servers, and other digital technology are no longer being left in an office or studio somewhere; they’re showing up on set, typically on a cart or table of some type. The INOVATIV Scout EVO 37 is an equipment cart built to meet the demands of professional digital photography and video.

Tilt-shift lenses are expensive, niche optical instruments, and as such, it can be a bit difficult to tell if you really need one or not. This quick and useful video will show you if you need one or if you can just stick to Photoshop for the times you want that effect.

Fujifilm is considered the leader in the APS-C mirrorless camera market with its renowned X-Trans sensor technology and high-quality lenses. In this video, you’ll find all the details about the latest X series model released by Fuji: the new X-T3.

With all the mirrorless noise of the last couple of weeks, it's easy to forget that Fujifilm's latest offering is about to hit the shelves. With its new sensor and upgraded video specs, the X-T3 could be about to lead the way in the world of APS-C cameras.

I was recently involved in a conversation via Facebook that centered around new camera gear and becoming a better photographer. The saying generally goes: “It’s not about the camera gear at all.” While I generally agree with this way of thinking, it’s not always accurate.

Medium format cameras can produce wildly impressive results, but they generally come at wildly high prices. Fuji may be about to change all that, as it seems they're preparing to release a medium format camera at a full frame price.

Welcome to the second part of Choosing a Lens for Visual Storytelling in Photography. This week, we’re going to look at the way in which lenses help you to express distance and intimacy and dive deeper into the story you want to tell.

Canon makes some pretty great cameras, though none are without their faults, including the company's recently announced entry into the full-frame mirrorless market. Kai Wong's first impressions of the Canon EOS R tell us about everything the camera does well and the mistakes Canon made with its release.

Sometimes, you have to leave old technology in the dust to move forward. With two of the biggest brands having just announced new mirrorless bodies, with it comes new lens mounts to carry these camera systems into the future.

After Sony, Canon, Nikon, and Olympus, it’s now Fuji’s turn to get access to all advanced Elinchrom features such as HS, HSS, and TTL.

After several years of Sony having its run of the mirrorless world, Canon and Nikon finally announced their full-frame mirrorless cameras. The initial sentiment may not be brilliant for both Canon and Nikon; however, I think Canon has done something absolutely incredible.

In a week full of mirrorless camera announcements, Fujifilm has stepped up to the plate again with its announcement of the X-T3.

Profoto just released a teaser video announcing a new product is about to be released. It may well be an updated B2 or a baby version of the B1X.

2018 has been quite a year for new equipment releases. We’ve seen Sony’s impressive a7 III, the Nikon Z6/7, and now the Canon EOS R, among many others. Specifically, these new mirrorless cameras continue to bring up one question for me, and that is: have we lost our minds?

Sigma bringing their much-lauded Art series line of lenses to the Sony E mount created a lot of excitement in the photography world, and as they continue to make their way into the hands of photographers, reviews have begun to pop up. This review takes a look at the Sigma 135mm f/1.8 DG HSM Art lens.

Mirrorless, mirrorless, mirrorless... it's the most public camera debate for some time and if you're already sick of it, don't click this article. We're going to look at the specs of all three of the big brands' mirrorless cameras and see who comes out on top.

We’ve all heard the saying "buy cheap, buy twice," but does this mean that we should only buy the more expensive equipment? I'm sure we've all purchased some equipment at some time and ended up wishing we had paid a little more for a better piece of equipment. To me, the word 'cheap' should never be used to describe photography equipment.

The photography community is buzzing about today's announcement of the Canon EOS R, but for some of us, the most exciting news is the new 400mm f/2.8L and 600mm f/4L Type III super-telephoto lenses. They've made quite a few changes with these, so let's dive in.

The much coveted but until recently, wildly under-delivering "mirrorless battle" between the titan brands has finally kicked off. Syrp have got to do a hands-on review of Canon's new EOS R mirrorless, and it's interesting to say the least.